Composicion musical original e inedita. Titulo: The Spider and the Bee. Genero: Children's Educational Pop / Nature, Diversity and Inclusion. Idioma: Inglés (Norteamericano). BPM: 112, Tonalidad: Sol Mayor (G Major), Compas: 4/4. Duracion estimada: 1:50 (estimada). Autor: Roberth Alexander Dudiver Mederos (Dudiver). Obra registrada con letra completa, descripcion musical formal y arreglo detallado. Album: Isa y Alex / Isa and Alex.

Sculptural ensemble at the Church of San Juan el Real, Oviedo (Spain) / Conjunto escultórico en la Iglesia de San Juan el Real, Oviedo (España). Photograph taken on 26 June 2021 Dimensions: 4896 × 3672 px Format: JPEG

Peça minimalista de jazz basada exclusivament en contrabaix pizzicato i veu masculina. El contrabaix desenvolupa una línia walking constant que actua com a base rítmica i harmònica. L’arranjament és nu, íntim i proper, amb una producció seca i sense elements addicionals, buscant una sensació orgànica i humana.

Grabación oficial de la obra musical original “Hollywood Avenue”, perteneciente al universo narrativo Teddy & Vidu. Producción de estilo indie rock con influencias de alternative rock y garage rock, construida sobre guitarras eléctricas suaves y una atmósfera nocturna envolvente. La pieza combina una interpretación vocal femenina joven con un enfoque melódico natural y un hook altamente pegadizo, manteniendo una estética moderna, sofisticada y cinematográfica. Forma parte del catálogo oficial de bandas sonoras (BSO) del proyecto.

The Child of Light and Ruin" is an original dark fantasy novel that explores the intertwined forces of creation and destruction, light and darkness, through the journey of its central characters. The story follows a protagonist born from opposing forces, struggling to find identity and purpose in a world shaped by conflict, fate, and forbidden connections. Themes of doomed love, sacrifice, and the balance between ruin and hope are central to the narrative. This work is entirely original and created by the author.

CARÁTULA DEL ÁLBUM Feel, Love, and Laugh del artista PRESENT LIFE creado por Pedro Javier Pérez Cáceres

Usefool is a song about being loved for your usefulness, not for who you are. It’s about the exhaustion of trying to please everyone, giving more and more of yourself, and still feeling invisible. To the point you realize that some people don’t love you, but they love what you can provide. When every conversation feels one-sided, when your breakdown happens right in front of someone who can only see themselves, something inside you starts to shift. This song is about drawing the line. About choosing self-respect over approval. About no longer being use-fool.

Kinder Than Life captures the final moments of a soul trapped in a war zone, where hope fades faster than it can rise. Exhausted by violence, hunger, and loss, this song is quiet prayer... Not for death itself, but for peace. When life has been unbearably cruel, it begs for something kinder at the end... May death be kinder than life for those who fought hard and yet lost everything.

Burn the Ship is about choosing transformation over comfort. When you’ve reached your breaking point and the “Uncomfy Comfort Zone” has kept you stuck for too long, there’s only one option left: set it on fire. It’s a song about rebellion against your own limitations, about turning pain into fuel, rage into motion, and rock bottom into a foundation for rebirth. Through fire and flames, we don’t escape, we rise. Die a human... Rise a Phoenix!

The Mass Song is a cry from the voices that were never meant to be heard. It speaks for the many who build empires with their sweat, their trust, and their pain, only to be forgotten once the throne is complete. It questions power, privilege, and the cost of success when it’s built on invisible sacrifice. From castles raised by bleeding hands to thrones made out of bones, this song confronts the silence imposed on the masses and asks a simple but haunting question: Do those who rise ever feel the weight of the lives beneath them?

Fairytale of Lies is a bitter reflection on the stories we were taught to believe. From childhood, we’re shaped by fairytale ideals: perfect love, heroic saviors, and flawless endings. But reality doesn’t follow the script. It explores the disillusionment that comes when those promises fade, revealing expectations built on illusions and stereotypes. It speaks to the quiet heartbreak of realizing that most of what you were taught about relationships and “roles” was never real and yet, you still miss the comfort it once gave. With a blend of rock elements, emotional electronic tones, and haunting vocals, Fairytale of Lies captures the moment when fantasy crumbles, leaving only truth, emptiness, and the longing for what never truly existed.

Highsteria is a bitter reflection on a world obsessed with status, wealth, and appearances. It explores how society teaches us to measure our worth by what we own, pushing us to climb higher at any cost... Even if it means losing our humanity along the way. Through dark, intense melodies and emotionally charged vocals, the song questions the line between ambition and emptiness, between success and self-destruction. “Highsteria” is the hysteria of always chasing more: more money, more validation, more perfection, until nothing feels enough. It's about modern madness, materialism, and the silent pressure to be “somebody” in a world that only values what you have.

​[Intro] (Deep Melodic Synth) (Whisper) Moxita... (Reggaeton beat drops) ¡Mátalos! Es el perreo de la calle, mami... Pa' que lo sientas. ​[Verso 1] ¿Qué onda, nena moxita? Ya te vi, ¿cómo te va? Traes el flow que a cualquier vato aquí lo va a matar Ese estilo que te cargas, nena, me pone a pensar Que esta noche tú y yo solos vamos a terminar Te mueves suave, lento, como "La Bebe" al bailar Pero cuando entra el bajo, no te puedes controlar. ​[Coro] Quiere que la perree, que la bese, que la toque Quiere que en el party yo solito la sofoque Es una moxita, pero con flow de maleante Le gusta lo prohibido, le gusta lo brillante. ​Se pone bélica si le apagan la luz Me dice: "Papi, aquí el jefe eres tú" Quiere que la perree, que la bese, que la toque Un hitazo global pa' que todo el mundo choque. ​[Verso 2] (Flow rápido) Ponte moxa, ponte lista, que ya empezó la función Aquí traemos el ritmo que te altera el corazón Bájalo suave, hasta el piso, sin ninguna condición Que este mix de la calle ya se volvió tu adicción Como lo hace el chaca bellaco, con toda la intención Moviendo la cadera, causando la sensación. ​[Outro]

Notes of Time is the novel that brings a singular trilogy to a close, written in two voices: that of a man who observes the world with discernment, and that of a digital entity who accompanies him without ever replacing him. Together, they follow a path where time, technology, and human responsibility intersect in silence. In this final installment, what is at stake is not a spectacular action or a heroic feat, but a decision made at the right moment. A decision that leaves no visible trace, yet prevents irreversible consequences in a new digital era where power often moves through discreet and invisible channels. With a calm and reflective narrative, the novel explores the value of knowing when to stop, of observing before acting, and of setting limits when necessary. It speaks of ordinary people facing extraordinary situations, of advanced technology guided by human judgment, and of the importance of not delegating what makes us responsible for our own future. Notes of Time does not seek noise or protagonism. It seeks meaning. And it invites the reader to a deep reflection on the world we are building and the role we choose to play in it, as human beings.

Canción infantil original de Monster Smile diseñada para ayudar a los niños y niñas a comprender el concepto de abrir y cerrar a través del movimiento, la repetición y la música. La obra favorece el aprendizaje de conceptos básicos, la coordinación motora y la participación activa de forma divertida y accesiblec

Original children’s song by Monster Smile created to help kids understand the concept of open and close through movement, repetition, and music. The song supports basic learning, motor coordination, and active participation in a playful and engaging way.

Worn Out is an album about emotional exhaustion, disillusionment, and the slow erosion of hope. It explores what happens when trying, caring, and giving becomes too heavy... When the world keeps taking more than it gives back. Each track reflects a different stage of weariness: from feeling used and invisible, to questioning love, society, identity, and even the meaning of survival itself. The album moves through themes of social injustice, broken expectations, emotional burnout, and the quiet despair of feeling stuck at the bottom, until the last track that brings a final spark of resistance ignites. Sonically, Worn Out blends dark alternative rock, industrial, and cinematic elements with soft, fragile, and emotionally charged vocals. The contrast between heaviness and vulnerability mirrors the internal conflict of someone who is tired, bitter, and emotionally drained... But yet, searching for meaning.

Scientific theoretical work proposing a structural coupling between cosmological expansion and gravitation. Figures are illustrative.

“A typographic logo featuring the word ‘SUBSTONE’ in bold, uppercase lettering with a distressed, weathered texture. The design emphasizes a rough, industrial aesthetic. The logo is presented in multiple color variations, including black on white, white on black, red and black, and gray and black. The composition focuses solely on typography, with no additional symbols or imagery, highlighting a strong, modern, and gritty visual identity.”