Y TÚ, ¿QUÉ PRINCESA ERES? Desde que conozco y estudio el Tarot, que me ha resultado curioso que en los Arcanos menores, las figuras de la corte, fueran representadas por tres hombres y una sola mujer. No sé si me considero feminista, pero siempre me ha molestado mucho cuando un hombre, sólo por tener genitales masculinos, se ha visto favorecido ante una mujer. Habitualmente, las figuras de la corte son las sotas, caballos, reinas y reyes. Las sotas representan a personas jóvenes (aunque en las

The Tipping Point es una canción escrita, compuesta, interpretada, producida, mezclada y masterizada por Alvaro Amarante Sánchez (conocido como Alan James en Beev Rations), fundador y líder de Beev Rations. Compuesta el 25 de enero de 2021, el master final de esta versión alternativa (distinta del single estrenado el4 de febrero) data del 27 de febrero. Incluída en el EP Roots & Ends, estrenado el 6 de marzo. Se trata de una canción que combina Psyfolk, Southern Rock, Americana y Merseysound , dentro de los géneros de Indie, Bedroom Pop-Rock y Roots rock. Duración: 3 minutos, 37 segundos. Letra: It’s all a cosmic movie. Everything’s alright. 5G waves and flu, a hybrid war. Overnight they saw themselves against the wall, threatened with death in a covert and “legal” way, feeling every hit to their integrity day after day, so people began to wake up. Stand up, you Integral Sovereign, recover your own power. Catalyzed by a false pandemic, 2030 agenda flown with social engineering, named problem-reaction-solution. Cattle mesmerized by TV followed the script and three months were enough to end the rights won through centuries. And so people began to wake up. Tears shower gave again life to the hearts that dried up. Remember your unconditioned spiritual nature and bet on love, it always wins. Mandatory ruin, rigged elections, forced the people to watch in the right direction, beyond divisions and views to find our common ground, as human beings and souls. For it’s not about right or left, but those above against the ones below. We don’t need their “new world order”, they can stick it up their arse. And so people began to wake up, to care all life and love the others as themselves. Well, oh yeah! And so people… Come on, now. What you usually emit in thoughts and feelings is what you receive in persons and experiences.

Screens Room es una canción escrita, compuesta, interpretada, producida, mezclada y masterizada por Alvaro Amarante Sánchez (conocido como Alan James en Beev Rations), fundador y líder de Beev Rations. Compuesta el 25 de diciembre de 2020, el master final data del 22 de febrero de 2021. Incluída en el EP Roots & Ends, estrenado el 6 de marzo. Se trata de una canción que combina Psychedelic Rock, Blues y Merseysound, dentro de los géneros de Indie, Bedroom Pop-Rock y Roots rock. Duración: 3 minutos, 28 segundos. Letra: I have a room never seen, with the walls full of screens, where I can watch all the things that are, were or will be. Uncountless lines of the same story, like branches, all exist in the now. Every scene I'd like to live comes to be by one touch, cos it changes all your vibes to the pattern that you want. Grey people says I'm only fantasizing, I don't mind. Just let them take the blue pill tonight. Sleep tight, then. I have a room full of screens, here for me anytime. If a lover I must find in the screams room's where I am. It is with the heart that one can only rightly see; said the fox to my friend little prince. Once again It is with the heart that one can only rightly see; that's how you find the room full of screens. that's how you find the room full of screens. You can find it. It's within you.

A Personal Voyage is Blak Saagan’s debut, his first journey into obscurity, 90 minutes (!!!) of music dedicated to the ongoing discovery and exploration of celestial structures in outer space, directly inspired by the work of cosmologist and science popularizer Carl Sagan. Recorded at home during sleepless nights with just the use of a Farfisa Vip 202 R organ, Roland TR-606 drum machine and a Siel Orchestra synthesizer, A Personal Voyage is a deep fully realized mind trip, a trailing echo that does not need words to deliver clear images and project unknown narratives. While foreign labels have been reaping the benefits of the rediscovery of Italian 60s/70s psychedelic soundtracks, Samuele Gottardello aka Blak Saagan has been crafting his own library music, the real deal, his own detailed OST’s merging ambient, drones, rhythmic electronics and an uncanny ability to create ritual hypnagogic experiences. Italian maestros Alessandro Alessandroni, Egisto Macchi and Piero Umiliani’s ultra terrestrial approach is definitely part of the ride but what elevates the voyage is the pulsating Kraftwerkian beat of ‘Miliardi di Galassie’ carrying Carl Sagan’s snapdragon shaped vessel Space of Imagination. ‘Cavalcando la Cometa 67P’ is the most detailed account of the Rosetta mission, and its encounter of the last comet that passed close to the Earth, that you’ll never read. You’re just left imagining the Philae probe attached to the comet hurtling trough space, forever. ‘Atterraggio su Enceladus’ planetary music celebrates the magnificence of Saturn’s sixth largest moon Enceladus and its thick shield of ice under which scientists assume an alien sea lies. A motorik Cluster pulse carries ‘Astronave Enzmann’ mapping out the visual architecture of what could have been a giant interstellar ark driven by huge reserves of deuterium, an epic starship that only existed in Dr. Robert Enzmann’s eyes in the mid 60s. No more spoiling your trip, get your mind innit now!

A Personal Voyage is Blak Saagan’s debut, his first journey into obscurity, 90 minutes (!!!) of music dedicated to the ongoing discovery and exploration of celestial structures in outer space, directly inspired by the work of cosmologist and science popularizer Carl Sagan. Recorded at home during sleepless nights with just the use of a Farfisa Vip 202 R organ, Roland TR-606 drum machine and a Siel Orchestra synthesizer, A Personal Voyage is a deep fully realized mind trip, a trailing echo that does not need words to deliver clear images and project unknown narratives. While foreign labels have been reaping the benefits of the rediscovery of Italian 60s/70s psychedelic soundtracks, Samuele Gottardello aka Blak Saagan has been crafting his own library music, the real deal, his own detailed OST’s merging ambient, drones, rhythmic electronics and an uncanny ability to create ritual hypnagogic experiences. Italian maestros Alessandro Alessandroni, Egisto Macchi and Piero Umiliani’s ultra terrestrial approach is definitely part of the ride but what elevates the voyage is the pulsating Kraftwerkian beat of ‘Miliardi di Galassie’ carrying Carl Sagan’s snapdragon shaped vessel Space of Imagination. ‘Cavalcando la Cometa 67P’ is the most detailed account of the Rosetta mission, and its encounter of the last comet that passed close to the Earth, that you’ll never read. You’re just left imagining the Philae probe attached to the comet hurtling trough space, forever. ‘Atterraggio su Enceladus’ planetary music celebrates the magnificence of Saturn’s sixth largest moon Enceladus and its thick shield of ice under which scientists assume an alien sea lies. A motorik Cluster pulse carries ‘Astronave Enzmann’ mapping out the visual architecture of what could have been a giant interstellar ark driven by huge reserves of deuterium, an epic starship that only existed in Dr. Robert Enzmann’s eyes in the mid 60s. No more spoiling your trip, get your mind innit now!

A Personal Voyage is Blak Saagan’s debut, his first journey into obscurity, 90 minutes (!!!) of music dedicated to the ongoing discovery and exploration of celestial structures in outer space, directly inspired by the work of cosmologist and science popularizer Carl Sagan. Recorded at home during sleepless nights with just the use of a Farfisa Vip 202 R organ, Roland TR-606 drum machine and a Siel Orchestra synthesizer, A Personal Voyage is a deep fully realized mind trip, a trailing echo that does not need words to deliver clear images and project unknown narratives. While foreign labels have been reaping the benefits of the rediscovery of Italian 60s/70s psychedelic soundtracks, Samuele Gottardello aka Blak Saagan has been crafting his own library music, the real deal, his own detailed OST’s merging ambient, drones, rhythmic electronics and an uncanny ability to create ritual hypnagogic experiences. Italian maestros Alessandro Alessandroni, Egisto Macchi and Piero Umiliani’s ultra terrestrial approach is definitely part of the ride but what elevates the voyage is the pulsating Kraftwerkian beat of ‘Miliardi di Galassie’ carrying Carl Sagan’s snapdragon shaped vessel Space of Imagination. ‘Cavalcando la Cometa 67P’ is the most detailed account of the Rosetta mission, and its encounter of the last comet that passed close to the Earth, that you’ll never read. You’re just left imagining the Philae probe attached to the comet hurtling trough space, forever. ‘Atterraggio su Enceladus’ planetary music celebrates the magnificence of Saturn’s sixth largest moon Enceladus and its thick shield of ice under which scientists assume an alien sea lies. A motorik Cluster pulse carries ‘Astronave Enzmann’ mapping out the visual architecture of what could have been a giant interstellar ark driven by huge reserves of deuterium, an epic starship that only existed in Dr. Robert Enzmann’s eyes in the mid 60s. No more spoiling your trip, get your mind innit now!