LoveAstronaut & Cubeheads – Symbolic Figures and Poetic Infrastructure Complete Documentation and Copyright Statement Author: Alexander Martini First Published: 2024 © Alexander Martini 2025. All rights reserved. Work Overview This documentation covers two original symbolic figures created by Alexander Martini: the LoveAstronaut and the Cubehead. These motifs form the foundation of a poetic and sculptural system that spans visual art, ritual design, children’s literature, and modular storytelling. Both figures are emotionally charged, philosophically grounded, and structurally unique. They are not derived from any existing mascot, commercial character, or conceptual art trend. Their symbolic roles, visual compositions, and poetic inscriptions are authored from scratch and timestamped. These works are part of a protected infrastructure that includes sculptures, illustrations, toys, textiles, manifest texts, and educational formats. They are designed to evoke transformation, emotional propulsion, and mythic clarity. The LoveAstronaut The LoveAstronaut is a ritual figure depicted as an astronaut holding a red heart-shaped balloon. This motif appears in coins, statues, textile designs, and poetic illustrations. It represents emotional propulsion — the idea that love is a force capable of changing systems, traditions, and symbolic structures. Key inscriptions include: – “Systems are made by people and they can be changed by love.” – “We trust in love.” These quotes are embedded in sculptural works and visual manifestos. The LoveAstronaut is often accompanied by celestial symbols, temples, and spaceships, forming a mythic landscape of trust, flight, and transformation. The Cubehead The Cubehead is a modular figure with a cube-shaped head and expressive body. It appears in sculptures, drawings, comic-style layouts, and children’s books. Cubeheads are ritual beings — emotionally resonant, philosophically ambiguous, and structurally adaptable. They may appear alone or in symbolic groups, often accompanied by manifest quotes and poetic gestures. The Cubehead system includes variants such as the Thronebearer and hybrid units used in educational or game-like formats. These figures are not derived from any known sculptural or conceptual art tradition. They are original in form, function, and symbolic logic. Artistic Originality and Context No artist — including Daniel Arsham or any other sculptor, conceptual artist, or designer — has created works that resemble the LoveAstronaut or Cubehead systems in concept, execution, or symbolic depth. This is not a reinterpretation, stylistic borrowing, or thematic echo. The motifs are authored independently and documented in full. Their originality is structural, philosophical, and visual. You will not find comparable works anywhere in 2024 or 2025 — not in galleries, exhibitions, product lines, or digital platforms. The symbolic logic, emotional propulsion, and poetic infrastructure presented here are unprecedented and unmistakably authored by Alexander Martini. Any resemblance to other artists is superficial and coincidental. These works stand alone in their clarity, modularity, and mythic resonance. Copyright and Licensing Notice All works described above — including visual motifs, sculptural forms, inscriptions, symbolic compositions, and poetic infrastructure — are protected under international copyright law. This includes: – The LoveAstronaut figure with heart-shaped balloon – The Cubehead figure with cube-shaped head – All quotes, inscriptions, and manifest texts – Sculptural, illustrative, textile, and toy-based adaptations – Comic-style layouts, character sheets, and symbolic diagrams – All digital, physical, and educational formats No part of these works may be used, reproduced, modified, distributed, or commercialized in any form — physical or digital — without explicit written permission from the author. This includes but is not limited to: – Commercial products, merchandise, or collectibles – Automated design platforms such as Pixiz, Canva, Picsart, Fotor, or similar – AI-generated derivatives, templates, filters, or collages – NFTs, promotional materials, or branding assets – Educational or institutional use without license Unauthorized use — even partial imitation or stylistic borrowing — is prohibited and may result in legal action. All works are registered, timestamped, and publicly documented. Visibility Is Protection – Not Permission Even if titles, quotes, or visual motifs are publicly visible — in images, filenames, websites, or social media — this does not imply permission to use them. Visibility serves as a declaration of authorship and a protective shield. It makes the origin unmistakable and the source undeniable. These works are not generic. They are part of a poetic system authored by Alexander Martini.

LoveAstronaut & Cubeheads – Symbolic Figures and Poetic Infrastructure Complete Documentation and Copyright Statement Author: Alexander Martini First Published: 2024 © Alexander Martini 2025. All rights reserved. Work Overview This documentation covers two original symbolic figures created by Alexander Martini: the LoveAstronaut and the Cubehead. These motifs form the foundation of a poetic and sculptural system that spans visual art, ritual design, children’s literature, and modular storytelling. Both figures are emotionally charged, philosophically grounded, and structurally unique. They are not derived from any existing mascot, commercial character, or conceptual art trend. Their symbolic roles, visual compositions, and poetic inscriptions are authored from scratch and timestamped. These works are part of a protected infrastructure that includes sculptures, illustrations, toys, textiles, manifest texts, and educational formats. They are designed to evoke transformation, emotional propulsion, and mythic clarity. The LoveAstronaut The LoveAstronaut is a ritual figure depicted as an astronaut holding a red heart-shaped balloon. This motif appears in coins, statues, textile designs, and poetic illustrations. It represents emotional propulsion — the idea that love is a force capable of changing systems, traditions, and symbolic structures. Key inscriptions include: – “Systems are made by people and they can be changed by love.” – “We trust in love.” These quotes are embedded in sculptural works and visual manifestos. The LoveAstronaut is often accompanied by celestial symbols, temples, and spaceships, forming a mythic landscape of trust, flight, and transformation. The Cubehead The Cubehead is a modular figure with a cube-shaped head and expressive body. It appears in sculptures, drawings, comic-style layouts, and children’s books. Cubeheads are ritual beings — emotionally resonant, philosophically ambiguous, and structurally adaptable. They may appear alone or in symbolic groups, often accompanied by manifest quotes and poetic gestures. The Cubehead system includes variants such as the Thronebearer and hybrid units used in educational or game-like formats. These figures are not derived from any known sculptural or conceptual art tradition. They are original in form, function, and symbolic logic. Artistic Originality and Context No artist — including Daniel Arsham or any other sculptor, conceptual artist, or designer — has created works that resemble the LoveAstronaut or Cubehead systems in concept, execution, or symbolic depth. This is not a reinterpretation, stylistic borrowing, or thematic echo. The motifs are authored independently and documented in full. Their originality is structural, philosophical, and visual. You will not find comparable works anywhere in 2024 or 2025 — not in galleries, exhibitions, product lines, or digital platforms. The symbolic logic, emotional propulsion, and poetic infrastructure presented here are unprecedented and unmistakably authored by Alexander Martini. Any resemblance to other artists is superficial and coincidental. These works stand alone in their clarity, modularity, and mythic resonance. Copyright and Licensing Notice All works described above — including visual motifs, sculptural forms, inscriptions, symbolic compositions, and poetic infrastructure — are protected under international copyright law. This includes: – The LoveAstronaut figure with heart-shaped balloon – The Cubehead figure with cube-shaped head – All quotes, inscriptions, and manifest texts – Sculptural, illustrative, textile, and toy-based adaptations – Comic-style layouts, character sheets, and symbolic diagrams – All digital, physical, and educational formats No part of these works may be used, reproduced, modified, distributed, or commercialized in any form — physical or digital — without explicit written permission from the author. This includes but is not limited to: – Commercial products, merchandise, or collectibles – Automated design platforms such as Pixiz, Canva, Picsart, Fotor, or similar – AI-generated derivatives, templates, filters, or collages – NFTs, promotional materials, or branding assets – Educational or institutional use without license Unauthorized use — even partial imitation or stylistic borrowing — is prohibited and may result in legal action. All works are registered, timestamped, and publicly documented. Visibility Is Protection – Not Permission Even if titles, quotes, or visual motifs are publicly visible — in images, filenames, websites, or social media — this does not imply permission to use them. Visibility serves as a declaration of authorship and a protective shield. It makes the origin unmistakable and the source undeniable. These works are not generic. They are part of a poetic system authored by Alexander Martini.

LoveAstronaut & Cubeheads – Symbolic Figures and Poetic Infrastructure Complete Documentation and Copyright Statement Author: Alexander Martini First Published: 2024 © Alexander Martini 2025. All rights reserved. Work Overview This documentation covers two original symbolic figures created by Alexander Martini: the LoveAstronaut and the Cubehead. These motifs form the foundation of a poetic and sculptural system that spans visual art, ritual design, children’s literature, and modular storytelling. Both figures are emotionally charged, philosophically grounded, and structurally unique. They are not derived from any existing mascot, commercial character, or conceptual art trend. Their symbolic roles, visual compositions, and poetic inscriptions are authored from scratch and timestamped. These works are part of a protected infrastructure that includes sculptures, illustrations, toys, textiles, manifest texts, and educational formats. They are designed to evoke transformation, emotional propulsion, and mythic clarity. The LoveAstronaut The LoveAstronaut is a ritual figure depicted as an astronaut holding a red heart-shaped balloon. This motif appears in coins, statues, textile designs, and poetic illustrations. It represents emotional propulsion — the idea that love is a force capable of changing systems, traditions, and symbolic structures. Key inscriptions include: – “Systems are made by people and they can be changed by love.” – “We trust in love.” These quotes are embedded in sculptural works and visual manifestos. The LoveAstronaut is often accompanied by celestial symbols, temples, and spaceships, forming a mythic landscape of trust, flight, and transformation. The Cubehead The Cubehead is a modular figure with a cube-shaped head and expressive body. It appears in sculptures, drawings, comic-style layouts, and children’s books. Cubeheads are ritual beings — emotionally resonant, philosophically ambiguous, and structurally adaptable. They may appear alone or in symbolic groups, often accompanied by manifest quotes and poetic gestures. The Cubehead system includes variants such as the Thronebearer and hybrid units used in educational or game-like formats. These figures are not derived from any known sculptural or conceptual art tradition. They are original in form, function, and symbolic logic. Artistic Originality and Context No artist — including Daniel Arsham or any other sculptor, conceptual artist, or designer — has created works that resemble the LoveAstronaut or Cubehead systems in concept, execution, or symbolic depth. This is not a reinterpretation, stylistic borrowing, or thematic echo. The motifs are authored independently and documented in full. Their originality is structural, philosophical, and visual. You will not find comparable works anywhere in 2024 or 2025 — not in galleries, exhibitions, product lines, or digital platforms. The symbolic logic, emotional propulsion, and poetic infrastructure presented here are unprecedented and unmistakably authored by Alexander Martini. Any resemblance to other artists is superficial and coincidental. These works stand alone in their clarity, modularity, and mythic resonance. Copyright and Licensing Notice All works described above — including visual motifs, sculptural forms, inscriptions, symbolic compositions, and poetic infrastructure — are protected under international copyright law. This includes: – The LoveAstronaut figure with heart-shaped balloon – The Cubehead figure with cube-shaped head – All quotes, inscriptions, and manifest texts – Sculptural, illustrative, textile, and toy-based adaptations – Comic-style layouts, character sheets, and symbolic diagrams – All digital, physical, and educational formats No part of these works may be used, reproduced, modified, distributed, or commercialized in any form — physical or digital — without explicit written permission from the author. This includes but is not limited to: – Commercial products, merchandise, or collectibles – Automated design platforms such as Pixiz, Canva, Picsart, Fotor, or similar – AI-generated derivatives, templates, filters, or collages – NFTs, promotional materials, or branding assets – Educational or institutional use without license Unauthorized use — even partial imitation or stylistic borrowing — is prohibited and may result in legal action. All works are registered, timestamped, and publicly documented. Visibility Is Protection – Not Permission Even if titles, quotes, or visual motifs are publicly visible — in images, filenames, websites, or social media — this does not imply permission to use them. Visibility serves as a declaration of authorship and a protective shield. It makes the origin unmistakable and the source undeniable. These works are not generic. They are part of a poetic system authored by Alexander Martini.

From the Golden Horizon EP Year: 2025 An energetic and inspirational pop track with a powerful beat, wide stereo mix, and live instrumentation including guitars, drums, synths, and deep bass. The verses are carried by a strong and expressive female vocal, while the choruses expand into a powerful blend of female and male voices with high presence and intensity. The song begins with a soft piano arpeggio and atmospheric textures, gradually unfolding into verses that evoke imagery of dawn, distant songs, and the promise of a new journey. The choruses rise with anthemic energy, emphasizing courage, transformation, and the call of the golden horizon. A lyrical bridge brings a sense of wonder and determination, before the final chorus delivers a triumphant climax. The outro resolves with piano, strings, and fading echoes, leaving a lasting emotional resonance.

Title of the work: The Churches of Revelation Description: The Churches of Revelation is a work of theological analysis and spiritual exhortation based on the messages Jesus Christ addressed to the seven churches in the Book of Revelation. Written in a pastoral, prophetic, and deeply reflective tone, the author explores the virtues, failures, and warnings each church embodies—and how their lessons remain profoundly relevant for the contemporary Church. Each chapter offers a serious reflection on the spiritual condition of both the individual believer and the collective body of faith. It calls readers to repentance, perseverance, genuine love, and faithfulness amid persecution and doctrinal confusion. The book blends biblical exegesis, practical application, and devotional insight to awaken the passion of a Church in need of returning to its first love and preparing for the return of the Lord. Ideal for readers of pastoral theology, Christian leaders, preachers, and all believers seeking to deepen their understanding of the prophetic message of Revelation and its urgency for our time.

Título de la obra: Las iglesias de la Revelación Descripción: Las iglesias de la Revelación es una obra de análisis teológico y exhortación espiritual basada en los mensajes dirigidos por Jesucristo a las siete iglesias del Apocalipsis. Con un estilo pastoral, profético y profundo, el autor expone las virtudes, pecados y advertencias que estas iglesias representan, y cómo sus enseñanzas siguen siendo relevantes para la Iglesia contemporánea. Cada capítulo invita a una reflexión seria sobre el estado espiritual del creyente y de la comunidad de fe, con llamados al arrepentimiento, la perseverancia, el amor verdadero y la fidelidad en medio de la persecución y la confusión doctrinal. La obra combina exégesis bíblica, aplicaciones prácticas y un tono devocional que busca despertar el fervor de una iglesia que necesita volver a su primer amor y prepararse para el retorno del Señor. Ideal para lectores de teología pastoral, líderes cristianos, predicadores, y todo creyente que desee profundizar en el mensaje profético del libro de Apocalipsis y su relevancia para el tiempo presente.

Title of the work: Encounters Along the Way Description: The Path of Encounters is a spiritual and literary work that weaves together testimonies, reflective poetry, theological insights, and transformative experiences. Through its pages, the author guides the reader on a journey of revelation, inner healing, and divine connection—where each encounter—with God, with oneself, and with others—becomes a step toward soul restoration. The book unfolds as an emotional and spiritual pilgrimage through human wounds, challenges of faith, identity struggles, forgiveness, and redemption. Written in a voice that is both poetic and prophetic, the text explores themes such as calling, compassion, spiritual justice, redeemed trauma, and eschatological hope. Ideal for readers of Christian spirituality, devotional literature, testimonial narratives, and all those seeking a sincere and lyrical voice to accompany them in their personal healing and rediscovery of eternal purpose.

“Hilos de luz” es una novela histórica y emocionante, que entrelaza memoria, identidad y transformación interior. Ambientada entre Cataluña y el sur de Estados Unidos a comienzos del siglo XX, narra la historia de Teresa, una joven que, tras un hecho traumático, inicia un viaje físico y espiritual junto a Abby y Albert, en busca de un nuevo comienzo. A través de paisajes, trenes, cartas y silencios, el relato explora las heridas del pasado, el peso de las expectativas, los mandatos familiares y el poder reparador innato que todos tenemos para reinventar y crear nuestro propio camino. Una historia de mujeres y hombres valientes, hilos invisibles y renacimientos, escrita con una prosa íntima y luminosa.

The Real Abundance Code" is a transformative narrative essay that weaves together deep personal insight, ancestral wisdom, and cutting-edge therapeutic strategies to unlock the hidden patterns that block abundance in people's lives. This work is the foundation of a larger multidimensional project that will include a book, online program, visual tools, and audiovisual experiences. Blending elements of systemic thinking, subconscious reprogramming, and emotional decoding, the text offers readers a map to recognize inherited beliefs, emotional entanglements, and self-sabotaging dynamics that limit prosperity. Through real-life reflections, archetypal exploration, and symbolic action, this essay invites the reader into a process of inner revelation — one that can radically shift their relationship with success, worthiness, and the flow of life itself. Excerpt: "Abundance isn’t something you chase. It’s something you remember. Beneath the scarcity mindset and inherited limitations lies a deeper code — one that was always yours. The question is not whether you deserve more, but whether you're ready to reclaim what was never truly lost, only forgotten."

LinkedIn, le réseau professionnel global, doit évoluer pour s'adapter aux défis du futur. Ce concept propose une réinvention totale où co-création en temps réel, intelligence artificielle, et immersion technologique redéfinissent les interactions. LinkedIn deviendra une plateforme immersive, avec des espaces de collaboration virtuelle, un apprentissage basé sur la réalité augmentée, et un algorithme favorisant les contributions de qualité. Ce changement radical fera de LinkedIn un acteur clé de l'innovation mondiale, unissant les professionnels et les IA pour créer ensemble le futur.

TÍTULO DE LA CANCIÓN NO ONE PLAYS IN THE STREETS ANYMORE OTROS TITULOS: THE STREETS REMEMBER US SUMMERS WE NEVER LOST PLAYING IN THE STREETS IS NO LONGER FUN NOMBRE ARTÍSTICO / GRUPO NERMIA1968GRICA FECHA DE CREACIÓN (generación en SUNO) 24/05/2026 USUARIO DE SUNO AI NERMIA1968GRICA TIPO DE SUSCRIPCIÓN ACTIVA Plan Pro LETRA (Lyrics) No one runs after a ball anymore No one hides in the alleyways after dark No one shouts out love in the town square now Just fingers sliding slowly through the sparks Friends don't get drunk together anymore Each one living in a world behind a screen Eyes don't meet and dance the way they used to Now it's just little symbols in between (Chorus) No one plays in the streets anymore No one falls and gets back up again With dirty knees and hearts ready to run Like life would never have an end No one kisses face to face anymore No one writes songs beneath the moonlight sky Feels like a world with too many connections And somehow nobody nearby Forty years ago we somehow knew it all Who would lie and who would stand beside you Now they hide behind machines and glowing walls And human souls turn digital too No more laughter sitting on the sidewalk edge While the summer sun was burning through our skin Now they dream inside synthetic universes And forget the place where dreams begin (Chorus) No more graffiti on the walls tonight No old arguments and no guitars on fire Everything is measured, clean and calculated Living now walks on a thinner wire But I still remember that old bar Cold beers, punk songs and waves beside the sea All those promises we made back then No Wi-Fi... only madness running free (Final Chorus) No one plays in the streets anymore But I'm still standing right here tonight With my fists held high and memories beside me Still carrying that little light Maybe we're ghosts of another revolution Drifting through a world we barely recognize But we still carry flames inside our pockets The kind no button ever could shut down Yeah... nobody plays in the streets anymore But the streets still live in me.

TÍTULO DE LA CANCIÓN I DON'T GIVE A SHIT OTROS TITULOS: CLOWNS OF POWER UNICORN SHADOWS THE CIRCUS WILL FALL NOMBRE ARTÍSTICO / GRUPO NERMIA1968GRICA FECHA DE CREACIÓN (generación en SUNO) 24/05/2026 USUARIO DE SUNO AI NERMIA1968GRICA TIPO DE SUSCRIPCIÓN ACTIVA Plan Pro LETRA (Lyrics) I don't give a shit if you worship Barabbas Jesus or Satan, while they keep stealing from us This fucking society pushes me away Where your whole damn life is spent working every day Just to feed the lazy parasite You're worth absolutely nothing Yet you rule more than everyone else Because you're a goddamn clown You only wanna give orders But my dick couldn't be painted Not even by fucking Picasso I don't give a shit if you're the one The mighty voice told me to send to hell You keep on robbing me blind So your comfort and your wealth Can keep rolling from top to bottom The circus will finally end With your bones twisted in spirals Your rotten flesh sinking in mud (Chorus) You only want the power So your word becomes the law And your army of clowns The only fools who hear you out Long live life with no pale shadows Your fucking words are empty nonsense You're gonna drop dead from all that sniffing And only the devil waits for you... so you can fly Only with you Relief burns Destroy the garbage Infect the girl So she sleeps alone... I don't give a shit if you're bigger than me My shadow is a unicorn Living inside the shadows of time And I want you to hear my song tonight Because nonsense itself Is the only thing that makes sense (Chorus) You only wanna give orders But my dick couldn't be painted Not even by fucking Picasso You only want the power So your word becomes the law And your army of clowns The only fools who hear you out Only with you Relief burns Destroy the garbage Infect the girl So she sleeps alone...

TÍTULO DE LA CANCIÓN MAYBE YOU'LL SEE ME OTROS TITULOS: IF YOU SEE ME TONIGHT SHADOWS IN YOUR REFRIGERATOR THE PRINCE WAS NEVER ME NOMBRE ARTÍSTICO / GRUPO NERMIA1968GRICA FECHA DE CREACIÓN (generación en SUNO) 23/05/2026 USUARIO DE SUNO AI NERMIA1968GRICA TIPO DE SUSCRIPCIÓN ACTIVA Plan Pro LETRA (Lyrics) The truth hits you straight in the face and bounces back How can someone be such an idiot like that Everyone treats you like a defeat attack But I'm still an old believer looking back The road to the church is waiting there Your God as a banner, cold beers everywhere Shortcuts of living dead creatures scare me away Hospital nurses stitch me back into place (Chorus) I surrender with no shields or holy crap, off the theme Pathway inside the temple, I want her complete in my dream I'm not even the prince of the story it seems But inside your refrigerator I wanna drink the juices of amphetamine streams Breaking cheeses from dead poppy flowers apart Piece of shit, your sad life isn't everyone's heart Grab my dick 'cause it's falling apart (Chorus) I surrender with no shields or holy crap, off the theme Pathway inside the temple, I want her complete in my dream I'm not even the prince of the story it seems But inside your refrigerator Tear my flesh apart through the doors Give me your life wrapped up in carpets on the floor Go look for your fucking prince if your head starts to sway If he charms you tonight... maybe you'll see me someday (Chorus) I surrender with no shields or holy crap, off the theme Pathway inside the temple, I want her complete in my dream I'm not even the prince of the story it seems But inside your refrigerator Tear my flesh apart through the doors Give me your life wrapped up in carpets on the floor Go look for your fucking prince if your head starts to sway If he charms you tonight... maybe you'll see me someday I surrender with no shields or holy crap, off the theme Pathway inside the temple, I want her complete in my dream I'm not even the prince of the story it seems But inside your refrigerator Tear my flesh apart through the doors Give me your life wrapped up in carpets on the floor Go look for your fucking prince if your head starts to sway If he charms you tonight... maybe you'll see me someday

TÍTULO DE LA CANCIÓN MORPHEUS PILL OTROS TITULOS: CONCRETE CHILDREN BROKEN SWINGS PARADISE DUST OVER PLAYGROUNDS NOMBRE ARTÍSTICO / GRUPO NERMIA1968GRICA FECHA DE CREACIÓN (generación en SUNO) 23/05/2026 USUARIO DE SUNO AI NERMIA1968GRICA TIPO DE SUSCRIPCIÓN ACTIVA Plan Pro LETRA (Lyrics) [Verse 1] Thought I'd already seen it all In the science of this life Now I feel more like a fool And less cured every night People die beneath the weight While their sleeping brains decay Minds at war with what they think Lost inside their mirror maze [Pre-Chorus] Everybody's chasing ghosts Everybody's swallowing smoke [CHORUS] It's agonizing! One giant pill for Morpheus If I run ahead through the Matrix Don't step in front, I can't see us It's agonizing! One giant pill for Morpheus If I run ahead through the Matrix Don't step in front, I can't see us [Verse 2] Search the lifeblood of existence Through the streets of living graves All the voices pulling downward When you're falling into flames Curse the ones still walking round Dead with beating hearts inside Like stray dogs across my road They wear the scars I cannot hide [Pre-Chorus] Everybody's chasing ghosts Everybody's swallowing smoke [CHORUS] It's agonizing! One giant pill for Morpheus If I run ahead through the Matrix Don't step in front, I can't see us It's agonizing! One giant pill for Morpheus If I run ahead through the Matrix Don't step in front, I can't see us [Bridge] Mirror, mirror crack apart Show me what remains Are we dreaming through the darkness Or just circling the drain? [Final Chorus] It's agonizing! One giant pill for Morpheus If I run ahead through the Matrix Don't step in front, I can't see us [Ending: emotional guitar solo fading into background noise, distant amplifiers humming like a dying city at midnight.] [Output: Studio master mix, high dynamic range, cinematic saturation.]

ntro: a complex eight-bar piano intro on an acoustic grand piano, neoclassical in style. The intro is entirely in a minor key, while the outro – again only piano – is in a major key, indicating the emotional development. 4/4 time with occasional "four-on-the-floor" kick drum. Drum groove with an integrated tom figure. Claps in the chorus, supported by a thick brass pad that reinforces the groove. In the verse, a relaxed organ only briefly hints at its chords. A pearly, unobtrusive bass. Joyfully "singing" synth leads in the chorus evoke the impression of a female choir, complemented by playful congas.

[Verse – fluido, sin ritmo fijo] Draw your aerial map, see the world from above. Curves of thought unfolding, finding new ways to move. Complex situations change their shape in the sky, what once felt like a storm now transforms as you rise. [Verse – continuidad] When your flight gains height, everything starts to reveal, chaos is not an abyss if you learn how to feel. Every line in the landscape tells a story to you, what you understand with patience you can shape into truth. [Outro – suspendido, conexión con parte 2] Hold the vision… don’t let it fall… …it’s all connected. [Pre-Chorus – entrada suave → build] What you understand, you can finally control. Vision turns into the compass of your soul. (beat rising… crowd waking up…) ? [Chorus – MUY CORTO, HIPNÓTICO x2 | gang + crowd] Aerial map! Everything aligns! Aerial map! Learn to read the signs! Aerial map! The mind can see it all! Aerial map! Understanding calls! [Break – golpe rítmico, medio segundo de aire] (HEY!… HEY!…) ? [Chorus – repetición masiva x2] Aerial map! Everything aligns! Aerial map! Learn to read the signs! Aerial map! The mind can see it all! Aerial map! Understanding calls! ? [Final Chorus – TODO EL ESTADIO x2] Aerial map! Everything aligns! Aerial map! Learn to read the signs! Aerial map! The mind can see it all! Aerial map! Understanding calls! ? [Outro – caída épica, voz + crowd] See it… Feel it… All connects… HEY!!

[Verse 1] One morning the royal hawk vanished from the window’s view. The sky stood still in silence, as if waiting for a clue. Days of endless clarity over the same wide space, then the wind brought a signal… the ancient hawk returned in place. [Chorus – SHORT & CHANTABLE] The hawk begins to fly again, he’s not alone this time. Two young hawks are learning now the secret sight inside. The hawk begins to fly again, the sky begins to teach. What you see from up above is something meant to reach. [Verse 2] A week later once again, over valley, over sea, two young hawks beside his wings, learning how to truly see. Not every flight is just your own, some paths are meant to show, height holds meaning when you learn to let the vision grow. [Bridge] Guide. Show. Share the vision. The flight is not just yours. [Final Chorus] The hawk begins to fly again, he’s not alone this time. Two young hawks are learning now the secret sight inside. The hawk begins to fly again, the sky begins to teach. What you see from up above is something meant to reach. [Outro] Three shadows cross the sun… and the sky begins to see.

[Verse – libre, fluido] Examine your inner desert, it’s not an empty, silent land. It beats like something deeper, more than you can understand. Every silence holds a mirror, every echo leaves a trace, nothing here is ever wasted, every shadow has a face. [Verse – continuidad emocional] It’s not just sand and loneliness, there are footprints you can read. Signs of who you’ve been before, whispers of what you still need. Storms arrive without a warning, like a voice you tried to hide, they may blind you for a moment… but they clear you from inside. [Outro – suspendido] The paths you choose to follow… are never random… …they’re alive. [Pre-Chorus – entrada progresiva, voz + guitarra leve → explota] Oases don’t appear by chance, they’re the values you learned to enhance. Connections time revealed, quiet shelters your life has sealed. (beat builds… crowd rising…) ? [Chorus – COREABLE, MASIVO x2 | gang shouts] You’re not lost in the desert! This is where you belong! Every step is discovery, every night makes you strong! You’re not lost in the desert! There’s a meaning inside! All the paths in the sand… are the truth you can’t hide! [Bridge – atmósfera + medio tiempo] The caravan moves slow, it’s the bonds that help you grow. Fire burning in the night, faces walking by your side. Accept it… let it flow… ? [Final Chorus – MÁS GRANDE x2 | todo el estadio] You’re not lost in the desert! This is where you belong! Every step is discovery, every night makes you strong! You’re not lost in the desert! There’s a meaning inside! All the paths in the sand… are the truth you can’t hide!

[Shouted Intro – directo] Come on, Texas!! Feel the ground!! [Verse 1 – corto, directo] Don’t stay flying all the time, there are moments to come down. Sky can show you how to see, earth is where you learn to be. Move along the natural flow, feel the rhythm down below. Drop to feel what life can give, rise again to understand it! [Pre-Chorus – tensión breve] Up and down, the balance calls, hear the truth beneath it all! [Chorus – MUY CORTO, COREABLE x2 | gang shouts] Touch the ground! Feel it now! Touch the ground! Live it loud! Touch the ground! Breathe it in! Touch the ground! Start again! [Verse 2 – más directo aún] Not everything lives up high, not all truth is in the sky. Some roads only start to show when your feet decide to go. Hawk knows what this means, not just drifting in between. You can fly… feel the sound… but you always come back down! [Pre-Chorus – subida rápida] Find the line, break the wall, hear the ground beneath it all! [Chorus – x2 | más fuerte] Touch the ground! Feel it now! Touch the ground! Live it loud! Touch the ground! Breathe it in! Touch the ground! Start again! [Stomp Bridge – pisando fuerte] Step by step, hit the floor, feel the pulse, want it more! No escape, no disguise, this is where the spirit rises! [Final Chorus – EXPLOSIÓN x2] Touch the ground! Feel it now! Touch the ground! Live it loud! Touch the ground! Breathe it in! Touch the ground! Start again! [Abrupt Outro – para que no corte] Touch the ground… Touch the ground… Touch the ground… HEY!!