“Norte na Escuridão da Tribulação” (“North in the Darkness of Tribulation”) is an epic and contemplative gospel song written by Eduardo Dias de Camargo. The lyrics express a prayer of trust amid persecution and end-time chaos, drawing from Psalm 27 and Revelation 7:14. Set in F minor, the composition builds progressively with piano layers, dramatic strings, battle-like effects, and an emotional climax in a 6/8 meter. This song invites hope and faithfulness even in darkness. It includes original lyrics, chord progression, vocal score with chords, and a mastered audio recording.

“Norte na Escuridão da Tribulação” (“North in the Darkness of Tribulation”) is an epic and contemplative gospel song written by Eduardo Dias de Camargo. The lyrics express a prayer of trust amid persecution and end-time chaos, drawing from Psalm 27 and Revelation 7:14. Set in F minor, the composition builds progressively with piano layers, dramatic strings, battle-like effects, and an emotional climax in a 6/8 meter. This song invites hope and faithfulness even in darkness. It includes original lyrics, chord progression, vocal score with chords, and a mastered audio recording.

“Norte na Escuridão da Tribulação” (“North in the Darkness of Tribulation”) is an epic and contemplative gospel song written by Eduardo Dias de Camargo. The lyrics express a prayer of trust amid persecution and end-time chaos, drawing from Psalm 27 and Revelation 7:14. Set in F minor, the composition builds progressively with piano layers, dramatic strings, battle-like effects, and an emotional climax in a 6/8 meter. This song invites hope and faithfulness even in darkness. It includes original lyrics, chord progression, vocal score with chords, and a mastered audio recording.

“Fiel és Tu” (“Faithful Are You”) is a contemporary gospel-soul ballad written by Eduardo Dias de Camargo. This song praises the unchanging faithfulness of God amidst life's trials and uncertainties. Inspired by Lamentations 3:22–23 and Hebrews 10:23, its verses lead listeners into a heartfelt confession of trust in God’s promises. The arrangement features emotional piano, ethereal strings, tender vocal harmonies, and light rhythmic elements in D♭ major. The 4/4 time signature allows for a reflective, reverent worship flow. This work includes original lyrics, chord progression, simplified vocal melody sheet, and studio audio recording.

“Fiel és Tu” (“Faithful Are You”) is a contemporary gospel-soul ballad written by Eduardo Dias de Camargo. This song praises the unchanging faithfulness of God amidst life's trials and uncertainties. Inspired by Lamentations 3:22–23 and Hebrews 10:23, its verses lead listeners into a heartfelt confession of trust in God’s promises. The arrangement features emotional piano, ethereal strings, tender vocal harmonies, and light rhythmic elements in D♭ major. The 4/4 time signature allows for a reflective, reverent worship flow. This work includes original lyrics, chord progression, simplified vocal melody sheet, and studio audio recording.

“De Volta à Promessa” (“Back to the Promise”) is a prophetic pop-gospel song written by Eduardo Dias de Camargo. The lyrics portray a cry of repentance and return to God's Word after spiritual wandering, drawing from Hosea 6:1–3. The arrangement blends acoustic guitar, light percussion, and atmospheric pads in E♭ major with a 4/4 time signature. Its gentle, ascending melody reflects a longing for restoration and renewed commitment to divine promises. This work includes original lyrics, chord chart, simplified vocal melody, and professional studio recording.

“De Volta à Promessa” (“Back to the Promise”) is a prophetic pop-gospel song written by Eduardo Dias de Camargo. The lyrics portray a cry of repentance and return to God's Word after spiritual wandering, drawing from Hosea 6:1–3. The arrangement blends acoustic guitar, light percussion, and atmospheric pads in E♭ major with a 4/4 time signature. Its gentle, ascending melody reflects a longing for restoration and renewed commitment to divine promises. This work includes original lyrics, chord chart, simplified vocal melody, and professional studio recording.

“De Volta à Promessa” (“Back to the Promise”) is a prophetic pop-gospel song written by Eduardo Dias de Camargo. The lyrics portray a cry of repentance and return to God's Word after spiritual wandering, drawing from Hosea 6:1–3. The arrangement blends acoustic guitar, light percussion, and atmospheric pads in E♭ major with a 4/4 time signature. Its gentle, ascending melody reflects a longing for restoration and renewed commitment to divine promises. This work includes original lyrics, chord chart, simplified vocal melody, and professional studio recording.

“Fiel és Tu” é uma balada soul gospel contemporânea, escrita por Eduardo Dias de Camargo. A canção exalta a fidelidade imutável de Deus em meio às adversidades e incertezas da vida. Com base em Lamentações 3:22-23 e Hebreus 10:23, seus versos conduzem o ouvinte a uma confissão profunda de confiança nas promessas divinas. A melodia suave é sustentada por piano emocional, cordas etéreas, harmonias vocais sensíveis e batidas leves, na tonalidade de D♭ maior. O compasso 4/4 favorece uma fluidez introspectiva, carregada de adoração reverente. Esta obra inclui letra original, progressão harmônica, partitura vocal simplificada com cifras e gravação de estúdio.

Frente a Frente: Una novela en la que el amor y la verdad no siempre son evidentes. Nuria pensó que su vida romántica había acabado después de su temprano matrimonio fallido a los veinte años. Por años construyó un negocio exitoso, enfocándose en su trabajo y su abuela. En el momento menos pensado, el carismático y aventurero Gustavo entró a su vida, trayendo consigo aventuras y la familia que tanto anhelaba, pero algo no se sentía bien. ¿Qué oculta Gustavo? ¿Qué es lo que hace que todos en la vida de Gustavo la acepten con la excepción de Aitor, su mejor amigo? En esta novela, los detalles del pasado de quienes rodean a Nuria, podrían cambiarlo todo. Me inspiré para escribir esta novela en las tardes lluviosas de la temporada de huracanes en la Ciudad de México y una canción. Escuché el tema "Antes de Renunciar" de Yahir y me imaginé quién podría dedicar esa canción. Tendría que ser un hombre que está enamorado de una mujer desde hace tiempo y fue testigo de todo el daño que ésta sufrió en su relación previa. Fue entonces cuando concebí a los personajes principales y su dinámica general. Poco a poco la relación evolucionó y se alejó un poco de lo que la canción me había hecho plantear, pero la esencia del conflicto se mantuvo.

Better Things is a novel about love, music, business, and life. Do you believe you can have everything you want in life? This is what Jon and Iris wonder after they meet during the "Step It Up Summit" in Miami. Could their personal and business success start at the same time? Would it be wise to mix business and pleasure? Can you really trust that life works for you, even when you’ve failed over and over again? When all your dreams start to come true, could you be the one person getting in your way? In this novel, we join Jon, Iris, and their friends as they work, trust and commit to their belief that better things can exist and happen to all of them. I wrote this work inspired by past experiences in Summits, peer relationships and our intend to make the music and entertainment industry more human, soulful, connective, and successful.

Red-Handed came out as a screenplay first, and then developed into a novel. The first scene that came to my mind was the conversation that Louie and Rose had when he's at the airport. I could see the irony in what he claimed so strongly "he didn't want". So I started playing with the notion of getting exactly what you didn't want, but then it turns out to be exactly what you needed and you truly longed for. I loved the idea of having my characters bicker and dwell in the irony of how interested they were in each other's life, choices, and paths. It also gave the an opportunity to include familiar characters from my college years, and place these two main characters in the town I called home for four years.

Max and David agreed that it was going to be only for a month… Max Cooper was a passive-aggressive therapist with a sordid secret and two ground rules: no second dates, and no falling in love. David Smith was as attractive as he was self-centered, and thought he was irresistible for any woman. Sadly, David was right, until Linda came into his way. Life keeps moving. One day you’re thriving in your loneliness, and the next day you find yourself involved in a love triangle. It will take Max and David a month to realize that rules are made to be broken, and that life is full of choices that have to be made.

Composition for SATB a cappella choir with divisi, 2024 by Giulio De Carlo

My dear Life for SATB choir with divisi and string quartet, 2024 by Giulio De Carlo

Forgotten for SATB choir with divisi, piano and percussion, 2024 by Giulio De Carlo

This a piece composed by Oliver Castaño Mallorca A Solo Clean Electric Guitar with some bass line nuances of 80s Signature Keyboard and Reversing Mood Keys. Title: Landward ISRC: QZES52431961 Primary genre: Electric Pop-Jazz Secondary genre: Contemporary Jazz Language: Instrumental Number of songs (Single): 1 This is original music through a written score. It has an extraordinary Quality, Clarity, Balance, Texture, Pace & Rhythm, Melody and Message. The recording Master has been excellent. The inspirational message of this Single is that humans as earthlings tend to survive always searching for protection to stand guard over future’s dangerous and uncertainty “ hacía tierra ” (Spanish translation) where a deep family and friendship ties on landearth .

Todo el mundo busca a alguien o algo, pugnamos por sobresalir y ser distintos. 'Me robaste el sueño' envuelve el hecho de que la sociedad en ocasiones frena los sueños. La vida cotidiana, la tradición, la farándula, la fiesta, un retrato familiar inspirado en las obras de Velázquez. La rutina nos consume pero su ausencia nos aterra. 'Sin tí no podré vivir jamás' de los Panchos abriga la vida que te conduce a un devenir, el tiempo pasa en la lucha por alcanzar 'el nivel 10'. Pero ¿y luego? Todo sigue, si hay suerte. Hay que seguir. Es la vida. Con todas sus imperfecciones.

You are all one in Christ Jesus for SATB choir, by Giulio De Carlo

Winter Stars for SATB choir, by Giulio De Carlo (2022)