Composition, arrangement, production, mix , publishing ( freeSongs music ), performance all by Dimitrios Bitzenis I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Composition, arrangement, production, mix , publishing ( freeSongs music ), performance all by Dimitrios Bitzenis I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Composition, arrangement, production, mix , publishing ( freeSongs music ), performance all by Dimitrios Bitzenis I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Composition, arrangement, production, mix , publishing ( freeSongs music ), performance all by Dimitrios Bitzenis I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Composition, arrangement, production, mix , publishing ( freeSongs music ), performance all by Dimitrios Bitzenis I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Composition, arrangement, production, mix , publishing ( freeSongs music ), performance all by Dimitrios Bitzenis I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Composition, arrangement, production, mix , publishing ( freeSongs music ), performance all by Dimitrios Bitzenis I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Composition, arrangement, production, mix , publishing ( freeSongs music ), performance all by Dimitrios Bitzenis I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Composition, arrangement, production, mix , publishing ( freeSongs music ), performance all by Dimitrios Bitzenis I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Composition, arrangement, production, mix , publishing ( freeSongs music ), performance all by Dimitrios Bitzenis I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Composition, music, lyrics, arrangement, performance, vocals, singing, production all by Dimitrios Bitzenis and publishing by Dimitrios Bitzenis publishing company freesongs music I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

Music , lyrics, arrangement, production, mix by Dimitrios Bitzenis and publishing by Dimitrios Bitzenis trademarked "Freesongs" I bequeath after my death the ownership of all the copyrights of all of my songs to my son Panagiotis Bitzenis (born on September 26th of 2006)

"Last Seen in Blue" is an original English-Japanese dark alternative R&B song with witch house and glitch pop influence. The work follows two isolated people who form an intense connection through messages, avatars, and late-night conversations. Their private digital world becomes a refuge, but it slowly begins to replace the outside world. The song explores loneliness, attachment, and the uncertainty of losing someone without knowing whether they chose to leave, could not respond, or simply disappeared from the narrator's life. The ending is intentionally open to interpretation. The work is fictional and does not identify real people or represent verifiable events.

"Signal Ghost" is an original English-Japanese dark alternative R&B song with witch house and distorted synth punk influence. The work explores emotional dependence after a relationship has ended: the narrator still hears a former person's presence inside static, late-night blue light, and empty rooms. The lyrics gradually recognize that this attachment is not love but fear, and end with the narrator choosing not to let grief and digital noise replace the person who is gone. The work is fictional and does not identify real people or represent verifiable events.

Letra musical da canção “Noiva Cadáver”, pertencente ao álbum “Mitologia”, do projeto Ordem do Cântico Sudaca. A obra apresenta uma narrativa gótica e ritualística sobre uma promessa feita aos mortos, explorando temas como maldição, casamento fúnebre, horror folclórico, destino e tragédia sobrenatural.

English song lyrics/adaptation for "Loved By You Lost In You", based on the original Bulgarian lyrics "Обичан от теб изгубен в теб", written by Aksel Ilmaz Faik for the RoboBlues project. The English version was translated/adapted from Bulgarian with AI assistance using ChatGPT, then reviewed, edited, and approved by Aksel Ilmaz Faik. This registration documents the final English lyrics/adaptation as a separate literary work. The lyrics are contained in the registered PDF file. Related audio master registered separately in SafeCreative.

English song lyrics/adaptation for "Don’t Mess with Me", based on the original Bulgarian lyrics "Не се закачай с мен", written by Aksel Ilmaz Faik for the RoboBlues project. The English version was translated/adapted from Bulgarian with AI assistance using ChatGPT, then reviewed, edited, and approved by Aksel Ilmaz Faik. This registration documents the final English lyrics/adaptation as a separate literary work. The lyrics are contained in the registered PDF file. Related audio master registered separately in SafeCreative.

Letra original da música “Fantasma da Opera”, criada para o projeto musical gótico Ordem do Cântico Sudaca. Obra escrita por Nicolás Puyol.

English song lyrics/adaptation for "I’m gonna raise hell tonight", based on the original Bulgarian lyrics "Тази нощ ще вдигна ада", written by Aksel Ilmaz Faik for the RoboBlues project. The English version was translated/adapted from Bulgarian with AI assistance using ChatGPT, then reviewed, edited, and approved by Aksel Ilmaz Faik. This registration documents the final English lyrics/adaptation as a separate literary work. The lyrics are contained in the registered PDF file. Related audio master registered separately in SafeCreative.

English song lyrics/adaptation for "Too loud to stay", based on the original Bulgarian lyrics "Твърде шумен, за да остана,", written by Aksel Ilmaz Faik for the RoboBlues project. The English version was translated/adapted from Bulgarian with AI assistance using ChatGPT, then reviewed, edited, and approved by Aksel Ilmaz Faik. This registration documents the final English lyrics/adaptation as a separate literary work. The lyrics are contained in the registered PDF file. Related audio master registered separately in SafeCreative.