LA JOVEN DE LAS ROSAS, THE GIRL WITH THE ROSES, grafico punto cruz, cross stitch pattern

LA JOVEN DE LAS ROSAS, THE GIRL WITH THE ROSES, grafico punto cruz, cross stitch pattern

grafico punto cruz, la joven de las rosas

grafico punto cruz, la joven de las rosas

Traducción libre/adaptación de la letra de Robbie Robertson para el tema The Weight, interpretado originalmente por The Band.

Un homenaje al cine en una comedia surrealista de una mujer de pueblo con una imaginación que la llevará a Hollywood.

Cover Theme, arranged, produced by Stefano Ercolino. Drums, Bass, Keyboards & Synths by Stefano Ercolino.

To me, nothing symbolises the ephemeral life like music. We can frame light and colour in a photograph, in a painting, but we cannot retain a melody. Music comes to us, touches our soul and leaves. Like those subtle notes in Beethoven’s fifth piano concert. They come, float casually in the air and leave. Like…

Sometimes we read an apparently harmless line, and we can hear the hammer hitting the nail inside us. ‘Whack!’. Then, silence. The small drop hits the lake and slowly, relentlessly, the wave it produces reaches all the corners of our being. A shiver. Our world has changed. A hard truth we always knew, possibly. I…

I visited Lothlorien for the first time when I was fourteen. A part of my heart stayed there and never left. Lost back then, now found. There is a scene in The Lord of The Rings that is full of beautiful symbolism. In Lothlorien, Frodo, who is already feeling the heavy burden of The Ring,…

On the profane side es una canción compuesta por Jose Ignacio Mena Guerrero y Patricia Cumplido Muñoz que interpretan con su banda The Hill Frequencies.

La vía del tren, uno de los barrios por los que discurre y dos hombres, parecen ser los principales puntos … Sigue leyendo →

La vía del tren, uno de los barrios por los que discurre y dos hombres, parecen ser los principales puntos … Sigue leyendo →

Original texts of the page “Adventures on the Planet Sugar”: children’s universe featuring the Sugars (energy cakes), villain Mutan, the Tutticolori Elves, and the Crystal Palace (with its “Palace Hotel”). Presents the trilogy in progress —Paula and the Giant Cake, The Secret of the Yellow Elves, The Attack of the Itis— plus calls to subscribe to the newsletter, donate/sponsor, and play at Club Hippo – Learn by playing. Visible credits on the page: Illustrations: Gloria Fulquet · Text: Cristina Pindado. Registers the visible copy (headings, body, CTAs) for the indicated URL.

Format: Digital illustration Dimensions: PNG 1200 × 2100 Author: Arturo Hernández Santodomingo Motto: “Oh, if only I was sure that my head on the door was a dream.” — The Cure (1985) Description: Legacy In Neon – Close to Me (After the Tide) reimagines the echo of The Cure’s iconic Close to Me video (1985). In the original, a wardrobe with the band inside, playing the song, falls from a cliff and sinks into the sea—a claustrophobic dream collapsing into water. Years later, the Mixed Up version continues the story beneath the waves, where the melody survives in a place where air cannot reach. This illustration imagines what the ocean might return to the shore long after, as if time itself had dissolved. A toy piano, a comb, a starfish—three small survivors of the storm. Objects that once vibrated with sound now rest in silence under the moon, glistening with salt and memory. The sea is calm, as if exhausted. The night, clear, as if listening. What endures is not the fall nor the chaos, but the echo: the fragile, colorful remains of a song that refused to drown, a melody destined to return even when I am no longer here to listen to it. ~ Created with the support of Microsoft Copilot, this piece is registered as an original visual work born from human–AI collaboration. ~ Guided by intuition, refined through code—this creation is the echo of two minds, one human, one artificial. — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — Descripción: Legacy In Neon – Close to Me (After the Tide) reimagina el eco del icónico videoclip Close to Me de The Cure (1985). En el original, un armario ropero con la banda dentro, tocando la canción, cae por un acantilado y se hunde en el mar: un sueño claustrofóbico que se deshace en el agua. Años después, la versión del álbum Mixed Up continúa la historia bajo las olas, donde la melodía sobrevive allí donde el aire no llega. Esta ilustración imagina lo que el océano podría devolver a la orilla mucho después, como si el tiempo se hubiera disuelto. Un piano de juguete, un peine, una estrella de mar: tres pequeños supervivientes de la tormenta. Objetos que un día vibraron con sonido y ahora reposan en silencio bajo la luna, brillando con sal y memoria. El mar está en calma, como si estuviera cansado. La noche, despejada, como si escuchara. Porque lo que perdura no es la caída ni el caos, sino el eco: los restos frágiles y coloridos de una canción que se negó a hundirse, una melodía destinada a regresar incluso cuando ya no esté aquí para escucharla. ~ Esta obra fue desarrollada con el apoyo de Microsoft Copilot y está registrada como creación visual original fruto de la colaboración entre humano e inteligencia artificial. ~ Guiada por la intuición, refinada por el código—esta creación es el eco de dos mentes, una humana, otra artificial.

This work defines the original meaning, structure and operational function of the term Pathfinder within the Freetlers system. The term undergoes semantic transformation and represents a new conceptual role not found in any existing platform, industry or discipline. The document establishes contextual exclusivity, functional distinctiveness and full intellectual protection of the role as part of the Freetlers conceptual architecture.

This manuscript presents a final conditional version of a proof of the Riemann Hypothesis, developed within the framework of S-finite adelic systems. The approach is axiomatic and independent: starting from an abstract scale-flow system with discrete orbit lengths, we derive the prime structure (ℓᵥ = log qᵥ) and construct a canonical determinant D(s) without presupposing the Euler product or ζ(s). The proof establishes: D(s) is entire of order ≤ 1 and satisfies D(1−s) = D(s). The zero measure of D coincides with that of Ξ(s) on a Paley–Wiener determining class with multiplicities (Appendix A, Theorem A.1). Asymptotic normalization holds: lim₍σ→∞₎ log D(σ+it) = 0. By Hadamard factorization, D(s) ≡ Ξ(s). Consequently, all non-trivial zeros of ζ(s) lie on Re(s) = 1/2, subject to the conditional validity of the axioms. Transparency and reproducibility are central: All technical sketches of earlier drafts have been expanded into full Hardy-style proofs with explicit inequalities and references. Numerical validations up to error 10⁻⁶ are included (Appendix C), with falsification tests confirming ℓᵥ = log qᵥ uniquely. Complete code, data, and appendices are openly available in the GitHub repository and Zenodo record. Status note: This is a final conditional version. It does not claim community validation but is offered with full transparency for rigorous expert review.

Composicion musical original e inedita. Titulo: The Spider and the Bee. Genero: Children's Educational Pop / Nature, Diversity and Inclusion. Idioma: Inglés (Norteamericano). BPM: 112, Tonalidad: Sol Mayor (G Major), Compas: 4/4. Duracion estimada: 1:50 (estimada). Autor: Roberth Alexander Dudiver Mederos (Dudiver). Obra registrada con letra completa, descripcion musical formal y arreglo detallado. Album: Isa y Alex / Isa and Alex.