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2103107133881
LOUIE MELODY & BASS CULTURE PLAYERS - DEM A RUN
03/10/2021
Louie melody BCP Music ,
Louie Melody & Bass Culture Players - Dem a Run | Version a Go Run [BCP Music 2021] LOUIE MELODY IG ➫ https://www.instagram.com/louiemelody/ FB ➫ https://www.facebook.com/LouieMelodyMusic/ DC ➫ https://www.discogs.com/es/artist/4913074-Louie-Melody SC ➫ https://soundcloud.com/louiemelodymusic SP ➫ https://open.spotify.com/artist/4RqFqbPZTJb7iez4BB4bb9 BASS CULTURE PLAYERS BC ➫ https://basscultureplayers.bandcamp.com/ IG ➫ https://www.instagram.com/basscultureplayers/?hl=es FB ➫ https://www.facebook.com/basscultureplayers/ DC ➫ https://www.discogs.com/es/artist/2805605-Bass-Culture-Players SC ➫ https://soundcloud.com/puppashan SP ➫ https://open.spotify.com/artist/3fyAIoeO8S9n2h7JY71Osp ⭐⭐⭐Singers and players of instruments⭐⭐⭐ Vocals: Louie Melody Drums: Likkle Tuco Percussion: ‘BB’ Jones Bass: General Soria Piano: Carlos “Amalgamah” Guitars: Santi Mijarra Trumpet: Carmen Martinez Sax: Flubb Hz Trombone: Alejo Peloche Original riddim track by B. Phillips & C. Jarrett Voiced at Real Rockers Studio, Porto Drummed at Tucxone Records Strummed at Amalgamah Studio Blew at Kinky Lab Studio Other instruments at VZarza HQ Arranged, mixed, and produced by Puppa Shan and Bass Culture Players at Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" at Alchemy Dubs Studio, London, Uk. Pics: Scarlath Louyse Arts: BCP Under creative commons license. Attribution-Share Alike 4.0. International *Commercial use is allowed to street vendors that sell in their manta. Madrid-Porto 2021
Creative Commons Attribution-NonCommercial 4.0
2103107133898
Portada
03/10/2021
BCP Music
Louie Melody & Bass Culture Players - Dem a Run | Version a Go Run [BCP Music 2021] LOUIE MELODY IG ➫ https://www.instagram.com/louiemelody/ FB ➫ https://www.facebook.com/LouieMelodyMusic/ DC ➫ https://www.discogs.com/es/artist/4913074-Louie-Melody SC ➫ https://soundcloud.com/louiemelodymusic SP ➫ https://open.spotify.com/artist/4RqFqbPZTJb7iez4BB4bb9 BASS CULTURE PLAYERS BC ➫ https://basscultureplayers.bandcamp.com/ IG ➫ https://www.instagram.com/basscultureplayers/?hl=es FB ➫ https://www.facebook.com/basscultureplayers/ DC ➫ https://www.discogs.com/es/artist/2805605-Bass-Culture-Players SC ➫ https://soundcloud.com/puppashan SP ➫ https://open.spotify.com/artist/3fyAIoeO8S9n2h7JY71Osp ⭐⭐⭐Singers and players of instruments⭐⭐⭐ Vocals: Louie Melody Drums: Likkle Tuco Percussion: ‘BB’ Jones Bass: General Soria Piano: Carlos “Amalgamah” Guitars: Santi Mijarra Trumpet: Carmen Martinez Sax: Flubb Hz Trombone: Alejo Peloche Original riddim track by B. Phillips & C. Jarrett Voiced at Real Rockers Studio, Porto Drummed at Tucxone Records Strummed at Amalgamah Studio Blew at Kinky Lab Studio Other instruments at VZarza HQ Arranged, mixed, and produced by Puppa Shan and Bass Culture Players at Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" at Alchemy Dubs Studio, London, Uk. Pics: Scarlath Louyse Arts: BCP Under creative commons license. Attribution-Share Alike 4.0. International *Commercial use is allowed to street vendors that sell in their manta. Madrid-Porto 2021
Creative Commons Attribution-NonCommercial 4.0
2102267030931
BARNE® HARTU: Hacia una sociedad inclusiva para las personas mayores
02/26/2021
Fundación José Matia Calvo
La exclusión social está recibiendo cada vez más atención en el ámbito de la gerontología. Este interés viene de la mano de una combinación de los patrones del envejecimiento demográfico, la inestabilidad social y económica actual y la susceptibilidad de estas cohortes de edad a las desigualdades crecientes. En esta propuesta se pretende realizar un abordaje multidimensional de la exclusión distinguiendo por dos perfiles diferenciados. El primero, personas mayores que por motivos relacionados con el envejecimiento pueden encontrarse en situaciones de exclusión social, y por otro, personas con itinerarios vitales marcados por la exclusión que están en proceso de envejecimiento, como es el caso de las personas con enfermedad mental o sin hogar, ambos incluyendo la perspectiva de género que marca, sin duda, los diferente itinerarios vitales. El estudio de ambos perfiles, permitirá obtener una visión más completa de la situación de la exclusión y el envejecimiento en el territorio, así como incrementar el conocimiento relativo al binomio edad-exclusión actualmente disponible en Gipuzkoa. https://www.matiainstituto.net/es/proyectos-de-investigacion/proyectos/barner-hartu-hacia-una-sociedad-inclusiva-para-las-personas This work is licensed under the Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 Internacional License. To view a copy of this license, visit http://creativecommons.org/licenses/b...​.
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0
2101126558456
BASS CULTURE PLAYERS - WORLDWIDE VERSION
01/12/2021
BCP Music
Official https://www.basscultureplayers.com Purchase hhttps://basscultureplayers.bandcamp.com/album/worldwide-crisis NATTY NATURE IG ➫ https://www.instagram.com/nattynature96/ FB ➫ https://www.facebook.com/NattyNature96/ DC ➫ https://www.discogs.com/artist/6199013-Natty-Nature SC ➫ https://soundcloud.com/natty-nature SP ➫ https://open.spotify.com/artist/0WdUEQ4P04iffk0DURZPne BASS CULTURE PLAYERS BC ➫ https://basscultureplayers.bandcamp.com/ IG ➫ https://www.instagram.com/basscultureplayers/?hl=es FB ➫ https://www.facebook.com/basscultureplayers/ DC ➫ https://www.discogs.com/es/artist/2805605-Bass-Culture-Players SC ➫ https://soundcloud.com/puppashan SP ➫ https://open.spotify.com/artist/3fyAIoeO8S9n2h7JY71Osp ⭐⭐⭐Singers and players of instruments⭐⭐⭐ Vocals: Natty Nature Drums: Likkle Tuco Percussion: ‘BB’ Jones Bass: General Soria Piano / organ: Carlos “Amalgamah” Lead Guitar: Javier Martin Boix Guitars: Santi Mijarra Trumpet: Carmen Martinez Sax: Flubb Hz Trombone: Alejo Peloche Included in "Country Living Showcase" by Natty Nature & BCP Original Rhythm track by H. Chin Loy Drummed at Tucxone Records Strummed at Amalgamah Studio Blew at Kinky Lab Studio Other instruments at VZarza HQ Arranged, mixed, and produced by Puppa Shan and Bass Culture Players at Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" at Alchemy Dubs Studio, London, Uk. Pics: Javier Ferrero Arts: BCP Under creative commons license. Attribution-Share Alike 4.0. International *Commercial use is allowed to street vendors that sell in their manta. Madrid 2021
Creative Commons Attribution-NonCommercial 4.0
2101126558463
NATTY NATURE X BASS CULTURE PLAYERS - WORLDWIDE CRISIS
01/12/2021
Natty Nature BCP Music ,
Official https://www.basscultureplayers.com Purchase hhttps://basscultureplayers.bandcamp.com/album/worldwide-crisis NATTY NATURE IG ➫ https://www.instagram.com/nattynature96/ FB ➫ https://www.facebook.com/NattyNature96/ DC ➫ https://www.discogs.com/artist/6199013-Natty-Nature SC ➫ https://soundcloud.com/natty-nature SP ➫ https://open.spotify.com/artist/0WdUEQ4P04iffk0DURZPne BASS CULTURE PLAYERS BC ➫ https://basscultureplayers.bandcamp.com/ IG ➫ https://www.instagram.com/basscultureplayers/?hl=es FB ➫ https://www.facebook.com/basscultureplayers/ DC ➫ https://www.discogs.com/es/artist/2805605-Bass-Culture-Players SC ➫ https://soundcloud.com/puppashan SP ➫ https://open.spotify.com/artist/3fyAIoeO8S9n2h7JY71Osp ⭐⭐⭐Singers and players of instruments⭐⭐⭐ Vocals: Natty Nature Drums: Likkle Tuco Percussion: ‘BB’ Jones Bass: General Soria Piano / organ: Carlos “Amalgamah” Lead Guitar: Javier Martin Boix Guitars: Santi Mijarra Trumpet: Carmen Martinez Sax: Flubb Hz Trombone: Alejo Peloche Included in "Country Living Showcase" by Natty Nature & BCP Original Rhythm track by H. Chin Loy Drummed at Tucxone Records Strummed at Amalgamah Studio Blew at Kinky Lab Studio Other instruments at VZarza HQ Arranged, mixed, and produced by Puppa Shan and Bass Culture Players at Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" at Alchemy Dubs Studio, London, Uk. Pics: Javier Ferrero Arts: BCP Under creative commons license. Attribution-Share Alike 4.0. International *Commercial use is allowed to street vendors that sell in their manta. Madrid 2021
Creative Commons Attribution-NonCommercial 4.0
2101126558449
WORLDWIDE CRISIS COVER
01/12/2021
BCP Music
Official https://www.basscultureplayers.com Purchase hhttps://basscultureplayers.bandcamp.com/album/worldwide-crisis NATTY NATURE IG ➫ https://www.instagram.com/nattynature96/ FB ➫ https://www.facebook.com/NattyNature96/ DC ➫ https://www.discogs.com/artist/6199013-Natty-Nature SC ➫ https://soundcloud.com/natty-nature SP ➫ https://open.spotify.com/artist/0WdUEQ4P04iffk0DURZPne BASS CULTURE PLAYERS BC ➫ https://basscultureplayers.bandcamp.com/ IG ➫ https://www.instagram.com/basscultureplayers/?hl=es FB ➫ https://www.facebook.com/basscultureplayers/ DC ➫ https://www.discogs.com/es/artist/2805605-Bass-Culture-Players SC ➫ https://soundcloud.com/puppashan SP ➫ https://open.spotify.com/artist/3fyAIoeO8S9n2h7JY71Osp ⭐⭐⭐Singers and players of instruments⭐⭐⭐ Vocals: Natty Nature Drums: Likkle Tuco Percussion: ‘BB’ Jones Bass: General Soria Piano / organ: Carlos “Amalgamah” Lead Guitar: Javier Martin Boix Guitars: Santi Mijarra Trumpet: Carmen Martinez Sax: Flubb Hz Trombone: Alejo Peloche Included in "Country Living Showcase" by Natty Nature & BCP Original Rhythm track by H. Chin Loy Drummed at Tucxone Records Strummed at Amalgamah Studio Blew at Kinky Lab Studio Other instruments at VZarza HQ Arranged, mixed, and produced by Puppa Shan and Bass Culture Players at Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" at Alchemy Dubs Studio, London, Uk. Pics: Javier Ferrero Arts: BCP Under creative commons license. Attribution-Share Alike 4.0. International *Commercial use is allowed to street vendors that sell in their manta. Madrid 2021
Creative Commons Attribution-NonCommercial 4.0
2101116546388
COVER
01/11/2021
BCP Music
Official https://www.basscultureplayers.com Purchase https://basscultureplayers.bandcamp.com/album/natto-let-it-be-me REAL ROCKERS PORTO IG ➫ https://www.instagram.com/real.rockers/ FB ➫ https://www.facebook.com/realrockersmusic/ DC ➫ https://www.discogs.com/artist/4913073-Real-Rockers SC ➫ https://soundcloud.com/realrockers SP ➫ https://open.spotify.com/artist/2MLm190OU6OZoYlAnybVOq BASS CULTURE PLAYERS BC ➫ https://basscultureplayers.bandcamp.com/ IG ➫ https://www.instagram.com/basscultureplayers/?hl=es FB ➫ https://www.facebook.com/basscultureplayers/ DC ➫ https://www.discogs.com/es/artist/2805605-Bass-Culture-Players SC ➫ https://soundcloud.com/puppashan SP ➫ https://open.spotify.com/artist/3fyAIoeO8S9n2h7JY71Osp ⭐⭐⭐Singers and players of instruments⭐⭐⭐ Vocals: Natto Reborn Backing Vocals: Natto, Alpha Pup Drums: Likkle Tuco Percussion: ‘BB’ Jones Bass: General Soria Piano / organ: Carlos “Amalgamah” Lead Guitar: Javier Martin Boix Guitars: Santi Mijarra Trumpet: Carmen Martinez Sax: Flubb Hz Trombone: Alejo Peloche Original track by Becaud/Curtis/Delance and H. Chin Loy Voiced at Real Rockers Studio, Porto Drummed at Tucxone Records Strummed at Amalgamah Studio Blew at Kinky Lab Studio Other instruments at VZarza HQ Arranged, mixed, and produced by Puppa Shan and Bass Culture Players at Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" at Alchemy Dubs Studio, London, Uk. Pics: Gonçalo Matos Luís (Kanito) Arts: BCP Under creative commons license. Attribution-Share Alike 4.0. International *Commercial use is allowed to street vendors that sell in their manta. Madrid-Porto 2021
Creative Commons Attribution-NonCommercial 4.0
2101116546395
BASS CULTURE PLAYERS - LET THE VERSION BE
01/11/2021
BCP Music
Official https://www.basscultureplayers.com Purchase https://basscultureplayers.bandcamp.com/album/natto-let-it-be-me REAL ROCKERS PORTO IG ➫ https://www.instagram.com/real.rockers/ FB ➫ https://www.facebook.com/realrockersmusic/ DC ➫ https://www.discogs.com/artist/4913073-Real-Rockers SC ➫ https://soundcloud.com/realrockers SP ➫ https://open.spotify.com/artist/2MLm190OU6OZoYlAnybVOq BASS CULTURE PLAYERS BC ➫ https://basscultureplayers.bandcamp.com/ IG ➫ https://www.instagram.com/basscultureplayers/?hl=es FB ➫ https://www.facebook.com/basscultureplayers/ DC ➫ https://www.discogs.com/es/artist/2805605-Bass-Culture-Players SC ➫ https://soundcloud.com/puppashan SP ➫ https://open.spotify.com/artist/3fyAIoeO8S9n2h7JY71Osp ⭐⭐⭐Singers and players of instruments⭐⭐⭐ Vocals: Natto Reborn Backing Vocals: Natto, Alpha Pup Drums: Likkle Tuco Percussion: ‘BB’ Jones Bass: General Soria Piano / organ: Carlos “Amalgamah” Lead Guitar: Javier Martin Boix Guitars: Santi Mijarra Trumpet: Carmen Martinez Sax: Flubb Hz Trombone: Alejo Peloche Original track by Becaud/Curtis/Delance and H. Chin Loy Voiced at Real Rockers Studio, Porto Drummed at Tucxone Records Strummed at Amalgamah Studio Blew at Kinky Lab Studio Other instruments at VZarza HQ Arranged, mixed, and produced by Puppa Shan and Bass Culture Players at Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" at Alchemy Dubs Studio, London, Uk. Pics: Gonçalo Matos Luís (Kanito) Arts: BCP Under creative commons license. Attribution-Share Alike 4.0. International *Commercial use is allowed to street vendors that sell in their manta. Madrid-Porto 2021
Creative Commons Attribution-NonCommercial 4.0
2101116546371
NATTO X BASS CUTURE PLAYERS - LET IT BE ME
01/11/2021
BCP Music
Official https://www.basscultureplayers.com Purchase https://basscultureplayers.bandcamp.com/album/natto-let-it-be-me REAL ROCKERS PORTO IG ➫ https://www.instagram.com/real.rockers/ FB ➫ https://www.facebook.com/realrockersmusic/ DC ➫ https://www.discogs.com/artist/4913073-Real-Rockers SC ➫ https://soundcloud.com/realrockers SP ➫ https://open.spotify.com/artist/2MLm190OU6OZoYlAnybVOq BASS CULTURE PLAYERS BC ➫ https://basscultureplayers.bandcamp.com/ IG ➫ https://www.instagram.com/basscultureplayers/?hl=es FB ➫ https://www.facebook.com/basscultureplayers/ DC ➫ https://www.discogs.com/es/artist/2805605-Bass-Culture-Players SC ➫ https://soundcloud.com/puppashan SP ➫ https://open.spotify.com/artist/3fyAIoeO8S9n2h7JY71Osp ⭐⭐⭐Singers and players of instruments⭐⭐⭐ Vocals: Natto Reborn Backing Vocals: Natto, Alpha Pup Drums: Likkle Tuco Percussion: ‘BB’ Jones Bass: General Soria Piano / organ: Carlos “Amalgamah” Lead Guitar: Javier Martin Boix Guitars: Santi Mijarra Trumpet: Carmen Martinez Sax: Flubb Hz Trombone: Alejo Peloche Original track by Becaud/Curtis/Delance and H. Chin Loy Voiced at Real Rockers Studio, Porto Drummed at Tucxone Records Strummed at Amalgamah Studio Blew at Kinky Lab Studio Other instruments at VZarza HQ Arranged, mixed, and produced by Puppa Shan and Bass Culture Players at Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" at Alchemy Dubs Studio, London, Uk. Pics: Gonçalo Matos Luís (Kanito) Arts: BCP Under creative commons license. Attribution-Share Alike 4.0. International *Commercial use is allowed to street vendors that sell in their manta. Madrid-Porto 2021
Creative Commons Attribution-NonCommercial 4.0
1710294668464
Louie Melody / Bass culture Players - Stand Firm
10/29/2017
Bass Culture Players
Following the release of Natto "Love" that officialy starts the collaboration between Bass Culture Players & Real Rockers it's now time to share with the world the second single of the collection. https://basscultureplayers.bandcamp.com/album/stand-firm Struggle and Lafamille Music have the pleasure to be presenting Louie Melody with the tune called "Stand Firm" over a rootsie riddim arranged, played and produced by no other than Puppa Shan and the Bass Culture Players at Discoinferno, Madrid. Singers and players of instruments: Vocals: Louie Melody Drums: Antonio Monsalve Bass, piano, hammond organ: David Arribas Lead / rhythm guitar/ percussion: Santi Mijarra Tenor Sax: Jonás Reguilón Trumpet: Carmen Martínez Trombone: Alejo Peloche Flute: Marta Mansilla Lyrics: Louie Melody Vocals recorded @ Real Rockers Studio, Porto Arranged, mixed and produced by Puppa Shan and Bass Culture Players @ Discoinferno, Madrid. Mastered by Oscar Pablos "Ojah" @ Alchemy Dubs Studio, London, UK. Madrid - Porto 2017 Under creative commons license. Attribution-Share Alike 4.0. International *Commercial use is allowed to street vendors that sell in their manta. +Info Bass Culture Players http://basscultureplayers.bandcamp.com htttp://www.bassculture.wordpress.com https://soundcloud.com/puppashan https://basscultureplayers.bandcamp.com/album/stand-firm
Creative Commons Attribution-NonCommercial 4.0
2603265089742
Subsurface
03/26/2026
Muted Symphony Muted Symphony , Muted Symphony ,
Following several days of stable operations on the Martian surface, the crew continues to analyze a series of anomalous sensor readings—data that appears to register events before they actually occur. As these records accumulate without any detectable error, a pattern begins to emerge: the anomalies form a vast, incomplete boundary on the surface, enclosing an unknown region. At the center of this formation, the crew discovers a subtle depression leading into the subsurface. A small team descends into what quickly reveals itself to be an artificial structure embedded within the planet. Communication with the surface is abruptly lost, and the entrance behind them disappears without explanation. As they move deeper, they encounter immense corridors, organic-like inscriptions fused into the rock, and a pervasive low-frequency pulse resonating throughout the structure—until their path is finally blocked by a vast, seamless barrier that suggests the presence of something beyond.
Creative Commons Attribution 4.0
2603265089711
Seventeen Hours
03/26/2026
Muted Symphony Muted Symphony , Muted Symphony ,
Surface activity on Mars has reached a state of operational stability in which each task integrates seamlessly into the whole. As the base continues to expand and operations proceed normally, Kenji and Mei detect an anomaly in the sensor logs: certain events appear in the data before they occur in reality. After ruling out synchronization errors, sensor faults, and transmission issues—confirmed even from Earth—the pattern repeats consistently with a precise offset of seventeen hours. As more records accumulate, the anomaly ceases to be an isolated case and begins to reveal a broader structure, though not entirely regular. The sequences do not always align perfectly, yet they maintain sufficient coherence to rule out randomness. Without altering the course of the mission, the crew arrives at a troubling conclusion: the data is not reflecting events, but preceding them, as if the temporal reference they rely on no longer corresponds to the physical reality of the Martian environment.
Creative Commons Attribution 4.0
2603265089704
State A: Hypnagogia
03/26/2026
Muted Symphony Muted Symphony , Muted Symphony ,
During the first days on Mars, the mission unfolds with near-perfect precision. The base begins to take shape across a stable, featureless plain, while all systems operate within expected parameters and activities proceed with a sustained calm. The rover extends the operational range, integrating naturally into the workflow, where human and technological presence seem to adapt seamlessly to the planet’s stillness. During one of those early nights, inside the rover, Laura experiences a brief yet deeply unsettling perception: a fragment of landscape she recognizes with impossible certainty, as if she had been there before. The image vanishes without transition, and everything returns to complete normality. No system registers any anomaly, and no objective evidence remains. Only a lingering sensation persists — that she has accessed something that cannot be explained, in an environment where, at least on the surface, nothing has changed.
Creative Commons Attribution 4.0
2603265089667
First Descent
03/26/2026
Muted Symphony Muted Symphony , Muted Symphony ,
The ISV Areion enters low orbit around Mars, and the descent module separates to begin its journey toward the surface. Inside the cabin, Volkov and Mei monitor the systems while Laura observes the planet with a mix of fascination and an inexplicable sense of familiarity. As Mars fills the entire field of view, it ceases to be a distant object and becomes a real world—ancient and silent, as if holding a history not yet understood. The module pierces the atmosphere, surrounded by plasma, descending through intense vibrations and precise maneuvers before deploying its parachute and igniting its retro-thrusters. It is then that Brooks takes an active role in piloting, stabilizing the trajectory. After the final meters of descent, the vehicle settles onto the Martian surface. In the silence that follows, the crew contemplates the vast, barren landscape: humanity has arrived on Mars for the first time.
Creative Commons Attribution 4.0
2603265089650
Approach Vector
03/26/2026
Muted Symphony Muted Symphony ,
As the interplanetary vessel ISV Areion approaches Mars, the planet shifts from a distant object of study into an overwhelming physical presence. From orbit, its vast surface reveals ancient scars—craters, dust plains, and fractured terrain shaped over millions of years. What once existed only as data now feels tangible, almost alive, evoking a quiet sense of awe and a subtle, persistent melancholy. Inside the ship, everything remains calm and methodical as the final approach unfolds. Systems operate with precision, and the mission advances steadily toward a historic milestone: the establishment of the first permanent human presence beyond Earth. Suspended between silence and anticipation, the journey reaches a threshold where exploration gives way to something far more profound—the beginning of human life on another world.
Creative Commons Attribution 4.0
2507162515529
Luo Xia (Elegant Summer)
07/16/2025
Henry Mockford
Integrated artwork used across the author’s fantasy story and music publications, may include promotional flyers Image created with the consultancy and assistance of: Yumo: Paris Agent Federica: Milan Hand sign on heart shows Luo Xia describing a greeting gesture amongst elves as descibed in some of the author’s pubblications “The Elves of Elurien placed the index and middle fingers of their right hand gently over the heart, a gesture known as the Heartbind, honoring truth, memory, and the silent music of kinship. This sacred motion, passed from the first singers of the forest, spoke louder than words among their kind.” The sign Luo Xia is showing with the thumb outstreched is a variation used by other elven cultures again found in some of the author’s pubblications Description and summary of how image was created: Title: Elven Portrait – Serenity in Green Summary: Highly detailed AI-generated portrait based on a comprehensive concept and refined styling by the author. The author defined the visual tone, gesture, costume design, symbolic meaning, and emotional impact. AI was used as a rendering tool, directed via advanced prompt engineering. License: Recommended – Creative Commons BY-NC 4.0 (attribution, non-commercial) Estimated Time of Completion: ~2 hours Final Human Involvement: 68% Modifications likely applied in refinement Facial expression refinement:
“Keep expression calm, serene, dignified. No smile. Eyes looking forward with gentle strength.” Color palette and detail prompts:
“Deep green and gold tones for the robe, with soft embroidered leaf patterns. Matte fabric texture. Background solid olive green.” Styling additions:
“Add detailed Elven ears, seamlessly integrated with the hairstyle. Ensure ears are not exaggerated. Use subtle fantasy elements, avoid overt fantasy makeup.” Hands and gesture:
“Left hand across lower chest, right hand making a symbolic two-finger gesture over heart. Fingers graceful, natural posture.” Photo quality prompt line:
“Ultra-detailed, 8K portrait, studio lighting, realistic skin texture, minimal retouch, photorealistic rendering with cinematic fantasy atmosphere.” Human vs AI Intervention Summary Area Description Work Concept and Vision Fully authored by the user. The initial concept (Elven woman, symbolic gesture, costume style, mood) and all aesthetic choices were defined in detail by the author. Creative Direction The user provided clear refinements, including posture, facial tone, symbolic gesture, color themes, and costume detailing. This represents strong human authorship. Production The image was rendered by AI using descriptive prompts, but required precise, multi-stage instructions from the user to achieve desired results (hands, ears, lighting). Post-processing (if any) No separate Photoshop or external editing was mentioned, suggesting reliance on high-resolution AI rendering alone. Overall Time Invested Estimated at 1.5–2.5 hours including base creation, refinements, and style alignment. Slider Percentages for Safe Creative Slider Category Human Intervention AI Intervention Work Concept & Vision 90% 10% Creative Direction 85% 15% Production 30% 70% OVERALL 68% Human 32% AI
All rights reserved
1. Identificación del Titular y Autoría Titular: Tu nombre legal completo (Juan Manuel Silva Rodríguez) y tus alias profesionales (Manu Silver, Mente Lógica). Naturaleza de la Obra: Define tus obras como "Obras Musicales Compuestas mediante Asistencia de Inteligencia Artificial Generativa". Declaración de Autoría: Declara explícitamente que tú posees el control creativo, la selección, la edición final, la estructura, la mezcla y la dirección artística, utilizando la IA como una herramienta de apoyo (similar a un sintetizador avanzado). 2. Definición del Proceso Creativo (Workflow) Para evitar ambigüedades legales, detalla: El Rol de la IA: La IA actúa como herramienta de procesamiento. El Rol del Humano: Tú eres el "arquitecto" que provee el contexto, las directrices (prompts), la curaduría, la edición, el mastering y la decisión final de publicación. Cláusula de Originalidad: Afirma que la combinación de elementos, la disposición y la visión artística final constituyen una obra original derivada de tu esfuerzo creativo. 3. Cobertura del Catálogo (La Cláusula "Paraguas") Para no tener que registrar canción por canción si no lo deseas, usa una cláusula de Listado Dinámico: “El presente documento ampara la totalidad de las obras listadas en el [Anexo A] y cualquier obra futura que sea creada bajo la misma metodología de trabajo aquí descrita, vinculando el hash de autoría generado mediante la tecnología de registro notarial utilizada.” Anexo A: Incluye una tabla con: Título de la canción | Código ISRC (si ya lo tienes) | Hash SHA-256 (si lo generaste) | Fecha de finalización. 4. Gestión de Derechos y Uso Licenciamiento: Especifica bajo qué términos liberas tu obra (ej. Creative Commons, Copyright tradicional, o tu deseo de disponibilidad libre para el bien de la humanidad). Integridad: Prohíbe el uso de tus creaciones para fines que contradigan tus principios, asegurando que el control moral sobre la obra se mantiene contigo.
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2601304408257
Lone Lion
01/30/2026
Alvaro Amarante Sánchez Alvaro Amarante Sánchez , Alvaro Amarante Sánchez ,
Canción de estilo folk-rock y power pop-rock con aire 60s y un toque nativo americano, muy rítmica, acerca de una "semilla estelar" que se siente como un león en un cuerpo de gato. Con voz solista y segunda voz en armonía. Construida a partir de una letra original y desarrollada con ayuda parcial de la herramienta de IA Udio, haciéndose una versión inicial el 16 de diciembre de 2024 y alcanzando su forma final el 11 de octubre de 2025. En la misma sesión, siempre dirigida por Alvaro Amarante, se genera y se descarga la pista básica con bajo, guitarra acústica, guitarra eléctrica, batería y percusión, sobre la cual Alvaro Amarante (autor de la letra, la idea y el título originales) añadirá en una mezcla posterior (en el DAW Audacity) partes y frases de guitarra eléctrica (Fender Vintera II 60s TL), extraídas de pistas tocadas y grabadas por él mismo el 14 de enero de 2026. El proceso de producción, mezcla, edición y masterización de la canción los realiza igualmente Alvaro Amarante (conocido como Alan James en su banda BeaVoys, de la que es fundador y único miembro) durante el mismo mes de enero, añadiendo en el proceso efectos de sonido de trueno y chimes, a saber: Thunder sound effect 1 by humanoide9000 — freesound.org/s/441837/ — License: Attribution 4.0 Chimes-overheads_003.flac by DJczyszy — freesound.org/s/460478/ — License: Creative Commons 0 Space-chimes-dust-04.wav by gamebalance — freesound.org/s/422076/ — License: Attribution 4.0 La mezcla y el master definitivos (master 1) corresponden al día 27 de enero de 2026. Esta canción es la segunda de las cuatro que componen el EP "Sweet Tough Alien", de BeaVoys.
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0
2306054515926
BASS CULTURE PLAYERS - BERRY'S DANCE
06/05/2023
Bass Culture Players BCP Music ,
Yeyo Pérez meets Bass Culture Players - Ms. Berry / Berry's Dance [BCP Music 2023] Mucha gente estará de acuerdo en que a menudo, la primera toma de una grabación es la que mejor capta la esencia de lo que se quiere conseguir; "Ms. Berry" es un excelente ejemplo de ello. En contra de la norma, éste es el primer corte de "Dread", un riddim utilizado en nuestro último 12" publicado a principios de año con Real Rockers, retitulado "Ghetto riddim". Aunque fue grabado hace unos años, suena tan nítido como la pieza que Yeyo Pérez dejó en nuestras manos en su día; de hecho, hacer música con él, siempre ha sido una gozada. En su mejor hacer lírico Yeyo, nos acerca una historia sobre el magnetismo y el encanto de una mujer independiente con una fuerza de voluntad y un caracter extraordinarios. Sinceramente, nos emociona mostrároslo. Disponible para descarga en www.basscultureplayers.com Para medios, no dudes en escribinos. Créditos: Yeyo Pérez - Ms. Berry (Y. Pérez/C.Alonso/S.Mijarra) Bass Culture Players - Berry's Dance Track original por Bass Culture Players (C.Alonso, S.Mijarra) Lírica y voz grabada en Discoinferno Studio, por Yeyo Pérez Batería grabada en Golden Hen Studio por Tuco Salamanca Pianos grabados en Amalgamah Studio por Carlos Alonso Bajo grabado en Vzarza HQ por General Soria Guitarras & percusión grabadas en VZarza HQ por Santi Mijarra Arreglado, mezclado y producido por Puppa Shan y Bass Culture Players en Discoinferno, Madrid. Masterizado por Oscar Pablos "Ojah" en AD Mastering, London, Uk. Gráfica: BCP Bajo Licencia Creative Commons. Atribución-Compartir por Igual 4.0. Internacional *El uso comercial está permitido en la manta, por vendedorxs callejerxs"
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
2306054515919
YEYO PEREZ MEETS BASS CULTURE PLAYERS - MS BERRY
06/05/2023
Bass Culture Players BCP Music ,
Yeyo Pérez meets Bass Culture Players - Ms. Berry / Berry's Dance [BCP Music 2023] Mucha gente estará de acuerdo en que a menudo, la primera toma de una grabación es la que mejor capta la esencia de lo que se quiere conseguir; "Ms. Berry" es un excelente ejemplo de ello. En contra de la norma, éste es el primer corte de "Dread", un riddim utilizado en nuestro último 12" publicado a principios de año con Real Rockers, retitulado "Ghetto riddim". Aunque fue grabado hace unos años, suena tan nítido como la pieza que Yeyo Pérez dejó en nuestras manos en su día; de hecho, hacer música con él, siempre ha sido una gozada. En su mejor hacer lírico Yeyo, nos acerca una historia sobre el magnetismo y el encanto de una mujer independiente con una fuerza de voluntad y un caracter extraordinarios. Sinceramente, nos emociona mostrároslo. Disponible para descarga en www.basscultureplayers.com Para medios, no dudes en escribinos. Créditos: Yeyo Pérez - Ms. Berry (Y. Pérez/C.Alonso/S.Mijarra) Bass Culture Players - Berry's Dance Track original por Bass Culture Players (C.Alonso, S.Mijarra) Lírica y voz grabada en Discoinferno Studio, por Yeyo Pérez Batería grabada en Golden Hen Studio por Tuco Salamanca Pianos grabados en Amalgamah Studio por Carlos Alonso Bajo grabado en Vzarza HQ por General Soria Guitarras & percusión grabadas en VZarza HQ por Santi Mijarra Arreglado, mezclado y producido por Puppa Shan y Bass Culture Players en Discoinferno, Madrid. Masterizado por Oscar Pablos "Ojah" en AD Mastering, London, Uk. Gráfica: BCP Bajo Licencia Creative Commons. Atribución-Compartir por Igual 4.0. Internacional *El uso comercial está permitido en la manta, por vendedorxs callejerxs"
Creative Commons Attribution-NonCommercial-ShareAlike 4.0
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