VITREA -SONGS OF GLASS Vitrea are: Livio Caenazzo - Vocals, Bass, Guitar, Programming Mattia Romano - Guitar, Synthesizer, Keyboards www.facebook.com/vitreaband www.vitrea.org vitrea.bandcamp.com vitrea.bandpage.com Booking: vitreaband@gmail.com credits released December 14, 2014 Recorded and Mixed by Livio Caenazzo and Davide Lionetti Mastered by Livio Caenazzo The Burning Sun (Caenazzo) - Walls Of Glass (Caenazzo) - January (Caenazzo, Passalacqua, lyrics are based on the poem "The Venal Muse" by Charles Pierre Baudelaire), The White Road (Caenazzo, lyrics by Passalacqua) - Antiheroes (Caenazzo, Passalacqua) - Uranium (Caenazzo, lyrics are based on the poem "Uranio" by Gabriele Beltrame - SPM (Caenazzo, Passalacqua) - Indigo Waves (Caenazzo) - Venere (Caenazzo)

VITREA -SONGS OF GLASS Vitrea are: Livio Caenazzo - Vocals, Bass, Guitar, Programming Mattia Romano - Guitar, Synthesizer, Keyboards www.facebook.com/vitreaband www.vitrea.org vitrea.bandcamp.com vitrea.bandpage.com Booking: vitreaband@gmail.com credits released December 14, 2014 Recorded and Mixed by Livio Caenazzo and Davide Lionetti Mastered by Livio Caenazzo The Burning Sun (Caenazzo) - Walls Of Glass (Caenazzo) - January (Caenazzo, Passalacqua, lyrics are based on the poem "The Venal Muse" by Charles Pierre Baudelaire), The White Road (Caenazzo, lyrics by Passalacqua) - Antiheroes (Caenazzo, Passalacqua) - Uranium (Caenazzo, lyrics are based on the poem "Uranio" by Gabriele Beltrame - SPM (Caenazzo, Passalacqua) - Indigo Waves (Caenazzo) - Venere (Caenazzo)

Tenemos una manera de visualizar las cosas o las situaciones, depende de las circunstancias en las que se ven envueltas para saber como responder a ellas, en muchas ocaciones parece ser toda una odisea el como lograr culminar las que es ahí cuando se pone en juego el pretender la ilusión de la vida o la ligereza del interés por ella.

Toma tu riesgo, elige tu alternativa pero recuerda... Alguien frenara tu acción, imagina de nuevo la magnificencia de la utopía siendo estropeada por una Inhibidora condición.

La esperanza de un ser vivo y lo material conviviendo en una rutina por el equilibro y bienestar a terceros

2a parte del EP titulado Wickedness de la banda Godart

2a parte del EP titulado Wickedness de la banda Godart

2a parte del EP titulado Wickedness de la banda Godart

Dismal Beeches' debut EP, "Into the Woods", which can be roughly categorized as a crossbred offspring of dark wave and dream folk, is a mystic journey in the depths of the Forest told through four different stories. We start off at a recluse’s retreat in the woods, then proceed through an enchanted woodland as twilight shadows lurk behind the trees, stop by a rural asylum to hear a dreary tale of a beggar, and finally step into the heart of the black forest to meet the spirits of old.

Dismal Beeches' debut EP, "Into the Woods", which can be roughly categorized as a crossbred offspring of dark wave and dream folk, is a mystic journey in the depths of the Forest told through four different stories. We start off at a recluse’s retreat in the woods, then proceed through an enchanted woodland as twilight shadows lurk behind the trees, stop by a rural asylum to hear a dreary tale of a beggar, and finally step into the heart of the black forest to meet the spirits of old.

Dismal Beeches' debut EP, "Into the Woods", which can be roughly categorized as a crossbred offspring of dark wave and dream folk, is a mystic journey in the depths of the Forest told through four different stories. We start off at a recluse’s retreat in the woods, then proceed through an enchanted woodland as twilight shadows lurk behind the trees, stop by a rural asylum to hear a dreary tale of a beggar, and finally step into the heart of the black forest to meet the spirits of old.

Dismal Beeches' debut EP, "Into the Woods", which can be roughly categorized as a crossbred offspring of dark wave and dream folk, is a mystic journey in the depths of the Forest told through four different stories. We start off at a recluse’s retreat in the woods, then proceed through an enchanted woodland as twilight shadows lurk behind the trees, stop by a rural asylum to hear a dreary tale of a beggar, and finally step into the heart of the black forest to meet the spirits of old.

Space electronic soundtrack, SCI-FI dance

Olas sobre el faro de Maspalomas. Imagen tomada desde el mar el día 27 de octubre de 2013 por Alberto J. Espiñeira Francés. En presencia de Belén Olivares del Rosario.

Olas sobre el faro de Maspalomas. Imagen tomada desde el mar el día 27 de octubre de 2013 por Alberto J. Espiñeira Francés. En presencia de Belén Olivares del Rosario.

Olas sobre el faro de Maspalomas. Imagen tomada desde el mar el día 27 de octubre de 2013 por Alberto J. Espiñeira Francés. En presencia de Belén Olivares del Rosario.

Delia Rodríguez, de Soitu, me pidió mi opinión sobre los sistemas de invitación en la web, y ayer publicó un artículo titulado “Te invito a que trabajes gratis y otras técnicas del marketing 2.0“. De los ejemplos que menciona, no llegamos a hablar sobre la traducción de Twitter, que para mí es un caso completamente diferente a los otros, y en cuya apreciación de aparente “engaño” no coincido para nada con Delia: una empresa que ofrece un producto de uso completamente gratuito, y que solicita ...