Instrumental peaceful and positive acoustic music composed for acoustic guitars, strings, piano and glockenspiel, ideal for relaxed and hopeful situations in films, tv series, commercials and promos. also great as a background for any quiet and positive topics.

Instrumental uplifting corporate music composed for muted, electric and acoustic guitars, piano and strings, ideal for commercials, backgrounds and ads.

"Hoy es el baile" es una composición musical instrumental que fusiona ritmos afro house con elementos de inspiración flamenca y mediterránea. La obra combina percusiones orgánicas, guitarras de carácter flamenco y voces femeninas sampleadas de aire andaluz, creando una atmósfera cálida, hipnótica y luminosa. A través de un pulso constante y envolvente, la pieza invita al movimiento, a la celebración del instante presente y a la conexión entre tradición y modernidad. Con una duración aproximada de 3 minutos y 35 segundos y un tempo de 110 BPM, "Hoy es el baile" transmite una sensación de libertad, energía positiva y encuentro humano, evocando la imagen de un atardecer junto al mar donde la música y el baile se convierten en un lenguaje universal.

SONG. his work (lyrics and composition) is my exclusive creation. The text includes references to the character "Brigitte," created by Lynn Santiago, as a literary tribute and a derivative work within a fictional universe.

This work (lyrics and composition) is my exclusive creation. The text includes references to the character"Brigitte," created by Lynn Santiago, as a literary tribute and a derivative work within a fictional universe." This audiovisual work incorporates visual and audio elements generated through Artificial Intelligence tools, including music created with Suno AI. The original lyrics, which are based on 'La niña', the narrative concept, the specific selection and sequencing of the clips, the visual pacing and editing, and the final audiovisual composition are of my exclusive creation and authorship. Copyright and intellectual property rights are strictly claimed over the original lyrics, the directorial choices, and the final assembled work as a whole.

SONG. This work (lyrics and composition) is my exclusive creation. The text includes references to the character "Brigitte," created by Lynn Santiago, as a literary tribute and a derivative work within a fictional universe." This audiovisual work incorporates visual and audio elements generated through Artificial Intelligence tools, including music created with Suno AI. The original lyrics, which are based on 'La niña', the narrative concept, the specific selection and sequencing of the clips, the visual pacing and editing, and the final audiovisual composition are of my exclusive creation and authorship. Copyright and intellectual property rights are strictly claimed over the original lyrics, the directorial choices, and the final assembled work as a whole.

SONG. his work (lyrics and composition) is my exclusive creation. The text includes references to the character "Brigitte," created by Lynn Santiago, as a literary tribute and a derivative work within a fictional universe.

Cancion realizada por J oscar Jimenez usando prompt con la plataforma "Flow Music" creada el 12 de Mayo 2026

SONG. Mixed-media work featuring original lyrics written by the author. The sound production, melody, and vocal performance were generated using artificial intelligence (Suno AI) under the author's creative direction, style selection, and narrative structuring. The lyrics are registered as an original literary work, and the resulting track is registered as a phonogram assisted by generative technology.

SONG. Mixed-media work featuring original lyrics written by the author. The sound production, melody, and vocal performance were generated using artificial intelligence (Suno AI) under the author's creative direction, style selection, and narrative structuring. The lyrics are registered as an original literary work, and the resulting track is registered as a phonogram assisted by generative technology.

SONG.

Fatal… fatal… Fatal… fatal… You appeared like smoke — I can no longer breathe Your gaze burns me from the inside I know I should go But I find myself walking back to you Walking back to you again Poison or medicine — Does it even matter now I chose you You are fatal to me I'm burning — and I cannot stop You are fatal to me Again, again, again… You are fatal to me I'm drowning — and I don't want to be saved You are fatal to me Again, again, again… Fa-tal… fa-tal… My darkness, my desire Fa-tal… Your smile — a trap wrapped in silk I fell right in — and I don't mind People tell me run But my feet keep finding their way back to you Your eyes — like a night without an end I am lost in them forever There is no way out of this circle — Only you, only you, only you Poison or medicine — Does it even matter now I chose you You are fatal to me I'm burning — and I cannot stop You are fatal to me Again, again, again… You are fatal to me I'm drowning — and I don't want to be saved You are fatal to me Again, again, again… Fa-tal… fa-tal… My darkness, my desire Fa-tal… Maybe this is a curse Maybe this is what love is You have broken me completely And I come back every time My heart screams — stop But my soul is no longer mine You took everything I had — And I would not have it any other way You are fatal to me I'm burning — and I cannot stop You are fatal to me Again, again, again… You are fatal to me I'm drowning — and I don't want to be saved You are fatal to me Again, again, again… Fa-tal… fa-tal… My darkness, my desire Fa-tal… Again, again, again to you… Again, again, again to you… Fatal… fatal… Mine…

VERSION 2. Mixed-media work featuring original lyrics written by the author. The sound production, melody, and vocal performance were generated using artificial intelligence (Suno AI) under the author's creative direction, style selection, and narrative structuring. The lyrics are registered as an original literary work, and the resulting track is registered as a phonogram assisted by generative technology.

VERSION 1. Mixed-media work featuring original lyrics written by the author. The sound production, melody, and vocal performance were generated using artificial intelligence (Suno AI) under the author's creative direction, style selection, and narrative structuring. The lyrics are registered as an original literary work, and the resulting track is registered as a phonogram assisted by generative technology.

“Free (Bossa do Mar)” es una reinterpretación musical del tema original “Free”, popularizado por Will Downing, interpretado originalmente por Deniece Williams, y escrito por Deniece Williams, Nathan Watts, Susaye Greene y Henry Cosby. Esta versión presenta un nuevo arreglo inspirado en ritmos de bossa nova, incorporando guitarra española con matices flamencos y una estética sonora chill y relajante. La obra ha sido producida y adaptada desde una perspectiva artística personal, manteniendo la esencia melódica original mientras se transforma su atmósfera hacia un entorno más íntimo, orgánico y mediterráneo. Este registro corresponde al arreglo musical, producción e interpretación sonora de esta versión, no a la composición original.

Uplifting corporate track with a light Spanish flair, alternating between 6/4 and 4/4 time signatures. Delicate, melodic acoustic guitar leads create a positive mood that invites you to dance, supported by a bouncing bass and a crisp drum beat with strong backbeats.