Concept documentation and authorship proof of the original artistic universe “GAIA’s Chaos – Between the Worlds”. This registration includes theoretical descriptions, creative process notes, visual codes, and personal archives related to the concept’s development. It also documents patterns of idea replication and concept copying observed in the art and electronic music scene, without mentioning any personal names. The purpose is to establish authorship, originality, and conceptual integrity.

Digital work

Suite para un Mundo Antiguo (para pequeños pero poderosos músicos), es un viaje musical y narrativo que explora los orígenes de la musicalidad humana como forma de cuidado, vínculo y presencia compartida . Concebida para violonchelo, contrabajo, lira, marimba, timbales y narrador/a opcional, la obra traza un recorrido simbólico desde el útero materno hasta la sala de conciertos , pasando por cuevas, canciones de cuna y rituales colectivos. En forma Suite, con cuatro escenas, la obra está especialmente dedicada a los jóvenes intérpretes , entendidos aquí como poderosos portadores de ritmo, atención y presencia . Invita tanto a músicos como a oyentes a recordar la música como algo que se comparte antes de dominarse , que se siente antes de explicarse: I. Share Breath. I. Share Breath / Compartir la respiración. Un acto colectivo de respirar juntos como primer ritual. En este primera escena, sin palabras, el aire compartido se vuelve ritual: un pulso común que afirma la vida y el estar juntos. Cada aliento guarda una memoria antigua, la herencia invisible de respirar en compañía. II. In the Cave: Clay Balls to the Stone Sky/ En la cueva: Bolas de barro al cielo de roca. El lenguaje silencioso de manos y ecos En la cueva, la luz se vuelve líquida y la risa resuena en la piedra. Este segunda escena evoca una escena prehistórica donde los niños lanzan bolas de arcilla hacia el techo de la cueva, escuchando su impacto y resonancia. Cada gesto entrena la vista, la mano y el cuerpo, preparándolos para futuros actos de caza, danza y creación artística. III. Lullaby for an Ancient World: Nana Kama muta. Singing the Bond/ Canción de cuna para un mundo antiguo: Nana Kama Muta – Cantando el vínculo. Esta escena evoca el vínculo humano más temprano y la ternura que nos une. Reconoce en la figura materna a la primera compositora y en la nana al primer género musical, donde el cuidado se vuelve ritmo, belleza y cultura compartida. IV. Heartbeat of the Hunt / El latido de la caza. Cuando los cazadores se mueven al unísono alrededor del fuego. Esta última escena, que se inspira en la danza ceremonial tradicional de los maoríes de Nueva Zelanda, el haka, representa un ritual colectivo alrededor del fuego, donde cuerpos y voces se mueven al unísono, transformando el temor en cohesión. El latido compartido prepara la caza y fortalece el vínculo, revelando la música y la danza como formas ancestrales de cuidado, pertenencia y estar juntos.

Instrumental track from Chapter IV, an epic Viking cinematic album by Spirit Valhalla. A powerful Nordic-inspired composition featuring orchestral arrangements, tribal percussion, atmospheric soundscapes and heroic themes. Created to evoke the spirit of ancient warriors, legendary journeys, the Nine Worlds and the mythology of the North.

Instrumental track from Chapter IV, an epic Viking cinematic album by Spirit Valhalla. A powerful Nordic-inspired composition featuring orchestral arrangements, tribal percussion, atmospheric soundscapes and heroic themes. Created to evoke the spirit of ancient warriors, legendary journeys, the Nine Worlds and the mythology of the North.

Instrumental track from Chapter IV, an epic Viking cinematic album by Spirit Valhalla. A powerful Nordic-inspired composition featuring orchestral arrangements, tribal percussion, atmospheric soundscapes and heroic themes. Created to evoke the spirit of ancient warriors, legendary journeys, the Nine Worlds and the mythology of the North.

Instrumental track from Chapter IV, an epic Viking cinematic album by Spirit Valhalla. A powerful Nordic-inspired composition featuring orchestral arrangements, tribal percussion, atmospheric soundscapes and heroic themes. Created to evoke the spirit of ancient warriors, legendary journeys, the Nine Worlds and the mythology of the North.

The Echo of the Wind is the second novel in the Aevhian Chronicles, a work of contemporary fantasy aimed at young readers and adults. It continues the story begun in The Cuckoo’s Whisper, expanding the narrative universe and exploring the connection between worlds linked through natural and symbolic phenomena. The novel follows two sisters, Clara and Elena, who—after the events of the first book—discover that the boundary between their reality and the hidden city of Verfen has begun to destabilize. Cities that fold, lakes that speak, awakening elemental forces, and a notebook with a will of its own signal an imbalance that threatens multiple layers of existence. Guided by Ayren, a master capable of shaping the wind, the protagonists face decisions that test not only their identity, but the fate of several interconnected worlds. The work blends fantasy, emotion, adventure, and introspection, presenting international settings, reimagined mythical beings, and a unique system based on natural elements. It explores themes such as personal growth, responsibility, balance between opposing forces, memory, and the bond between sisters. The novel features a linear structure, chapters narrated from different points of view, and an atmospheric style that forms a central part of its literary identity.

INFINITE CHRISTMAS is a conceptual album made up of ten songs built around a simple and radical idea: one single lyric that remains unchanged while it transforms through different languages, musical forms, and atmospheres. This shared lyric acts as the narrative thread that holds the entire project together, while each track offers a new sonic, cultural, and emotional reading of the same story. The album’s origin lies in an Atlantic rural landscape, in a village wrapped in winter fog and the daily life of the countryside, from where its creator, Alfredo Erias, comes. Birth, the humble home, the presence of animals, and the sense of community shape an intimate and essential scene, where light is not only a physical element but also a symbol of the return of day, shared memory, and the continuity of life. From this root, INFINITE CHRISTMAS unfolds as a musical journey across different sonic worlds: from Galician Celtic imagery to other traditions and languages, always preserving the same words while transforming context, rhythm, and emotion. The melodies evoke land, wind, and sea, showing how a single story can change its form without losing its truth. The album offers a reimagining of Christmas far from artifice, centered on what is human, communal, and timeless. INFINITE CHRISTMAS celebrates the return of light on the longest night of the year and affirms that, beyond languages and styles, there are feelings that remain.

Some doors don’t need a key — just someone who dares to listen. Elena is logical. Clara is pure instinct. Neither of them imagined that a quiet family trip to the Black Forest would unravel everything they knew about the world — and themselves. Guided by whispers, shadows, and old legends, the sisters discover a hidden city lost between time and nature: Verfen. As their journey unfolds, they must face what’s buried in their past and awaken the future they never asked for. The Cuckoo’s Whisper is the first book in a gripping fantasy saga for young readers and curious adults alike. With multiple narrators, twists of trust and betrayal, and echoes of ancient civilizations, this story invites you to see what lies beneath the surface… if you dare to look. What if the world you know is just one of many? The idea of this book happened during a real family trip to the Black Forest in May 2025