El primer disco que he creado a finales del 2021. Es mi inicio en este universo de texturas sonoras y melodías que te transportan a otro lugar. En este disco y en cada una de las canciones que lo componen, hay canciones que son una mezcla de varios estilos musicales, porque mi estilo no tiene estilo, no me apego a parámetros únicos, en ese aspecto me siento libre al crear. Experimento y busco la mejor combinación melódica para hacerte sentir bien, o al menos ese es mi propósito. Metamorfosis es sinónimo de cambio. en este caso sonoro o melódico. Este es mi punto de partida y espero que les guste.

El primer disco que he creado a finales del 2021. Es mi inicio en este universo de texturas sonoras y melodías que te transportan a otro lugar. En este disco y en cada una de las canciones que lo componen, hay canciones que son una mezcla de varios estilos musicales, porque mi estilo no tiene estilo, no me apego a parámetros únicos, en ese aspecto me siento libre al crear. Experimento y busco la mejor combinación melódica para hacerte sentir bien, o al menos ese es mi propósito. Metamorfosis es sinónimo de cambio. en este caso sonoro o melódico. Este es mi punto de partida y espero que les guste.

Tema tecno melódico con variaciones de escala y distintas melodías que hacen de este tema, una collage armónico sin estridencias. Utilizo bajos profundos y percusión ligera y no muy agresiva para dar protagonismo a las variaciones melódicas que van sucediéndose en el mismo, en forma de arpegios o sintetizadores con un eco espacial y envolvente.

Letra y Voz: Cris Picos Mejuto Música: Adrian Vidal García Grabación-Mezcla-Masterización: Adrián Vidal García Carátula: Diseño de JAVidal (José Angel Vidal)

Música: Adrian Vidal García Grabación-Mezcla-Masterización: Adrián Vidal García

Master recording of the song "Loved By You, Lost In You", released under the artist/project name RoboBlues. The lyrics were written by Aksel Ilmaz Faik. The musical composition, vocal performance, arrangement, and sound recording were generated with the assistance of artificial intelligence tools, including Suno, under a valid paid subscription and under the creative direction of Aksel Ilmaz Faik. Aksel Ilmaz Faik selected the final version, edited and mastered the recording, prepared the metadata, embedded forensic watermarking, and controls the publication and release of the final master. The final audio master contains embedded forensic watermarking, including a spectrogram-based visual watermark and a robust audio watermark, for provenance and source identification. Source files, production records, AI generation records, metadata records, watermarking notes, and verification materials related to this work are retained by Aksel Ilmaz Faik. This registration is intended to document the final master recording, the human-written lyrics, the AI-assisted production process, the embedded forensic watermarking, and the provenance of the released audio file. All rights and control over the final master recording, to the extent permitted by applicable law and platform terms, are owned and administered by Aksel Ilmaz Faik under the artist/project name RoboBlues.

Master recording of the song "Don’t mess with me", released under the artist/project name RoboBlues. The lyrics were written by Aksel Ilmaz Faik. The musical composition, vocal performance, arrangement, and sound recording were generated with the assistance of artificial intelligence tools, including Suno, under a valid paid subscription and under the creative direction of Aksel Ilmaz Faik. Aksel Ilmaz Faik selected the final version, edited and mastered the recording, prepared the metadata, embedded forensic watermarking, and controls the publication and release of the final master. The final audio master contains embedded forensic watermarking, including a spectrogram-based visual watermark and a robust audio watermark, for provenance and source identification. Source files, production records, AI generation records, metadata records, watermarking notes, and verification materials related to this work are retained by Aksel Ilmaz Faik. This registration is intended to document the final master recording, the human-written lyrics, the AI-assisted production process, the embedded forensic watermarking, and the provenance of the released audio file. All rights and control over the final master recording, to the extent permitted by applicable law and platform terms, are owned and administered by Aksel Ilmaz Faik under the artist/project name RoboBlues.

Master recording of the song "We don’t care no more", released under the artist/project name RoboBlues. The lyrics were written by Aksel Ilmaz Faik. The musical composition, vocal performance, arrangement, and sound recording were generated with the assistance of artificial intelligence tools, including Suno, under a valid paid subscription and under the creative direction of Aksel Ilmaz Faik. Aksel Ilmaz Faik selected the final version, edited and mastered the recording, prepared the metadata, embedded forensic watermarking, and controls the publication and release of the final master. The final audio master contains embedded forensic watermarking, including a spectrogram-based visual watermark and a robust audio watermark, for provenance and source identification. Source files, production records, AI generation records, metadata records, watermarking notes, and verification materials related to this work are retained by Aksel Ilmaz Faik. This registration is intended to document the final master recording, the human-written lyrics, the AI-assisted production process, the embedded forensic watermarking, and the provenance of the released audio file. All rights and control over the final master recording, to the extent permitted by applicable law and platform terms, are owned and administered by Aksel Ilmaz Faik under the artist/project name RoboBlues.

Canción individual Nº 04 del proyecto Hackea tu vida · Canto Libro, titulada Tres Territorios, obra sonora asociada al libro Hackea tu vida y al Método Hackea creado por Samuel Fernando Cil Cruz. La obra integra letra, concepto, dirección creativa y curaduría humana de Samuel Fernando Cil Cruz, con asistencia de herramientas de inteligencia artificial en la producción musical. El Canto Libro funciona como una puerta emocional hacia el libro, el método y la comunidad, no como música decorativa. Este registro incluye la letra y el archivo de audio MP3 correspondiente a la canción.

Canción individual Nº 03 del proyecto Hackea tu vida · Canto Libro, titulada Recupera El Mando, obra sonora asociada al libro Hackea tu vida y al Método Hackea creado por Samuel Fernando Cil Cruz. La obra integra letra, concepto, dirección creativa y curaduría humana de Samuel Fernando Cil Cruz, con asistencia de herramientas de inteligencia artificial en la producción musical. El Canto Libro funciona como una puerta emocional hacia el libro, el método y la comunidad, no como música decorativa. Este registro incluye la letra y el archivo de audio MP3 correspondiente a la canción.

Canción individual Nº 02 del proyecto Hackea tu vida · Canto Libro, titulada Entra Al Universo, obra sonora asociada al libro Hackea tu vida y al Método Hackea creado por Samuel Fernando Cil Cruz. La obra integra letra, concepto, dirección creativa y curaduría humana de Samuel Fernando Cil Cruz, con asistencia de herramientas de inteligencia artificial en la producción musical. El Canto Libro funciona como una puerta emocional hacia el libro, el método y la comunidad, no como música decorativa. Este registro incluye la letra y el archivo de audio MP3 correspondiente a la canción.

Canción individual Nº 01 del proyecto Hackea tu vida · Canto Libro, titulada Ya Tengo Casa, obra sonora asociada al libro Hackea tu vida y al Método Hackea creado por Samuel Cil. La obra integra letra, concepto, dirección creativa y curaduría humana, con asistencia de herramientas de inteligencia artificial en la producción musical. El Canto Libro funciona como una puerta emocional hacia el libro, el método y la comunidad, no como música decorativa. Este registro incluye la letra y el archivo de audio MP3 correspondiente a la canción.

Master recording of the song "I’m gonna raise hell tonight", released under the artist/project name RoboBlues. The lyrics were written by Aksel Ilmaz Faik. The musical composition, vocal performance, arrangement, and sound recording were generated with the assistance of artificial intelligence tools, including Suno, under a valid paid subscription and under the creative direction of Aksel Ilmaz Faik. Aksel Ilmaz Faik selected the final version, edited and mastered the recording, prepared the metadata, embedded forensic watermarking, and controls the publication and release of the final master. The final audio master contains embedded forensic watermarking, including a spectrogram-based visual watermark and a robust audio watermark, for provenance and source identification. Source files, production records, AI generation records, metadata records, watermarking notes, and verification materials related to this work are retained by Aksel Ilmaz Faik. This registration is intended to document the final master recording, the human-written lyrics, the AI-assisted production process, the embedded forensic watermarking, and the provenance of the released audio file. All rights and control over the final master recording, to the extent permitted by applicable law and platform terms, are owned and administered by Aksel Ilmaz Faik under the artist/project name RoboBlues.

Master recording of the song "Nazdrave, Nek Nam Je Ovako", released under the artist/project name RoboBalkan. The lyrics were written by Aksel Ilmaz Faik. The musical composition, vocal performance, arrangement, and sound recording were generated with the assistance of artificial intelligence tools, including Suno, under a valid paid subscription and under the creative direction of Aksel Ilmaz Faik. Aksel Ilmaz Faik selected the final version, edited and mastered the recording, prepared the metadata, embedded forensic watermarking, and controls the publication and release of the final master. The final audio master contains embedded forensic watermarking, including a spectrogram-based visual watermark and a robust audio watermark, for provenance and source identification. Source files, production records, AI generation records, metadata records, watermarking notes, and verification materials related to this work are retained by Aksel Ilmaz Faik. This registration is intended to document the final master recording, the human-written lyrics, the AI-assisted production process, the embedded forensic watermarking, and the provenance of the released audio file. All rights and control over the final master recording, to the extent permitted by applicable law and platform terms, are owned and administered by Aksel Ilmaz Faik under the artist/project name RoboBalkan.

Master recording of the song "Dok Je Pesme, Ima Nas", released under the artist/project name RoboBalkan. The lyrics were written by Aksel Ilmaz Faik. The musical composition, vocal performance, arrangement, and sound recording were generated with the assistance of artificial intelligence tools, including Suno, under a valid paid subscription and under the creative direction of Aksel Ilmaz Faik. Aksel Ilmaz Faik selected the final version, edited and mastered the recording, prepared the metadata, embedded forensic watermarking, and controls the publication and release of the final master. The final audio master contains embedded forensic watermarking, including a spectrogram-based visual watermark and a robust audio watermark, for provenance and source identification. Source files, production records, AI generation records, metadata records, watermarking notes, and verification materials related to this work are retained by Aksel Ilmaz Faik. This registration is intended to document the final master recording, the human-written lyrics, the AI-assisted production process, the embedded forensic watermarking, and the provenance of the released audio file. All rights and control over the final master recording, to the extent permitted by applicable law and platform terms, are owned and administered by Aksel Ilmaz Faik under the artist/project name RoboBalkan.

Original cinematic indie-pop composition from the project Unspoken Depths — Crivalbo. Built around intimate piano, cello, and restrained ambient textures, the song explores emotional resonance, memory persistence, and internal silence after absence. Through reflective vocals, minimal production, and psychologically grounded storytelling, the composition documents how familiar spaces preserve emotional echoes long after physical presence disappears.

"Obra integral de autoría 100% humana que fusiona composición lírica urbana con el protocolo propietario de ingeniería de frecuencias 'Metodología YAL'. / Comprehensive 100% human-authored work fusing urban lyrical composition with the proprietary frequency engineering protocol 'YAL Methodology'. Incluye arquitectura de afinación en 432Hz, resonancia armónica en 639Hz y el Protocolo de Gestión del Silencio 'STOP'. Basado en fundamentos de sonografía médica y acústica fisiográfica para la decodificación de ilusiones emocionales. / Includes 432Hz tuning architecture, 639Hz harmonic resonance, and the 'STOP' Silence Management Protocol. Based on medical sonography and physiographic acoustics for decoding emotional illusions."

Unsaid Things is an intimate cinematic indie-pop track from the project Unspoken Words. Built around piano, cello, and minimal ambient textures, the song explores emotional tension through unspoken communication and unresolved connection. With a restrained, speech-like vocal delivery and a focus on everyday details, the piece captures the weight of what was never said. A minimal, emotionally grounded composition designed for deep listening and reflective engagement.

"وينك يا مذكور" هو عمل غنائي بصيغة الشيلة الخليجية، يجمع بين الشعر النبطي واللحن المعاصر، ومبني على نمط إيقاعي مستوحى من بحر المسحوب. يتناول العمل موضوع الفراق وطول المسير وتعب الخطاوي، مع حضور واضح لمشاعر الحنين والأمل بالرجوع. الأداء الصوتي يحمل طابعًا وجدانيًا يعكس الحالة العاطفية للنص. هذا التسجيل يمثل النسخة الصوتية الأصلية (Master Recording) للعمل، بما في ذلك اللحن، الأداء، والتوزيع. "Wainak Ya Mathkoor" is a Gulf-style vocal performance (Sheilat) combining Nabati poetry with a contemporary melodic composition, inspired by the rhythmic structure of Bahr Al-Mas-houb. The work explores themes of separation, emotional journey, exhaustion, and longing, with a strong sense of hope for reunion. The vocal delivery conveys deep emotional expression aligned with the lyrical content. This registration represents the original master sound recording of the work, including composition, performance, and arrangement. This work is an original production. All rights including lyrics, composition, and recording are owned by the author.

Hidden Glances is an intimate emotional indie-pop track from the project Unspoken Words. Built around a warm, minimal production with acoustic piano, cello, and ambient electric guitar, the song explores silent emotional connection through subtle storytelling and a mature, restrained vocal performance. A cinematic yet natural sound designed for deep listening and emotional resonance.