Human Kinects in Cyberland" is part of Avina Media's "TechnArt" project which explores new ways to visualize fictional stories in movies or series through a new digital technology technique discovered by Avina Media in Europe. In this experimental promo, we engaged digital artists around the world who licensed existing content or generated new pieces, which fused with music and scripted dialogue helped us explore how new forms of digitally generated imagery might reflect a human experience which felt emotional and real and not synthetic. This technique, motivated by movements by real people, felt closer to images captured by traditional photo or movie cameras than 3D animation. 3D animation really takes us to another make believe world. But this kind of imagery, we felt, exposed an experience that might exist somewhere between 3D animated environments and those captured by photographic or cinematic cameras. We feel that TechnArt is magically reflective of our inner souls and emotions. This avant guard cinematic experience Avina Media will be looking to apply to new movies or series stories produced by Avina and its partners in 2023 and beyond.

Goyigoyi Lulu's hyper-mega-ultra-extremely-powerful and grimy old magic blankie Logline Weird things happen at the Mal de Ojo (Evil Eye) Kinder: monsters, spirits, and spells interrupt Miss Julie's class. So why are they messing with Miss Julie? Lulu, a student at the kindergarten, seeks to uncover the mystery of these dark forces with the power of her magical Goyigoyi, her grimy baby blanket. Synopsis Lulu and Goyigoyi are inseparable. One is a fearful girl, the other a mighty magical protective grimy old baby blanket. Goyigoyi went magical since mysterious apparitions, monsters, and spells began to plague Lulu's school: The Mal de Ojo Kinder. A kindergarten with a principal who performs pagan rituals to win the love of Lulu's American teacher. Lulu has to learn to overcome her fears, make some friends, solve the mystery, and deal with La Titi, the classroom's feared leader.

Upgrades es una serie animada 2D, 26x07' episodios, tipo “reset show" para niños entre 5 y 8 años. En la que cada día cuatro pequeños robots descubren una nueva habilidad que será fantástica, divertida, atrevida o disparatada.

I devised the narrative and aesthetic of the video, which features a futuristic humanoid robot with movements synchronized to a dubstep track, set in a futuristic interior space station. Musical Composition: I composed the original dubstep music using AIMusicGen, providing specific robotic phrases as input to guide the track generation. I curated and adjusted the results generated by AIMusicGen to align with my artistic vision, ensuring the music reflected the video's futuristic and rhythmic theme. AI Prompt Creation: I designed detailed prompts for Kling.ai, assisted by the AI ​​Grok to optimize the writing of the instructions, generating a base image of the robot and animations of its movements, including sequences such as "fist-clash shockwave," "electric power surge," and "simple shutdown sequence." Final Edit: I performed the final edit of the music video manually, without AI assistance, integrating the clips generated by Kling.ai and the AIMusicGen music. I ensured precise synchronization between the robot's movements and the dubstep track, fine-tuning the editing to achieve a coherent final product aligned with my creative vision. Use of Artificial Intelligence: I used AIMusicGen to generate the dubstep track and Kling.ai to create the robot's image and movement animations, with prompts designed by me, partially assisted by Grok to optimize their writing. My involvement included: Creating original robotic phrases as input for AIMusicGen. Designing specific prompts for Kling.ai, based on my original concept of the robot and its environment. Selecting, adjusting, and editing the results generated by both tools to ensure the originality and cohesion of the final work. The AI ​​acted as a tool under my creative direction, and no third-party copyrighted works were used to train or generate the content. Declaration of Originality: I certify that "Quantum Clash" is an original work, created solely by me, Omar Quijano, with no co-authors. It does not infringe third-party copyrights, and my human contribution—including ideation, prompt design, musical composition, and final editing—is significant, meeting the requirements for authorship under United States law applicable in Puerto Rico. I declare that the video is intended for commercial use, including monetization on platforms such as YouTube.

Family-friendly animated short film concept exploring the emotional bond between a vulnerable baby and a giant polar bear, told through a unique crochet-style visual world.

Bunny Terror is an audio reactive visual set for installations, performances, live events or streams. The file submitted is actually a series of frames from the recording of the live animation.

This performance contained 4 different pieces from the Space Invaders series. The Space Invaders series characterise by having an alien like figure, central with disparate elements around or over them. The work plays with the human perception by the use of juxtaposing elements, shapes and movements. In order of appearance: -Lord of Heavens -Lady of The Waters -Lord of Time -Road to Kansas This visual performance was part of a live show. My work was produced to accompany the musician, Lia Mice , who is the sole owner of her music.

Lord of Time - X-Wing Crossovers is an audio reactive visual set or VJ set for installations, performances, live events or streams. Part of the 'Space Invaders' series which involve an alien like figure as a central them for the visual side. The file submitted is actually a series of frames from the recording of the live animation. On the link provided as reference, this visual performance was part of a live show. My work was produced to accompany the musician, Paul Hierophant , who is the owner of his music.

Bunny Terror is an audio reactive visual set for installations, performances, live events or streams. The file submitted is actually a series of frames from the recording of the live animation.

The Boy Pharaoh. Stop motion animation short movie. Adventure story based on a true story, dramatising the events leading up to the discovery of Tutankhamun's Tomb. The action takes place in 1922, the year of the discovery, and includes flashbacks to Ancient Egypt, (B.C. time line ).