Original music created and produced by me under VG Music Records / ALI Music. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-25.

Original music created and produced by me under VG Music Records / ALI Music. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-25.

Original music created and produced by me under VG Music Records / ALI Music. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-25.

Original music created and produced by me under VG Music Records / ALI Music. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-25.

Original music created and produced by me under VG Music Records / ALI Music. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-25.

Original music created and produced by me under VG Music Records / ALI Music. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-25.

Original music created and produced by me under VG Music Records / ALI Music. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-25.

Original music created and produced by me under VG Music Records / Auto Manele. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-13.

Original music created and produced by me under VG Music Records / Auto Manele. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-13.

KUNDI. Entidad creativa de la lingua PH1N1X es una obra conceptual original que define y establece el marco simbólico, etimológico y funcional de “KUNDI” como figura creativa dentro del ecosistema PH1N1X. El texto desarrolla el origen del término a partir de la raíz sánscrita “kunda”, asociada al recipiente ritual del fuego en tradiciones védicas, resignificando dicho concepto como metáfora estructural del proceso creativo. En esta obra, KUNDI es definido como un crisol creativo: un espacio activo donde las ideas se concentran, se someten a transformación y emergen en forma organizada. No actúa como autor ni como analista, sino como contenedor y catalizador del proceso creativo. El documento establece la identidad, función y marco semántico del concepto dentro de la cosmovisión PH1N1X, constituyendo una pieza fundacional del universo narrativo y metodológico asociado a dicho ecosistema.

es una canción del género regional mexicano con influencia de corrido tumbado moderno y elementos de música popular contemporánea. La obra presenta una narrativa femenina sarcástica y empoderada que aborda el tema del desamor causado por una relación con un hombre mujeriego, utilizando metáforas tecnológicas para representar el desgaste emocional y las consecuencias de la falta de compromiso afectivo. La letra combina humor, ironía y crítica emocional, manteniendo un tono firme y seguro que resalta la dignidad personal de la protagonista frente a la decepción amorosa. Musicalmente, la obra está pensada para una interpretación con instrumentación característica del regional mexicano contemporáneo, incluyendo guitarras, bajo y elementos rítmicos modernos. La canción transmite un mensaje de autoestima, aprendizaje y superación emocional, con un enfoque artístico que mezcla tradición narrativa del corrido con una estética actual y comercial. Autora: Hilda Martínez

Obra musical original con letra. La letra es de autoría propia de Maria Alejandra Silva Diaz. Composición musical y audio generados mediante la plataforma Suno bajo suscripción comercial de Maria Alejandra Silva Diaz.

Obra musical original con letra. La letra es de autoría propia de Maria Alejandra Silva Diaz. La composición musical y el audio han sido generados mediante la plataforma Suno bajo una suscripción de pago, cuya titularidad de derechos comerciales pertenece íntegramente a Maria Alejandra Silva Diaz.

"Obra musical con letra original. La letra creada por Maria Alejandra Silva Diaz. La composición musical y el audio han sido generados mediante la plataforma Suno bajo una suscripción de pago (Plan Pro/Premier), cuya titularidad de derechos comerciales pertenece a Maria Alejandra Silva Diaz.

Modern country rock ballad with layered electric and acoustic guitars in the style of Hotel California, wide stereo guitar harmonies, melodic lead guitar lines and dual guitar solos, steady mid-tempo groove, warm analog tones with modern production clarity, deep atmospheric reverb, emotional storytelling, cinematic build, modern expressive male lead vocal, smooth yet powerful delivery, dynamic vocal phrasing, polished radio-ready mix, original song structure, keep original key, Big chorus with stacked vocal harmonies and open guitar chords

This article proposes an ontological reading of Marcel Duchamp’s oeuvre in the era of Artificial Intelligence (AI) and Big Data through the lens of Modus Tollens (p. 14). It contends that the Duchampian gesture can be formalized as a deduction by negation to describe the conceptual logic of the readymade and the copy (p. 14). It introduces concepts like "ontological vacancy" and the "Context Operator (C)" to analyze how the copy acquiresan ontological dignity equivalent to the original through logical structure, anticipating issues of technical reproducibility and functional symmetry with contemporary generative systems (pp. 14, 16).

Original music created and produced by me under VG Music Records / Chef Music. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-13.

Original music created and produced by me under VG Music Records / Chef Music. Full master audio version. Previously published online. Registered on SafeCreative on 2026-02-13.