Babe, it’s over The sun shines on a different door Now I’m sober Can I crash on your floor? We used to be the fire Of the night in the city I was young and wasted You were lost and pretty Your DJ friend Played the soundtrack to our doomed love We were young and wasted We were lost and you were pretty On the dancefloor twisting To the soundtrack of our doomed love Doomed love You’re hopeless Doomed, doomed love You count the days, I count the nights Of our doomed love Baby, it’s over But I’m coming up again However broken There’s a slow train comin’ in Someone else will be the fire Of the night and the TV Will evoke the memory Of the soundtrack to our doomed love

Cancion compuesta letra y musica por manuel sanchez lopez (malou)D.N.I 51883703G

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TÍTULO: NO ME PUEDES TOCAR AUTOR/TITULAR: Ernesto Guillermo López Muñoz de EG MINDSET Records FECHA CREACIÓN: Junio 2026 TIPO DE OBRA: Composición musical original + letra + interpretación + master recording DESCRIPCIÓN: Canción original en idioma español titulada “NO ME PUEDES TOCAR”, compuesta, escrita, producida e interpretada por Ernesto Guillermo López Muñoz. Género Funk / Soul / R&B con influencia de dance-funk clásico, hip-hop old school y cultura urbana festiva de finales de los años ochenta y principios de los noventa. La producción desarrolla una atmósfera enérgica basada en líneas de bajo funk prominentes, batería rítmica, secciones de metales, efectos de scratch, coros de respuesta y una interpretación vocal cargada de actitud escénica. La obra celebra el baile, la confianza personal, el carisma y la energía de la pista de baile mediante una narrativa desenfadada y divertida. La canción utiliza referencias culturales propias del imaginario popular de la música dance y hip-hop, integrándolas como elementos expresivos dentro de una composición original centrada en la identidad artística, la celebración colectiva y la interacción con el público. La interpretación vocal masculina combina recursos de rap rítmico, spoken-singing y actitud funk, apoyada por respuestas vocales femeninas que refuerzan el carácter participativo y festivo de la obra. Duración aproximada: 2:30 minutos. DERECHOS RECLAMADOS: ☑️ Autoría de letra (100%) ☑️ Composición musical (100%) ☑️ Interpretación vocal y master recording (100%) ☑️ Productor fonográfico (EG MINDSET Records - 100%) FICHEROS A REGISTRAR: Audio master final: "NO-ME-PUEDES-TOCAR-EGMINDSETRecords.wav" Letra oficial: "NO-ME-PUEDES-TOCAR-Lyrics.txt" (opcional) USO PROYECTADO: Distribución digital internacional a través de EG MINDSET Records. Obra destinada a plataformas de streaming, playlists de funk, soul, R&B, dance-funk, old school hip-hop, retro dance y contenidos audiovisuales relacionados con entretenimiento, baile y cultura urbana. Todos los derechos reservados © 2026 Ernesto Guillermo López Muñoz. NOTAS ADICIONALES: Obra producida bajo la dirección creativa, compositiva y ejecutiva de Ernesto Guillermo López Muñoz. El uso de herramientas de IA se limita exclusivamente a la asistencia técnica en instrumentación, síntesis sonora y acompañamientos musicales, manteniendo el autor el control creativo absoluto y el 100% de la autoría lírica, conceptual, estructural y de producción final de la obra. Socio SGAE Nº 188808 · All rights reserved. LETRA COMPLETA OFICIAL: [Intro] [Famous Funky Bassline Loop Starts] [Funky Drum Beat Enters] Yeah! You know what time it is? Come on, let's do this! Stop!... Hammer time! [Verso 1 - Rhythmic Baritone Rap] Mira mis pantalones cómo se mueven al caminar traigo el ritmo en las venas y nadie me va a parar desde la vieja escuela vengo con todo el sabor moviendo a toda la pista, sudando con el calor. Tengo el estilo, la magia, la fuerza en el pie si tú me pides que baile, mira lo que haré. [Pre-Coro] (Female Vocals: Go Hammer, go Hammer!) ¡Muévete ya! (Female Vocals: Go Hammer, go Hammer!) ¡No puedes parar! [Coro - Iconic and Powerful] ¡No me puedes tocar! (Yeah, yeah!) ¡No me puedes tocar! (U can't touch this!) Mira cómo bailo de lado a lado en el salón con este ritmo gordo que te rompe el corazón. ¡No me puedes tocar! [Breakbeat - Horn Stabs and Bass Solo] [Scratch Sound FX] ¡Break it down! [Verso 2] La gente está gritando, las luces brillan ya mi voz suena bien bajo con toda la autoridad mira mis botas negras, la pista va a estallar con este bajo funky que te pone a saltar. Así que dale espacio al rey del escenario que vengo cocinando el éxito del barrio. [Coro Final] ¡No me puedes tocar! (Yeah, yeah!) ¡No me puedes tocar! (U can't touch this!) Mira cómo bailo de lado a lado en el salón con este ritmo gordo que te rompe el corazón. ¡No me puedes tocar! [Outro] [Bassline looping out] Stop!... Hammer time! Yeah... U can't touch this. [Big Horn Hit Ends]

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).

Work derived from the creator's own vocal and/or instrumental recordings, original melodies, and initial arrangements, with final audio output generated by Suno under a paid Pro/Premier commercial subscription that assigns all right, title, and interest in the output to the author (https://suno.com/terms).