“Plan B” begins as an intimate heartbreak story but evolves into a powerful anthem of resilience and self-realization. The song follows the emotional journey of someone who gave everything to a relationship that ultimately slipped away, confronting the quiet pain of being left behind and the uncertainty of starting over. As the narrative unfolds, vulnerability turns into strength, revealing an empowering truth: sometimes what feels like loss is actually redirection. With emotionally honest lyrics and a rising sense of determination, Plan B reminds listeners to trust the process — because the path we never planned may turn out to be exactly the one we needed.

"Pool" representa el quinto lanzamiento oficial del artista Hexa Maguissa. Se trata de una obra diseñada con un enfoque hacia el mercado mainstream, tomando como base conceptual la atmósfera festiva y social de los eventos en piscinas (pool parties). Concepto artístico y visual: La identidad visual de la obra se caracteriza por una estética que fusiona los estilos Hipster y Vaporwave. La portada presenta una piscina mediante una paleta de colores vibrantes en tonalidades rosa, azul y gris, buscando transmitir una sensación de frescura y modernidad visual coherente con el estilo sonoro del track. Especificaciones técnicas: Género principal: Melodic House. Estilo adicional: Melodic Techno. Créditos: Composición, producción y proceso de masterización realizados íntegramente por el autor.

"The Major" constituye el cuarto lanzamiento oficial en la trayectoria discográfica de Hexa Maguissa. La propuesta conceptual de la obra está inspirada en la rítmica y la estructura de las marchas, tanto en contextos militares como en festivales, buscando recrear la sensación de identidad y pertenencia a un movimiento colectivo de gran escala. Concepto artístico y visual: La identidad visual de la portada presenta la figura de un soldado en posición de marcha. El diseño se caracteriza por una paleta cromática minimalista de tres colores predominantes: rosa, morado y naranja, lo cual aporta una estética vibrante y moderna a la temática de la obra. Especificaciones técnicas: Género principal: Techno. Estilo adicional: Melodic Techno. Créditos: Composición musical y proceso de masterización realizados íntegramente por el autor.

Peter Hook & The Light — Sala Moon, Valencia (Spain), November 23rd, 2017 Photograph taken during their concert at Sala Moon in Valencia, where they performed the albums Substance, by Joy Division and New Order. The unmistakable presence of Peter Hook, the dense atmosphere, and a setlist that has become part of history. — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — Peter Hook & The Light — Sala Moon, Valencia (España), 23 de noviembre de 2017 Fotografía tomada durante su concierto en la Sala Moon de Valencia, donde interpretaron los álbumes Substance de Joy Division y New Order. La figura inconfundible de Peter Hook, la atmósfera densa, y un repertorio que forma parte de la historia.

Peter Hook & The Light — Sala Moon, Valencia (Spain), November 23rd, 2017 Photograph taken during their concert at Sala Moon in Valencia, where they performed the albums Substance, by Joy Division and New Order. The unmistakable presence of Peter Hook, the dense atmosphere, and a setlist that has become part of history. — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — Peter Hook & The Light — Sala Moon, Valencia (España), 23 de noviembre de 2017 Fotografía tomada durante su concierto en la Sala Moon de Valencia, donde interpretaron los álbumes Substance de Joy Division y New Order. La figura inconfundible de Peter Hook, la atmósfera densa, y un repertorio que forma parte de la historia.

Original children’s song by Monster Smile designed to help kids learn and recognize the days of the week through music, repetition, and a playful approach. The song supports early learning, time awareness, and active participation.

Educational piano method book for beginner children. Includes original teaching content, exercises, and original musical pieces written by Einis Frometa Sanchez as part of “The Sanchez Method” series.

Title: Legacy In Neon – Lost Format: Digital illustration Dimensions: png 1800 x 1500 Author: Arturo Hernández Santodomingo Motto: “No, I don't belong here. I will lose myself in time.” — The Cure, Endsong (2024) Description: Legacy In Neon – Lost portrays a silhouette dissolving before a red moon, as if time itself were unmaking it. Beside it, a pocket watch floats among falling leaves, marking an hour that no longer matters. Inspired by Endsong by The Cure, the image evokes the loss of belonging and the surrender to time as an inevitable force. The star‑lit sky and the dark grass reinforce the atmosphere of passage and farewell, bringing awareness to the ephemeral. ~ This work was developed with the support of Microsoft Copilot and is registered as an original visual creation resulting from human–AI collaboration. ~ Guided by intuition, refined by code—this creation is the echo of two minds, one human, one artificial. — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — Descripción: Legacy In Neon – Lost muestra una silueta que se disuelve frente a una luna roja, como si el tiempo mismo estuviera deshaciéndola. A su lado, un reloj de bolsillo flota entre hojas que caen, marcando una hora que ya no importa. Inspirada en Endsong de The Cure, la imagen evoca la pérdida de pertenencia y la entrega al tiempo como fuerza inevitable. El cielo estrellado y la hierba oscura refuerzan la atmósfera de tránsito y despedida, dando consciencia de lo efímero. ~ Esta obra fue desarrollada con el apoyo de Microsoft Copilot y está registrada como creación visual original fruto de la colaboración entre humano e inteligencia artificial. ~ Guiada por la intuición, refinada por el código—esta creación es el eco de dos mentes, una humana, otra artificial.

Original children’s video created for the Monster Smile universe that gently addresses the fear of the dark. The work combines original lyrics and melody to help children understand shadows, promoting calmness, safety, and reassurance.

“ENJOY THE MOMENT” MEDIDAS 122 x 92 cm. TÉCNICA Acrílico sobre lienzo con texturas. “ENJOY THE MOMENT” , en esta obra Dieguez nos vuelve a sorprender con su gran talento y creatividad, y nos emociona con un homenaje a uno de nuestros personajes más querido, Snoopy, que posa relajado saboreando los pequeños placeres de la vida, disfrutando el momento, ya que la vida se trata de eso, de disfrutar cada momento, porque es único e irrepetible.

A submission packet containing logline, synopsis, author bio, translation notes, and sample chapters (1–3) of the novel “Gregório: A Fábrica do Esquecimento”.

A Unified Lagrangian Framework for Ψ, Prime Harmonic Frequency and Noetic Quantum Gravity The Noetic Field Theory: Deriving a Universal Conscious Frequency of 141.7001 Hz from Type IIB Supergravity, Calabi–Yau Compactification and the Riemann Zeta Function We present the Noetic Field Theory (NFT), a unified scalar-field framework derived from 10D Type IIB supergravity compactified on the quintic Calabi–Yau manifold in CP⁴. Starting from the full bosonic Type IIB action and using only measured physical constants (Planck 2018, CODATA 2022) and standard flux quantization (N₅ = 12), we obtain, with no free parameters, an effective 4D potential whose minimum fixes the compactification radius at R_Ψ ≈ 1.03 × 10⁴⁷ ℓ_P. The corresponding ground-state oscillation frequency of the vacuum is f₀ = c/(2π R_Ψ ℓ_P) = 141.7001 ± 0.0016 Hz. The Riemann derivative ζ′(1/2) = −0.207886 enters as a non-perturbative spectral Casimir correction that stabilizes the minimum. The resulting Lagrangian is fully renormalizable, exhibits a UV fixed point, and yields multiple falsifiable predictions in gravitational-wave strain data, Yukawa-type gravity corrections at ∼336 km, quantum coherence enhancement, and condensed-matter spectroscopy. All numerical results are reproducible with the public code at https://github.com/motanova84/141hz. This constitutes the first ab initio derivation of a universal physical frequency from string theory and the Riemann zeta function. https://github.com/motanova84/Riemann-adelic José Manuel Mota Burruezo

“The Game You Lost” delivers an intense soul-rock performance built on gritty electric guitars, a deep groove-driven bassline and powerful organ swells that add emotional weight. The raw, raspy male vocals carry a mix of anger, heartbreak and clarity, shaping a sound that feels both personal and cinematic. The lyrics tell a story of betrayal between brothers—loyalty shattered, love stolen and fame turned hollow. It’s an anthem of loss and rediscovery, where broken trust becomes the catalyst for finding truth and strength while the one who chased glory ends up alone with the consequences. Musical genre: Soul-Rock × Gritty Rock × Emotional Rock Duration: 3:41 min Credits: Music and lyrics by Sergio García-Ronrás (Navegantes Sound Music) Rights: © & ℗ 2025 Navegantes Sound

“Odyssey of the Heart” blends soulful rock with a deep, steady groove, raw electric guitar riffs and smooth organ swells that color the track with warmth and grit. The production moves with a persistent pulse, creating a sense of journey, weight and emotional motion. Vocals shift between tender vulnerability and raspy intensity, reflecting the inner conflict at the core of the song. The lyrics depict a wandering soul returning to places haunted by love—storms weathered, maps broken, anchors dropped with no rest. It’s a voyage driven by memory, longing and the search for meaning in the remains of what once burned bright. Musical genre: Soul Rock × Deep Groove Rock × Blues-Infused Rock Duration: 2:49 min Credits: Music and lyrics by Sergio García-Ronrás (Navegantes Sound Music) Rights: © & ℗ 2025 Navegantes Sound

“Echoes in the Dust” blends emotional rock with R&B-infused warmth, driven by a resonant electric guitar riff wrapped in atmospheric reverb and subtle percussion. The production creates a haunting yet soulful space, where each layer moves between ache, memory and quiet resilience. The lyrics reflect on loss, longing and the echoes someone leaves behind—shadows on the wall, fragments of laughter, unanswered questions. It’s a heartfelt meditation on absence, carried by intimate vocals and a sound that lingers long after the final note. Musical genre: Emotional Rock × R&B-Infused Rock × Atmospheric Soul Rock Duration: 3:36 min Credits: Music and lyrics by Sergio García-Ronrás (Navegantes Sound Music) Rights: © & ℗ 2025 Navegantes Sound

Original English lyrics of the song “Facing the Light” by Dark Blade. Written and composed by Luchi Luchano. Produced by Dark Blade Media.

“Dance of the Redeemed (Prophetic Praise)” is a prophetic praise declaration written to celebrate redemption, deliverance, and joyful victory in God. The lyrics express freedom, gratitude, and the triumphant sound of those whom the Lord has rescued and restored. Scripture references: • Psalm 107:2 — Let the redeemed declare their testimony • Psalm 149:3–4 — Praise expressed through joyful dance • Exodus 15:20–21 — The victorious dance of Miriam and the redeemed This work includes original written lyrics, poetic structure, thematic arrangement, and prophetic composition created solely by Cornelius Ekpobikoro Ikoro under Flame Chamber Mandate Publishing. Copyright Notice: © Flame Chamber Mandate Publishing. All Rights Reserved. Unauthorized reproduction or modification of this artwork is strictly prohibited.

“Dance of the Redeemed (Jazz Flow)” is a prophetic jazz-inspired praise composition celebrating deliverance, redemption, and the joy of salvation. The piece blends soulful jazz phrasing with spiritual expression, capturing the sound of redeemed hearts rising in thanksgiving before God. The theme of the composition is anchored in the biblical call for the redeemed to declare the goodness of God and to express praise through joyful movement and music. Scripture references: • Psalm 107:2 — “Let the redeemed of the Lord say so…” • Psalm 149:3–4 — “Let them praise His name with dancing…” • Isaiah 51:11 — “The redeemed of the Lord shall return with singing…” This work includes original melody lines, jazz phrasing, rhythmic structures, harmonic progressions, and musical arrangement created solely by Cornelius Ekpobikoro Ikoro under Flame Chamber Mandate Publishing. It reflects a fusion of prophetic sound, jazz expression, and celebratory revelation — crafted for worship, praise, and spiritual atmosphere settings. Copyright Notice: © Flame Chamber Mandate Publishing. All Rights Reserved. Unauthorized reproduction or modification of this artwork is strictly prohibited.

This piece reveals that human paradise doesn't reside in a physical place, but rather in the people we love. Through a blend of harmonies, it invites us to immerse ourselves in an intimate moment, a space to reconnect with ourselves and with those we care about. The work seeks to evoke moments of connection between human beings: therein lies, in essence, our humanity.