Bienvenida al gran recurso editable para organizaros. En esta ocasión te ofrezco 41 plantillas word, totalmente editables, para que las modifiques y las adaptes a tus gustos y necesidades. Como ya te contaré un poco más adelante todas estas plantillas son organizadores de todo tipo: planificadores, viajes, calendarios, etc. Si te interesa, te cuento más.  Es la reedición de la agenda digital eterna. Si ya la tenéis, no compréis esto. LEER MÁS

Bienvenida al gran recurso editable para organizaros. En esta ocasión te ofrezco 41 plantillas word, totalmente editables, para que las modifiques y las adaptes a tus gustos y necesidades. Como ya te contaré un poco más adelante todas estas plantillas son organizadores de todo tipo: planificadores, viajes, calendarios, etc. Si te interesa, te cuento más.  Es la reedición de la agenda digital eterna. Si ya la tenéis, no compréis esto. de qué va esto se trata de una recopilación de 41 plantillas

Bienvenida al gran recurso editable para organizaros. En esta ocasión te ofrezco 41 plantillas word, totalmente editables, para que las modifiques y las adaptes a tus gustos y necesidades. Como ya te contaré un poco más adelante todas estas plantillas son organizadores de todo tipo: planificadores, viajes, calendarios, etc. Si te interesa, te cuento más.  Es la reedición de la agenda digital eterna. Si ya la tenéis, no compréis esto. de qué va   esto se trata de una recopilación de 41 plantilla

Bienvenida al gran recurso editable para organizaros. En esta ocasión te ofrezco 41 plantillas word, totalmente editables, para que las modifiques y las adaptes a tus gustos y necesidades. Como ya te contaré un poco más adelante todas estas plantillas son organizadores de todo tipo: planificadores, viajes, calendarios, etc. Si te interesa, te cuento más.  Es la reedición de la agenda digital eterna. Si ya la tenéis, no compréis esto. LEER MÁS

The God Machine Project - Nelson Ressio

Proyecto escrito en formato Microsoft Word, que detalla como realizo el tema dance, el video y el programa de gráficos vectoriales al ritmo de mi producción: THE GOD MACHINE

"I Carried the Storm" is an original song born from the intersection of motherhood, mental health, and self-expression. Carolina, an English teacher and actor who uses drama to teach language, wrote this piece as a personal attempt to explain emotional struggle and guilt to her daughter. Initially a private journal entry, the song evolved into a lyrical, poetic work using AI-generated music. It stands as both a creative healing process and an artistic testament to the complexity of parenting and inner resilience. Though originally non-commercial in intent, it is a fully original work and may be published or monetized in the future.

"Speak Light" is a powerful, mantra-style lyrical piece that encourages mindful speech and intentional thought. Blending poetry, affirmation, and introspection, it reminds us that the words we speak shape the lives we live. The lyrics explore how internal and external language influences mindset, self-worth, and growth—making it both a song and a spiritual practice. Whether spoken, chanted, or sung, "Speak Light" is a call to choose clarity over chaos, truth over fear, and love over doubt.

"Speak Light" is a powerful, mantra-style lyrical piece that encourages mindful speech and intentional thought. Blending poetry, affirmation, and introspection, it reminds us that the words we speak shape the lives we live. The lyrics explore how internal and external language influences mindset, self-worth, and growth—making it both a song and a spiritual practice. Whether spoken, chanted, or sung, "Speak Light" is a call to choose clarity over chaos, truth over fear, and love over doubt.

"Speak Light" is a powerful, mantra-style lyrical piece that encourages mindful speech and intentional thought. Blending poetry, affirmation, and introspection, it reminds us that the words we speak shape the lives we live. The lyrics explore how internal and external language influences mindset, self-worth, and growth—making it both a song and a spiritual practice. Whether spoken, chanted, or sung, "Speak Light" is a call to choose clarity over chaos, truth over fear, and love over doubt.

"Speak Light" is a powerful, mantra-style lyrical piece that encourages mindful speech and intentional thought. Blending poetry, affirmation, and introspection, it reminds us that the words we speak shape the lives we live. The lyrics explore how internal and external language influences mindset, self-worth, and growth—making it both a song and a spiritual practice. Whether spoken, chanted, or sung, "Speak Light" is a call to choose clarity over chaos, truth over fear, and love over doubt.

Amidst the early 2000s, in the quiet echoes of a small Southern Italian town, a little girl’s world is painted in shades of solitude. Invisible to the bustling life around her, she navigates a sea of faces that never truly see her. The air is thick with expectations—those of her parents, the rigid molds of society, and the silent demands of symbolic structures that bind her spirit. They weigh on her, a constant reminder that she might never measure up, that perhaps, she is inherently lacking. Carneossa’s debut single weaves a tapestry of raw emotions, capturing the essence of a soul grappling with the paradox of self—where the sanctuary of the inner world becomes both refuge and prison. Through her soundscapes, she explores the sacrificial demands of familial bonds, the relentless pursuit of external validation, and the quest for self-worth that transcends the gaze of others.

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En esta obra exploro una experiencia grabada en mi memoria, busco exaltar la imagen de una madre de la comunidad Afro, raizal o palenquera de Colombia en un contexto urbano, hostil y aparente. Busco darle a "Dolores" que es como decidí llamarla, una imagen pura pero apegada a su contexto, quise también denotar el cuidado a su criatura quien solo pudiera estar absorto por todo a su alrededor. Últimamente soy amigo de dejar mensajes contundentes en mis piezas y esta obra no es la diferencia, pues para imprimirme disciplina me informo de las estructuras sociales que me permean. De todo lo leído, de todo lo que me sirvió como inspiración para este argumento visual concluyo resaltando el aún desencuentro entre etnias, nación y estado. Como bien dijo el filósofo Ludwig Wittgenstein "Los limites de nuestro lenguaje son los limites de nuestro mundo." por esto la invitación es a no ignorar que entender y pensar esta limitado por el lenguaje que usamos, pues entonces basta de herir con la lengua a todo lo que nuestro cerebro no entienda. In this work I explore an experience engraved in my memory, I seek to exalt the image of a mother from the Afro, Raizal or Palenquera community of Colombia in an urban, hostile and apparent context. I seek to give "Dolores" as I decided to call her, a pure image but attached to her context, I also wanted to denote the care for her child who could only be absorbed by everything around her. Lately I am a friend of leaving strong messages in my pieces and this work is no different, because to give myself discipline I inform myself of the social structures that permeate me. From everything I have read, from everything that served as inspiration for this visual argument, I conclude by highlighting the still disagreement between ethnicities, nation and state. As the philosopher Ludwig Wittgenstein said "The limits of our language are the limits of our world." This is why the invitation is to not ignore that understanding and thinking is limited by the language we use, so then stop hurting with your tongue everything that your brain does not understand.

En esta obra exploro una experiencia grabada en mi memoria, busco exaltar la imagen de una madre de la comunidad Afro, raizal o palenquera de Colombia en un contexto urbano, hostil y aparente. Busco darle a "Dolores" que es como decidí llamarla, una imagen pura pero apegada a su contexto, quise también denotar el cuidado a su criatura quien solo pudiera estar absorto por todo a su alrededor. Últimamente soy amigo de dejar mensajes contundentes en mis piezas y esta obra no es la diferencia, pues para imprimirme disciplina me informo de las estructuras sociales que me permean. De todo lo leído, de todo lo que me sirvió como inspiración para este argumento visual concluyo resaltando el aún desencuentro entre etnias, nación y estado. Como bien dijo el filósofo Ludwig Wittgenstein "Los limites de nuestro lenguaje son los limites de nuestro mundo." por esto la invitación es a no ignorar que entender y pensar esta limitado por el lenguaje que usamos, pues entonces basta de herir con la lengua a todo lo que nuestro cerebro no entienda. In this work I explore an experience engraved in my memory, I seek to exalt the image of a mother from the Afro, Raizal or Palenquera community of Colombia in an urban, hostile and apparent context. I seek to give "Dolores" as I decided to call her, a pure image but attached to her context, I also wanted to denote the care for her child who could only be absorbed by everything around her. Lately I am a friend of leaving strong messages in my pieces and this work is no different, because to give myself discipline I inform myself of the social structures that permeate me. From everything I have read, from everything that served as inspiration for this visual argument, I conclude by highlighting the still disagreement between ethnicities, nation and state. As the philosopher Ludwig Wittgenstein said "The limits of our language are the limits of our world." This is why the invitation is to not ignore that understanding and thinking is limited by the language we use, so then stop hurting with your tongue everything that your brain does not understand.

Esta letra se puede usar con la cancion Sorry Seems To Be The Hardest Word de Elton John. These Lyrics could be used for the song Sorry Seems To Be The Hardest Word by Elton John .

Manifesto – Hymn to Love is an audiovisual work based on the literary manifesto "Hymn to Love" (SafeCreative Registration Code: 2504281601645) written by Gustavo Enrique Campos y Azuara, accompanied by the original piano composition "Hymn to Love" (SafeCreative Registration Code: 2504281602109) also composed by the same author. The video integrates narration, original piano music, and artistic visual composition in a 9:16 cinematic vertical format, aiming to convey a transformative experience centered on emotional connection, spiritual awakening, collective consciousness, and universal love. The creative direction, editing, and integration of literary, musical, and visual elements were carried out by Adrián Rabadán Ortiz, respecting the original identity and creative autonomy of each incorporated work.

Manifesto – Hymn to Love is an audiovisual work based on the literary manifesto "Hymn to Love" (SafeCreative Registration Code: 2504281601645) written by Gustavo Enrique Campos y Azuara, accompanied by the original piano composition "Hymn to Love" (SafeCreative Registration Code: 2504281602109) also composed by the same author. The video integrates narration, original piano music, and artistic visual composition in a 9:16 cinematic vertical format, aiming to convey a transformative experience centered on emotional connection, spiritual awakening, collective consciousness, and universal love. The creative direction, editing, and integration of literary, musical, and visual elements were carried out by Adrián Rabadán Ortiz, respecting the original identity and creative autonomy of each incorporated work.

"O.T.A.N Momento Crucial" es una poderosa canción de rap que combina ritmos intensos de drum and bass con la delicadeza de una guitarra clásica flamenca. La pieza inicia con un instrumental emotivo de 10 segundos, compuesto por bombos al ritmo del latido del corazón y un solo de violín melancólico, que da paso a una marcha militar lenta. La letra aborda un mensaje contundente contra la guerra nuclear, denunciando los conflictos actuales y llamando a la unión del pueblo. La voz se presenta en un estilo profundo, rasposo y melancólico, emulando el sonido de una radio vintage de los años 50, lo que intensifica la atmósfera dramática y reflexiva.