Este disco fue grabado al pie de las pequeñas montañas en Villa General Belgrano, Córdoba, Argentina, entre fines del 2016 y principios del 2017,con mucho amor, en nuestra casa, rodeados por la belleza, la paz y la energía de la naturaleza. Grabado, mezclado y masterizado por Jo en "Mi Mundo Solo - HomeStudio" credits released March 18, 2017 Diseño, arte de tapa, ilustraciones, fotos, y retoque digital : Lola Maison Foto de tapa, contratapa y central: Lola Maison y Amanda Polcan Voces: Lola Maison Voces e instrumentos: Jo Guitarras "ballenitas" en track 2: Chelo Lares Estuvieron con nosotros en cada sessión nuestros compañeros de vida, nuestra familia, a quienes amamos infinitamente Sueño, Folavril, Cookie, Coral y Kiki. Gracias a todos los que me acompañaron en este hermoso viaje: a Lola Maison, Eva Antivero, Amanda Polcan, Chelo Lares, Bruno Molina, Don Manuk, Angelo Paolo, Angel Sayous, Guillermo Daney,... Todas las canciones (música y letras) de este disco pertenecen a Mi Mundo Solo (Jo). "Como creo que lo mejor es compartir y construir entre todos, sin adueñarse de nada en la vida, autorizo el uso de estas canciones siguiendo los términos de la licencia Creative Commons, Attribution, Non-Commercial, Share Alike."

Este disco fue grabado al pie de las pequeñas montañas en Villa General Belgrano, Córdoba, Argentina, entre fines del 2016 y principios del 2017,con mucho amor, en nuestra casa, rodeados por la belleza, la paz y la energía de la naturaleza. Grabado, mezclado y masterizado por Jo en "Mi Mundo Solo - HomeStudio" credits released March 18, 2017 Diseño, arte de tapa, ilustraciones, fotos, y retoque digital : Lola Maison Foto de tapa, contratapa y central: Lola Maison y Amanda Polcan Voces: Lola Maison Voces e instrumentos: Jo Guitarras "ballenitas" en track 2: Chelo Lares Estuvieron con nosotros en cada sessión nuestros compañeros de vida, nuestra familia, a quienes amamos infinitamente Sueño, Folavril, Cookie, Coral y Kiki. Gracias a todos los que me acompañaron en este hermoso viaje: a Lola Maison, Eva Antivero, Amanda Polcan, Chelo Lares, Bruno Molina, Don Manuk, Angelo Paolo, Angel Sayous, Guillermo Daney,... Todas las canciones (música y letras) de este disco pertenecen a Mi Mundo Solo (Jo). "Como creo que lo mejor es compartir y construir entre todos, sin adueñarse de nada en la vida, autorizo el uso de estas canciones siguiendo los términos de la licencia Creative Commons, Attribution, Non-Commercial, Share Alike."

Este disco fue grabado al pie de las pequeñas montañas en Villa General Belgrano, Córdoba, Argentina, entre fines del 2016 y principios del 2017,con mucho amor, en nuestra casa, rodeados por la belleza, la paz y la energía de la naturaleza. Grabado, mezclado y masterizado por Jo en "Mi Mundo Solo - HomeStudio" credits released March 18, 2017 Diseño, arte de tapa, ilustraciones, fotos, y retoque digital : Lola Maison Foto de tapa, contratapa y central: Lola Maison y Amanda Polcan Voces: Lola Maison Voces e instrumentos: Jo Guitarras "ballenitas" en track 2: Chelo Lares Estuvieron con nosotros en cada sessión nuestros compañeros de vida, nuestra familia, a quienes amamos infinitamente Sueño, Folavril, Cookie, Coral y Kiki. Gracias a todos los que me acompañaron en este hermoso viaje: a Lola Maison, Eva Antivero, Amanda Polcan, Chelo Lares, Bruno Molina, Don Manuk, Angelo Paolo, Angel Sayous, Guillermo Daney,... Todas las canciones (música y letras) de este disco pertenecen a Mi Mundo Solo (Jo). "Como creo que lo mejor es compartir y construir entre todos, sin adueñarse de nada en la vida, autorizo el uso de estas canciones siguiendo los términos de la licencia Creative Commons, Attribution, Non-Commercial, Share Alike."

Este disco fue grabado al pie de las pequeñas montañas en Villa General Belgrano, Córdoba, Argentina, entre fines del 2016 y principios del 2017,con mucho amor, en nuestra casa, rodeados por la belleza, la paz y la energía de la naturaleza. Grabado, mezclado y masterizado por Jo en "Mi Mundo Solo - HomeStudio" credits released March 18, 2017 Diseño, arte de tapa, ilustraciones, fotos, y retoque digital : Lola Maison Foto de tapa, contratapa y central: Lola Maison y Amanda Polcan Voces: Lola Maison Voces e instrumentos: Jo Guitarras "ballenitas" en track 2: Chelo Lares Estuvieron con nosotros en cada sessión nuestros compañeros de vida, nuestra familia, a quienes amamos infinitamente Sueño, Folavril, Cookie, Coral y Kiki. Gracias a todos los que me acompañaron en este hermoso viaje: a Lola Maison, Eva Antivero, Amanda Polcan, Chelo Lares, Bruno Molina, Don Manuk, Angelo Paolo, Angel Sayous, Guillermo Daney,... Todas las canciones (música y letras) de este disco pertenecen a Mi Mundo Solo (Jo). "Como creo que lo mejor es compartir y construir entre todos, sin adueñarse de nada en la vida, autorizo el uso de estas canciones siguiendo los términos de la licencia Creative Commons, Attribution, Non-Commercial, Share Alike."

Este disco fue grabado al pie de las pequeñas montañas en Villa General Belgrano, Córdoba, Argentina, entre fines del 2016 y principios del 2017,con mucho amor, en nuestra casa, rodeados por la belleza, la paz y la energía de la naturaleza. Grabado, mezclado y masterizado por Jo en "Mi Mundo Solo - HomeStudio" credits released March 18, 2017 Diseño, arte de tapa, ilustraciones, fotos, y retoque digital : Lola Maison Foto de tapa, contratapa y central: Lola Maison y Amanda Polcan Voces: Lola Maison Voces e instrumentos: Jo Guitarras "ballenitas" en track 2: Chelo Lares Estuvieron con nosotros en cada sessión nuestros compañeros de vida, nuestra familia, a quienes amamos infinitamente Sueño, Folavril, Cookie, Coral y Kiki. Gracias a todos los que me acompañaron en este hermoso viaje: a Lola Maison, Eva Antivero, Amanda Polcan, Chelo Lares, Bruno Molina, Don Manuk, Angelo Paolo, Angel Sayous, Guillermo Daney,... Todas las canciones (música y letras) de este disco pertenecen a Mi Mundo Solo (Jo). "Como creo que lo mejor es compartir y construir entre todos, sin adueñarse de nada en la vida, autorizo el uso de estas canciones siguiendo los términos de la licencia Creative Commons, Attribution, Non-Commercial, Share Alike."

Logotipo della saga fantasy aperta a lettrici e lettori creativi "Homeron Etark". Nome completo: "Il Talysman e gli occhi di Catlyn". Gli #etarkhero possono utilizzarlo seguendo le regole indicate nella Etarkpaidéia. È pensato per essere usato in piccole dimensioni, come marchio da sovrapporre ad una vostra creazione (che sia disegno, documento Word oppure un video...) ad esempio in un angolo dell'immagine/video oppure nella prima pagina del vostro racconto. Il download offerto gratuitamente è in PNG con sfondo trasparente quindi non dovete ritagliare nulla, solo sovrapporre in un angolino del vostro lavoro e tutte le parti bianche non si vedranno più! Buona avventura :) Cosa vuol dire questa licenza? Come posso usare il materiale da #etarkhero? Lo riconosci, lo marchio sempre come CC-BY-NC-ND, che corrisponde al Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 e significa in breve: puoi ricondividere, ma senza ovviamente prenderti il merito, ossia citando sempre chi è l’autore (BY), non per scopi commerciali (NC) e non puoi fare opere derivate (ND) senza ottenere permesso esplicito dell’autore.

Track included in the "The Abyss" EP by tracya, published by 51beats With Tracya’s debut album “The Abyss”, 51beats keeps cruising in IDM depth to discover new talents to be brought to light. “The Abyss” guides us into electronic resonances with trance-dream-like melodies and techno rhythmic patterns, through listening and dancefloor tunes to recall a Maceo Plex’ djset. “The Abyss” makes you diving in apnea while body and soul reconnect. Mind to jump headfirst for a deeper trip. The electronic music project "Tracya" begin in January 2015. Tracya arises from the evolution and redefinition of the artist's previous projects and is characterized by a greater use of ambient-related sounds. His works, far from being labelled only under a unique genre, are produced using analogue synthesizer and sampler. The sounds are often highly processed and altered by long effect chains, at the point where they are completely different from their original conditions in order to supply new and unprecedented starting points to the artist. “The Abyss” by TRACYA is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

Track included in the "The Abyss" EP by tracya, published by 51beats With Tracya’s debut album “The Abyss”, 51beats keeps cruising in IDM depth to discover new talents to be brought to light. “The Abyss” guides us into electronic resonances with trance-dream-like melodies and techno rhythmic patterns, through listening and dancefloor tunes to recall a Maceo Plex’ djset. “The Abyss” makes you diving in apnea while body and soul reconnect. Mind to jump headfirst for a deeper trip. The electronic music project "Tracya" begin in January 2015. Tracya arises from the evolution and redefinition of the artist's previous projects and is characterized by a greater use of ambient-related sounds. His works, far from being labelled only under a unique genre, are produced using analogue synthesizer and sampler. The sounds are often highly processed and altered by long effect chains, at the point where they are completely different from their original conditions in order to supply new and unprecedented starting points to the artist. “The Abyss” by TRACYA is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

Track included in the "The Abyss" EP by tracya, published by 51beats With Tracya’s debut album “The Abyss”, 51beats keeps cruising in IDM depth to discover new talents to be brought to light. “The Abyss” guides us into electronic resonances with trance-dream-like melodies and techno rhythmic patterns, through listening and dancefloor tunes to recall a Maceo Plex’ djset. “The Abyss” makes you diving in apnea while body and soul reconnect. Mind to jump headfirst for a deeper trip. The electronic music project "Tracya" begin in January 2015. Tracya arises from the evolution and redefinition of the artist's previous projects and is characterized by a greater use of ambient-related sounds. His works, far from being labelled only under a unique genre, are produced using analogue synthesizer and sampler. The sounds are often highly processed and altered by long effect chains, at the point where they are completely different from their original conditions in order to supply new and unprecedented starting points to the artist. “The Abyss” by TRACYA is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

Track included in the "The Abyss" EP by tracya, published by 51beats With Tracya’s debut album “The Abyss”, 51beats keeps cruising in IDM depth to discover new talents to be brought to light. “The Abyss” guides us into electronic resonances with trance-dream-like melodies and techno rhythmic patterns, through listening and dancefloor tunes to recall a Maceo Plex’ djset. “The Abyss” makes you diving in apnea while body and soul reconnect. Mind to jump headfirst for a deeper trip. The electronic music project "Tracya" begin in January 2015. Tracya arises from the evolution and redefinition of the artist's previous projects and is characterized by a greater use of ambient-related sounds. His works, far from being labelled only under a unique genre, are produced using analogue synthesizer and sampler. The sounds are often highly processed and altered by long effect chains, at the point where they are completely different from their original conditions in order to supply new and unprecedented starting points to the artist. “The Abyss” by TRACYA is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

Track included in the "The Abyss" EP by tracya, published by 51beats With Tracya’s debut album “The Abyss”, 51beats keeps cruising in IDM depth to discover new talents to be brought to light. “The Abyss” guides us into electronic resonances with trance-dream-like melodies and techno rhythmic patterns, through listening and dancefloor tunes to recall a Maceo Plex’ djset. “The Abyss” makes you diving in apnea while body and soul reconnect. Mind to jump headfirst for a deeper trip. The electronic music project "Tracya" begin in January 2015. Tracya arises from the evolution and redefinition of the artist's previous projects and is characterized by a greater use of ambient-related sounds. His works, far from being labelled only under a unique genre, are produced using analogue synthesizer and sampler. The sounds are often highly processed and altered by long effect chains, at the point where they are completely different from their original conditions in order to supply new and unprecedented starting points to the artist. “The Abyss” by TRACYA is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

Track included in the "The Abyss" EP by tracya, published by 51beats With Tracya’s debut album “The Abyss”, 51beats keeps cruising in IDM depth to discover new talents to be brought to light. “The Abyss” guides us into electronic resonances with trance-dream-like melodies and techno rhythmic patterns, through listening and dancefloor tunes to recall a Maceo Plex’ djset. “The Abyss” makes you diving in apnea while body and soul reconnect. Mind to jump headfirst for a deeper trip. The electronic music project "Tracya" begin in January 2015. Tracya arises from the evolution and redefinition of the artist's previous projects and is characterized by a greater use of ambient-related sounds. His works, far from being labelled only under a unique genre, are produced using analogue synthesizer and sampler. The sounds are often highly processed and altered by long effect chains, at the point where they are completely different from their original conditions in order to supply new and unprecedented starting points to the artist. “The Abyss” by TRACYA is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

51beats feeds himself with new music, being the discovery of new talented artist in the electronic-music-scene a primary objective. “PIEL” is the debut album from Alessio Bressan aka CRAYON MORTEL, a new rising star from Padua (IT). Sounds in “PIEL” somehow find their roots in house-music inspired by Relief Records, adding interesting dusty atmospheres and new sounds recalling artists such Lone and Shlohmo. “PIEL” is an electronic-idm full immersion release, with some banging dj-oriented tracks, see “They” and “Maihaus”…. “Lil ol’ blues” and “End” are real gems. A new star is born, welcome CRAYON MORTEL, under 51beats ! When he was 6 years old, Alessio Bressan aka CRAYON MORTEL found a piano in a dumpster, he carried it on his shoulders and he started to play it with several gospel and death-metal bands. After his severe misanthropy diagnosis, he understood that the only way to play music alone was to play the computer. In 2013 Alessio went again a garbage dump and luckily he found a brand new pc. After many random songs, PIEL is his first solo album, on 51beats. “PIEL” by Crayon Mortel is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

51beats feeds himself with new music, being the discovery of new talented artist in the electronic-music-scene a primary objective. “PIEL” is the debut album from Alessio Bressan aka CRAYON MORTEL, a new rising star from Padua (IT). Sounds in “PIEL” somehow find their roots in house-music inspired by Relief Records, adding interesting dusty atmospheres and new sounds recalling artists such Lone and Shlohmo. “PIEL” is an electronic-idm full immersion release, with some banging dj-oriented tracks, see “They” and “Maihaus”…. “Lil ol’ blues” and “End” are real gems. A new star is born, welcome CRAYON MORTEL, under 51beats ! When he was 6 years old, Alessio Bressan aka CRAYON MORTEL found a piano in a dumpster, he carried it on his shoulders and he started to play it with several gospel and death-metal bands. After his severe misanthropy diagnosis, he understood that the only way to play music alone was to play the computer. In 2013 Alessio went again a garbage dump and luckily he found a brand new pc. After many random songs, PIEL is his first solo album, on 51beats. “PIEL” by Crayon Mortel is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

51beats feeds himself with new music, being the discovery of new talented artist in the electronic-music-scene a primary objective. “PIEL” is the debut album from Alessio Bressan aka CRAYON MORTEL, a new rising star from Padua (IT). Sounds in “PIEL” somehow find their roots in house-music inspired by Relief Records, adding interesting dusty atmospheres and new sounds recalling artists such Lone and Shlohmo. “PIEL” is an electronic-idm full immersion release, with some banging dj-oriented tracks, see “They” and “Maihaus”…. “Lil ol’ blues” and “End” are real gems. A new star is born, welcome CRAYON MORTEL, under 51beats ! When he was 6 years old, Alessio Bressan aka CRAYON MORTEL found a piano in a dumpster, he carried it on his shoulders and he started to play it with several gospel and death-metal bands. After his severe misanthropy diagnosis, he understood that the only way to play music alone was to play the computer. In 2013 Alessio went again a garbage dump and luckily he found a brand new pc. After many random songs, PIEL is his first solo album, on 51beats. “PIEL” by Crayon Mortel is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

51beats feeds himself with new music, being the discovery of new talented artist in the electronic-music-scene a primary objective. “PIEL” is the debut album from Alessio Bressan aka CRAYON MORTEL, a new rising star from Padua (IT). Sounds in “PIEL” somehow find their roots in house-music inspired by Relief Records, adding interesting dusty atmospheres and new sounds recalling artists such Lone and Shlohmo. “PIEL” is an electronic-idm full immersion release, with some banging dj-oriented tracks, see “They” and “Maihaus”…. “Lil ol’ blues” and “End” are real gems. A new star is born, welcome CRAYON MORTEL, under 51beats ! When he was 6 years old, Alessio Bressan aka CRAYON MORTEL found a piano in a dumpster, he carried it on his shoulders and he started to play it with several gospel and death-metal bands. After his severe misanthropy diagnosis, he understood that the only way to play music alone was to play the computer. In 2013 Alessio went again a garbage dump and luckily he found a brand new pc. After many random songs, PIEL is his first solo album, on 51beats. “PIEL” by Crayon Mortel is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

51beats feeds himself with new music, being the discovery of new talented artist in the electronic-music-scene a primary objective. “PIEL” is the debut album from Alessio Bressan aka CRAYON MORTEL, a new rising star from Padua (IT). Sounds in “PIEL” somehow find their roots in house-music inspired by Relief Records, adding interesting dusty atmospheres and new sounds recalling artists such Lone and Shlohmo. “PIEL” is an electronic-idm full immersion release, with some banging dj-oriented tracks, see “They” and “Maihaus”…. “Lil ol’ blues” and “End” are real gems. A new star is born, welcome CRAYON MORTEL, under 51beats ! When he was 6 years old, Alessio Bressan aka CRAYON MORTEL found a piano in a dumpster, he carried it on his shoulders and he started to play it with several gospel and death-metal bands. After his severe misanthropy diagnosis, he understood that the only way to play music alone was to play the computer. In 2013 Alessio went again a garbage dump and luckily he found a brand new pc. After many random songs, PIEL is his first solo album, on 51beats. “PIEL” by Crayon Mortel is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

51beats feeds himself with new music, being the discovery of new talented artist in the electronic-music-scene a primary objective. “PIEL” is the debut album from Alessio Bressan aka CRAYON MORTEL, a new rising star from Padua (IT). Sounds in “PIEL” somehow find their roots in house-music inspired by Relief Records, adding interesting dusty atmospheres and new sounds recalling artists such Lone and Shlohmo. “PIEL” is an electronic-idm full immersion release, with some banging dj-oriented tracks, see “They” and “Maihaus”…. “Lil ol’ blues” and “End” are real gems. A new star is born, welcome CRAYON MORTEL, under 51beats ! When he was 6 years old, Alessio Bressan aka CRAYON MORTEL found a piano in a dumpster, he carried it on his shoulders and he started to play it with several gospel and death-metal bands. After his severe misanthropy diagnosis, he understood that the only way to play music alone was to play the computer. In 2013 Alessio went again a garbage dump and luckily he found a brand new pc. After many random songs, PIEL is his first solo album, on 51beats. “PIEL” by Crayon Mortel is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

51beats feeds himself with new music, being the discovery of new talented artist in the electronic-music-scene a primary objective. “PIEL” is the debut album from Alessio Bressan aka CRAYON MORTEL, a new rising star from Padua (IT). Sounds in “PIEL” somehow find their roots in house-music inspired by Relief Records, adding interesting dusty atmospheres and new sounds recalling artists such Lone and Shlohmo. “PIEL” is an electronic-idm full immersion release, with some banging dj-oriented tracks, see “They” and “Maihaus”…. “Lil ol’ blues” and “End” are real gems. A new star is born, welcome CRAYON MORTEL, under 51beats ! When he was 6 years old, Alessio Bressan aka CRAYON MORTEL found a piano in a dumpster, he carried it on his shoulders and he started to play it with several gospel and death-metal bands. After his severe misanthropy diagnosis, he understood that the only way to play music alone was to play the computer. In 2013 Alessio went again a garbage dump and luckily he found a brand new pc. After many random songs, PIEL is his first solo album, on 51beats. “PIEL” by Crayon Mortel is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/

51beats feeds himself with new music, being the discovery of new talented artist in the electronic-music-scene a primary objective. “PIEL” is the debut album from Alessio Bressan aka CRAYON MORTEL, a new rising star from Padua (IT). Sounds in “PIEL” somehow find their roots in house-music inspired by Relief Records, adding interesting dusty atmospheres and new sounds recalling artists such Lone and Shlohmo. “PIEL” is an electronic-idm full immersion release, with some banging dj-oriented tracks, see “They” and “Maihaus”…. “Lil ol’ blues” and “End” are real gems. A new star is born, welcome CRAYON MORTEL, under 51beats ! When he was 6 years old, Alessio Bressan aka CRAYON MORTEL found a piano in a dumpster, he carried it on his shoulders and he started to play it with several gospel and death-metal bands. After his severe misanthropy diagnosis, he understood that the only way to play music alone was to play the computer. In 2013 Alessio went again a garbage dump and luckily he found a brand new pc. After many random songs, PIEL is his first solo album, on 51beats. “PIEL” by Crayon Mortel is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License http://creativecommons.org/licenses/by-nc-nd/4.0/