This symphonic metal track opens with urgent strings and pounding double-kick drums, Distorted guitars drive minor-key power chords, intertwining with soaring brass and choir textures, Verses highlight operatic soprano vocals, layered for fullness, Explosive choruses burst with rich orchestration and harmonized backing vocals, The bridge features a technical, high-velocity guitar solo, while the production remains crisp and expansive, giving orchestral and metal elements equal prominence, Throughout, tempo stays relentless, with dramatic minor progressions amplifying the epic atmosphere, ‑Male, ‑male vocals

The symphonic metal track ignites at 190 BPM in a minor key, fusing double bass drums and razor-sharp distorted guitars in the fast-paced verses, Operatic soprano melodies, layered harmonies, and vibrant orchestral brass and strings drive the soaring, choir-backed choruses, The bridge features a virtuoso, rapid guitar solo, while immersive, wide production balances the orchestra and band, Each section surges with pastoral drama and epic, high-energy textures

Female-fronted symphonic metal song in a minor key, featuring a driving tempo and a powerful, operatic vocal performance, The instrumentation includes a full drum kit with double bass drumming, distorted electric guitars playing power chords and melodic riffs, a bass guitar providing a strong rhythmic and harmonic foundation, and a prominent orchestral arrangement with strings, brass, and choir elements, The song structure follows a typical verse-chorus format with an instrumental bridge, The lead vocal is a soprano, utilizing a clear, powerful tone with vibrato, often layered with backing vocals for a fuller sound, The guitar solos are fast and technical, incorporating shredding techniques, Production is clean and powerful, with a wide stereo image and a strong emphasis on the orchestral elements complementing the metal instrumentation, The tempo is fast, around 180-200 BPM, The chord progressions are dramatic and often feature minor key resolutions, creating a sense of epic grandeur

A female-fronted symphonic metal track in a minor key bursts in at 190 BPM, led by operatic soprano vocals with layered harmonies, Double bass drums and tight distorted guitar riffs drive fast verses; soaring orchestral strings, bold brass, and a vibrant choir enrich each chorus, A technical, rapid-fire guitar solo excels in the bridge, while clean, wide production ensures the orchestra and metal band blend seamlessly, The arrangement evokes bucolic drama, balancing lush epic textures with febrile intensity in every section

Composición musical, en estilo thrash metal sinfónico, interpretado en voz femenina en dos registros, melódico y gutural. Lírica basada en la llamada a una luz de guía para la incertidumbre de la actualidad

Composición musical, interpretación en estilo rock sinfonico, trata de una nana dedicada a una persona en particular a quien llamaremos por su diminutivo "Su"

Inspirada en la obra de Igor Stravinsky, La Consagración de la Primavera.

First part of Vicis. A mix of classical, choirs and electronic sounds. Composed in diferent parts.

A symphonic metal piece with a driving tempo of 120 BPM in a minor key, The instrumentation features a full orchestral arrangement including strings, brass, and woodwinds, alongside a standard rock band setup of electric guitar, bass, and drums, The drums provide a consistent rock beat with prominent snare hits, The electric guitar plays distorted power chords and melodic lines, The bass guitar provides a foundational low end, The vocals are female, operatic, and powerful, with a clear, soaring quality, The song structure includes verses and a chorus, with instrumental breaks featuring orchestral flourishes and guitar solos, Production elements include a wide stereo image, reverb on the vocals and orchestral instruments, and a balanced mix that allows all elements to be heard clearly, The melody is dramatic and memorable, often featuring soaring vocal lines over a rich harmonic background, The chord progressions are typical of symphonic metal, incorporating minor keys and dramatic shif,

A symphonic metal piece with a driving tempo of 120 BPM in a minor key, The instrumentation features a full orchestral arrangement including strings, brass, and woodwinds, alongside a standard rock band setup of electric guitar, bass, and drums, The drums provide a consistent rock beat with prominent snare hits, The electric guitar plays distorted power chords and melodic lines, The bass guitar provides a foundational low end, The vocals are female, operatic, and powerful, with a clear, soaring quality, The song structure includes verses and a chorus, with instrumental breaks featuring orchestral flourishes and guitar solos, Production elements include a wide stereo image, reverb on the vocals and orchestral instruments, and a balanced mix that allows all elements to be heard clearly, The melody is dramatic and memorable, often featuring soaring vocal lines over a rich harmonic background, The chord progressions are typical of symphonic metal, incorporating minor keys and dramatic shif, ‑Male vocals

[Intro] [atmospheric synth pads, operatic female vocalizations] [staccato strings enter] [full band enters with driving double-kick drums and power chords] (Ah-ah-ah-ah) [Verse 1] [male vocals, palm-muted guitar chugging] Sirenas a lo lejos La ciudad tiembla La noche sangra electricidad [Pre-Chorus] [female vocals enter, orchestral strings swell] Dormí escondida dentro del ruido Con dos milagros ya destruidos Tu nombre escrito sobre vapor Como un disparo dentro del sol Cada semáforo pedía huir Pero tus ojos me hicieron seguir Y entendí tarde la maldición Hay quien te salva rompiéndote el corazón [Chorus] [male and female vocals in harmony, double-time drums] Rompe mi pecho, hazlo caer Que ya estoy cansado de no sentir Prefiero el vértigo de tu verdad Que otra vida muerta de paz Bésame herida, quédate aquí Porque las tibias nunca arden así [Instrumental Break] [fast synth arpeggios, double-kick drumming] [Verse 2] [male vocals, bass-driven rhythm] Fuimos dos cuerpos contra el final Dos animales sin marcha atrás La gente huía de este lugar Nosotros solo queríamos más Bailando solos sobre el cristal Como si el mundo nos fuera a olvidar Y aun con el alma llena de sal Volvería a ti mil veces más Porque hay abrazos que saben matar Y hay despedidas que enseñan a amar [Chorus] [full orchestration, soaring vocals] Rompe mi pecho, hazlo caer Que ya estoy cansado de no sentir Prefiero el vértigo de tu verdad Que otra vida muerta de paz Bésame herida, quédate aquí Porque las tibias nunca arden así [Bridge] [drums drop out, piano and soft strings] Mírame bien Todo lo hermoso dejó cicatriz Todo lo eterno también tuvo fin Si vas a irte, hazlo despacio Quiero escuchar cómo se rompe Dios Dentro de mí, dentro de mí, ¡dentro de mí! [Guitar Solo] [shredding electric guitar solo, fast double-kick drums] [Chorus] [maximum intensity, operatic female adlibs] Rompe mi pecho, hazlo temblar Haz de mis ruinas una catedral Que si mañana todo se va Nadie en el mundo te va a recordar Arden las calles, ardo yo más Porque tu sombra me enseñó a amar Sirenas lejos, vuelve el metal Y dos fantasmas sin regresar [Outro] [orchestral hits, operatic female vocalizations] [final power chord rings out with synth pad]

Obra orquestal compuesta en 1992 para la cátedra de composición del Liceu de Barcelona. Orquestada en 2017 para Trompeta y Orquesta.

Primer disco de Unspeakable Sorrows, que narra historias de terror inspiradas en la literatura y el folklore.