[Intro] Yeah… they love you when you’re gone… Classic. [Verse 1] Posted my pain at 3AM, nobody cared Now the streams going up but I’m not there They call me genius when the body’s cold Turn my sadness into digital gold They screenshot tears I never sold Write my story like it’s controlled Flowers on a timeline post While I’m just another ghost [Pre-Chorus] Lost too much, still played the game No applause, no fame, no name Algorithm waits till my last breath Then promotes me after death [Chorus] I’ll go viral after death, after death Play my songs when there’s nothing left Cry in the comments, call me the best But I needed the money before the rest Viral after death, yeah after death Pay me now before my last breath Don’t wait for the flowers, don’t wait for the wreath I’ll go viral after death… I’d rather be rich [Verse 2] Quiet kid in a dusty room Turning pain into auto-tune They want tragedy, perfect arc I just want the bag before it’s dark They love the myth, they love the fall Never cared when I would call Now they loop me late at night While I fade out of the light [Pre-Chorus] Dreaming big in a small space No applause, no saving grace If I disappear they’ll trend my name But tonight I still play the game [Chorus] I’ll go viral after death, after death Play my songs when there’s nothing left Cry in the comments, call me the best But I needed the money before the rest [Bridge] Stream me when I’m underground Put my voice in every town Say I was ahead of time While I was broke writing lines [Final Chorus] I’ll go viral after death, after death But pay me now while I still have breath From my room to worldwide spread I’ll go viral after death But I’d rather be rich instead… [Outro] See you in the comments… Or in the charts… Hopefully the charts…

Descrição Artística: Dopamine Visão Geral "Dopamine" é uma obra de metalinguagem pura. Ela utiliza exatamente a mesma "arma" que critica: uma batida frenética e altamente viciante para falar sobre o vício moderno em estímulos rápidos e vazios. É uma fusão genial entre a energia crua da pista de dança e o humor ácido sobre a nossa dependência das telas. Sonoridade e Ritmo A faixa é construída sobre a base do Hyperglobal Funk, o que significa: Graves Estourados e Marcantes: A linha de baixo é pesada e dita o ritmo cardíaco da música, feita para bater forte nos fones de ouvido e nos alto-falantes. Andamento Acelerado: O ritmo é rápido (BPM alto), simulando perfeitamente a velocidade com que o polegar rola o feed das redes sociais. Texturas Eletrônicas: Traz elementos sintéticos que lembram "glitches" (falhas de sistema) e notificações de celular, integrando o ambiente digital diretamente na melodia. Temática e Letra O conceito lírico é uma fotografia do esgotamento mental na era digital: A Ironia do Algoritmo: A letra escancara a busca incessante do cérebro por "dopamina barata" — curtidas, vídeos curtos, rolagens infinitas. Crítica Ácida: Em vez de fazer uma música romântica ou de ostentação, a faixa transforma a crise existencial do homem moderno (que não consegue largar o celular) em um refrão chiclete. A Sensação Transmitida Ouvir "Dopamina" é como estar em uma balada lotada, com as luzes piscando rapidamente, enquanto a mente entra em um profundo questionamento sobre a própria sanidade. Ela te obriga a dançar ao mesmo tempo em que te faz rir (de nervoso) da própria realidade. É uma pílula de consciência disfarçada de hit de internet.

Cancion parte de mi nuevo album

My logo has a futuristic and minimalistic design, It features a central hexagon containing a smaller circular pattern that resembles a complex gear & technological interface. Surrounding the hexagon are several concentric hexagonal lines, creating a layered effect. There are also three blue neon lines on the outer edges, adding a modern, digital touch to the design. The overall aesthetic is clean, geometric, and conveys a sense of precision and technology.

My logo has a futuristic and minimalistic design, It features a central hexagon containing a smaller circular pattern that resembles a complex gear & technological interface. Surrounding the hexagon are several concentric hexagonal lines, creating a layered effect. There are also three blue neon lines on the outer edges, adding a modern, digital touch to the design. The overall aesthetic is clean, geometric, and conveys a sense of precision and technology.

The Polish title: "Jedwab i grzmot".

The full title: "Dancing Under the Amber Sky of Gdańsk". The Polish title: "Taniec pod bursztynowym gdańskim niebem".

The track "Truso" in its registered version has a duration of 3 minutes. This is the original and first version of the work. Any other versions, such as remixes or adaptations, are equally protected under copyright law. Legal basis The protection of this work is established by the Berne Convention for the Protection of Literary and Artistic Works, to which Poland and many other countries are signatories. Since the work is published in Poland, it is also governed by the provisions of the Polish Act on Copyright and Related Rights (Journal of Laws 1994, No. 24, item 83, as amended). The protection applies to both the original work and its derivatives, including remixes or other adaptations, as long as the author holds or controls the rights to them. Any unauthorized use of the work is prohibited and may result in legal action. About the title Truso was an early medieval trading center and Viking settlement located near Lake Drużno, close to present-day Elbląg in Poland. Its history begins in the late 8th or 9th century, when it served as a hub for the exchange of goods such as amber, attracting merchants from various regions of the world. By the 10th century, Truso had begun to decline, and soon after, it disappeared entirely, coinciding with the rise of Gdańsk, founded in the 10th century at the mouth of the Vistula River into the Baltic Sea. The earliest reference to Gdańsk, under the name Gyddanyzc, appears in the Life of Saint Adalbert by Johannes Canaparius. Gdańsk quickly grew into a strategic trading hub, surpassing Truso in regional significance. Today, both Truso and Gdańsk symbolize the rich history of trade and culture in Pomerania.

Other Title: "Truso - Album Cover". The second album of Sebastian Tywuschik. This image depicts a hypothetical appearance of the city of Gdańsk in Poland around the 10th century. The history of Gdańsk dates back to the early days of Poland. The name 'Gyddanyzc' was first mentioned in 999 AD in the work The Life of St. Adalbert (Vita prima Sancti Adalberti) by John Canaparius. The image was generated by artificial intelligence based on instructions provided by Sebastian Tywuschik, with text elements (including font, color scheme, and placement) designed and added by him.

Polish title: „Szał 8-bitowych gier”.

The Polish title: "W pracowni starego zegarmistrza".

Polish title: "Księżycowe konsorcjum górnicze".

DJRendex – The heat surrounds us Derived author and phonographic producer: FLAVIO EMILIO SEARA PINTO Published under the artistic pseudonym: DJRendex DJRendex – The heat surrounds us, is a musical work created and produced 100% with the support of the AI Suno AI, with 100% direct human creative intervention by the author. The lyrics, thematic concept, artistic direction, and musical style were entirely defined and refined by the author. Heat is portrayed as a presence that envelops and transforms. As the final track in the series, it represents the ultimate embrace of fire — as atmosphere, energy, and emotion. Lyrics: The heat surrounds us now It’s rising from the ground The lava leaves my skin You get hot when you see me No air — just steam and rhythm Burn me with your look Touch me — ignite We’re fire, we’re steel, we move The room is a furnace No mercy — just fire Keep dancing — feed the flame

DJRendex – Burning Feet Derived author and phonographic producer: FLAVIO EMILIO SEARA PINTO Published under the artistic pseudonym: DJRendex DJRendex – Burning Feet is a musical work created and produced 100% with the support of the AI Suno AI, with 100% direct human creative intervention by the author. The lyrics, thematic concept, artistic direction, and musical style were entirely defined and refined by the author. It connects the heat of the ground with the impulse to move. Dancing becomes inevitable when your feet are burning — a tribute to the body and the dance floor. Lyrics: My feet burn when I dance I can’t stop — they burn Each step ignites the floor Pain becomes the beat I lose control in fire When I dance — I burn No pain — no fire My soul melts on the floor Can’t resist — the burn This fire owns me Dance is the only cure

DJRendex – The heat makes you dance Derived author and phonographic producer: FLAVIO EMILIO SEARA PINTO Published under the artistic pseudonym: DJRendex DJRendex – The Heat Makes You Dance is a musical work created and produced 100% with the support of the AI Suno AI, with 100% direct human creative intervention by the author. The lyrics, thematic concept, artistic direction, and musical style were entirely defined and refined by the author. It explores how heat — both physical and emotional — drives movement and ecstasy. It is an ode to the inevitable dance in the face of rhythm and the temperature of the moment. Lyrics: The ground is shaking under neon skies Ashes fall like fireflies Lava flows beneath our feet But the rhythm makes us feel complete This fire’s not just from the land It’s rising deep from where we stand The night ignites, no second chance We’re burning in this wicked dance The heat makes you dance Lost in the trance Hearts in a blaze We’re not afraid The heat makes you dance Fall in the flame No turning back We're born of the rave On the edge where shadows play We rise like smoke and melt away The beat erupts, it pulls us near In magma light, we disappear This fire’s not just from the land It’s rising deep from where we stand The night ignites, no second chance We’re burning in this wicked dance The heat makes you dance Lost in the trance Hearts in a blaze We’re not afraid The heat makes you dance Fall in the flame No turning back We're born of the rave The lava glows, the sound expands We're fire now… we understand.