One of the most fascinating things about evolution is how the development of an organ in each individual recapitulates the evolution of the organ over millions of years. For example, if one studies the development of the human heart from its early stages in the embryo to its adult form, one can follow the changes the organ has undergone during evolution. Truly fascinating. I guess it’s probably the same with the unconscious. It was the main part of the primitive man’s mind and it slowly receded

One of the most fascinating things about evolution is how the development of an organ in each individual recapitulates the evolution of the organ over millions of years. For example, if one studies the development of the human heart from its early stages in the embryo to its adult form, one can follow the changes…

When I was Reading MDR, I was fascinated by how the Age of Enlightenment was presented by Jung. Coming out of the middle ages, in which Religion predominated, Western civilisation pushed for a more preponderant role of reason. The pendulum has swung so far to the other side that we have come to a point…

In West World, androids are so perfected and the comparison to human characters is stretched so much that one does wonder what makes us human. For those of you who haven’t watched the series, West World is a theme park full of sophisticated androids (the “hosts”) that recreates the wild American West, as in a Western film. Humans (the guests) go there to have sex, kill and, occasionally, to find themselves. Many more things happen in WW, but I don’t want to spoil it. When I finished watching the

When I was reading Jung’s Memories, Dreams and Reflections, I was fascinated by how he presented the Age of Enlightenment. Coming out of the Middle Ages, in which religion predominated, Western civilisation pushed for a more preponderant role of reason. The pendulum has swung so far to the other side that we have come to a point in which reason completely dominates every thought, every idea. Extreme rationalism now determines every move in our lives. Everything that is logical, reasonable is acc

In West World, androids are so perfected and the comparison to human characters is stretched so much that one does wonder what makes us human. For those of you who haven’t watched the series, West World is a theme park full of sophisticated androids (the “hosts”) that recreates the wild American West, as in a…

In its blue castle, behind its high blue walls, dressed in its blue gown, Reason is untouchable. It cannot be touched. It is isolated. Alone. Its fear of everything that is not purely logical makes the ego defensive. Reason is most powerful, formidable, and yet the rational ego fears what it cannot understand. It protects itself and, with every wall, it isolates itself from everything that is mysterious, everything that is not logical. When I started this so-called ‘journey’ (even if all the an

In its blue castle, behind its high blue walls, dressed in its blue gown, Reason is untouchable. It cannot be touched. It is isolated. Alone. Its fear of everything that is not purely logical makes the ego defensive. Reason is most powerful, formidable, and yet the rational ego fears what it cannot understand. It protects…

“Give Me One More Reason” is a soulful pop ballad about the quiet collapse of love — that moment when two people stand in the doorway between staying and goodbye. With a modern pop arrangement blending piano, subtle guitar, and cinematic layers, the song balances heartbreak and restraint. It’s emotional, honest, and radio-ready — a late-night confession wrapped in melody.

ICE-80 Framework is an industrial-style, reproducible micromagnetic design pipeline (digital-twin workflow) created to predict coercivity (μ₀Hc), reversal stability, and failure modes of rare-earth-free α-Fe nanocolumn magnet architectures prior to physical prototyping. The registered know-how covers the software architecture and execution logic that transforms coercivity design from coarse trial-and-error sweeps into controlled-uncertainty numerical prediction. Key protected elements include: (i) a field bracketing/bisection engine for μ₀Hc with explicit tolerance and decision criteria, (ii) an auditable reversal-mode classifier based on quantitative metrics (e.g., θRMS) and “Reason Codes” that explain each classification decision, (iii) automated generation of regime maps and publication-grade figures/tables from configuration files, and (iv) a traceability/notary layer (manifest.json + SHA256 checksums) that binds inputs, solver/version metadata, thresholds, and outputs for forensic integrity and reproducibility. This deposit includes the ICE-80 source code (Python), configuration files, solver input templates, traceability samples (manifest and checksums), a catalog of Reason Codes, and representative sample outputs/data used to demonstrate the audit trail. Third-party solver executables (e.g., MuMax3, OOMMF) are not redistributed and are excluded from this registration; ICE-80 interfaces with them via wrappers/templates only. The deposit is intended as proof of authorship and timestamp for private/hidden registration and does not imply public disclosure of the know-how.

La Regla de las Dos Objeciones Judicial–Criminológica es una propuesta teórico-práctica de Christopher Jordi Lara Zaldo que adapta la Two-Challenge Rule de la aviación y la medicina al ámbito judicial y criminológico. El texto desarrolla un protocolo de seguridad ética destinado a prevenir errores judiciales derivados de sesgos cognitivos, jerarquías rígidas o falta de revisión interdisciplinaria. Inspirado en la gestión de riesgos humanos y en la teoría del error sistémico de James Reason, el modelo plantea que el criminólogo debe funcionar como un sensor de riesgo institucional, capaz de intervenir con objetividad cuando detecta injusticias o desviaciones del principio de imparcialidad. La propuesta forma parte de una línea de pensamiento que fusiona criminología crítica, filosofía de la justicia y teoría de sistemas complejos, enmarcada dentro del Modelo del Infinito Fractal Autosustentado (MIFA).

Versión 2020 de la Instrumental "Andalucía" compuesta por Francisco Roca en 2011 para el proyecto "Tinta Manchada" de MC-ZIUS.

Pasaje musical estilo Synthesizer y Ambient con una inesperada resolución. Pads y Efectos se mueven por todo el espectro sonoro crean un ambiente de mistério e intriga.

Una instrumental Electro Ambient muy propia del estilo de Francisco Roca. Una alternativa Cinemática muy interesante.

Un Cinemático Piano con un sabor nostálgico y melancólico, que invita a recordar un pasado...

Música instrumental para Cine, o videojuegos interpretada en directo por Francisco Roca, y que nos traslada al antiguo egipto. Instrumental music for Film, or video games performed live by Francisco Roca, and which takes us to ancient Egypt.

Música electrónica con una textura Cinematográfica de acción, y con variedad de elementos surgiendo y moviendose por todas partes. Una experiencia trepidante con una Inesperada resolución a un mundo desconicido e inexplorado... Electronic music with a cinematic texture of action, and with a variety of elements emerging and moving everywhere. A fast-paced experience with an Unexpected resolution to an unknown and unexplored world...

El complemento VSTi The king of percussion, es un instrumento virtual de Timbales LP de 15 y 16 desarrollado por Héctor Luis Rivera Montoya de River´s Sound, esta herramienta fue grabado en el estudio de grabación (KVD Recors) Propiedad del musico y productor de gran reconocimiento Keyner Valdivia en la ciudad de Estelí Nicaragua, se hicieron múltiples tomas de los timbales con la finalidad de darle realismo por multi capas.

Redacción Publicitaria 2013-2014 Clases Temas 5, 6, 7, 8, 9 y 10 Redacción Publicitaria 2013-14 Material docente. ESCO Escuela Superior de Comunicación y Marketing Referencia: Marfil-Carmona, R. (2014) Redacción Publicitaria. Material docente. Temas 5 al 10. Granada: ESCO Escuela Superior de Comunicación y Marketing. www.escogranada.com E-mail de contacto: rmarfil@escogranada.com