Ahora mismo estoy leyendo The black house[1], el primer libro de una trilogía que continúa con The Lewis man y … Sigue leyendo →

This book will help you develop your intuition. Reviewing the combinations; of two, three, and up to four arcana, seeing how it changes its meaning, when you will be adding another card. Two cards can say everything, or nothing. Generally varies greatly the result after you have read all of them Thus, in this book contains all the cards of the 56 minor arcana in relation with The Magician. • The Great Book of Tarot Card Combinations I A book with the major Arcana (Spanish edition) • The Great Book of Tarot Card Combinations II. First Book with the minor arcana; The Magician with the minor Arcana. Spanish cards (English and Spanish edition) More 120 combinations and meanings; The minor arcana + The Magician.

Una de mis mayores preocupaciones cuando resumo el argumento de un libro a otra persona, es lograr transmitirle lo que me … Sigue leyendo →

Poesías de resiliencia. Reconstrucción espiritual después del trauma y transformación del destierro

DATOS BÁSICOS DE LA OBRA TÍTULO DE LA OBRA: Ghost in the Grid TIPO DE OBRA: Obra musical con letra (inglés) AUTOR/A (NOMBRE COMPLETO): Tamara Martínez Sánchez NOMBRE ARTÍSTICO / SEUDÓNIMO: TammyQuenn AÑO DE CREACIÓN: 2026 PAÍS: España 2️⃣ DESCRIPCIÓN DE LA OBRA DESCRIPCIÓN CORTA: Tema electro/club en inglés, de vibra hacker‑rebelde: un “fantasma en la red” que rompe el sistema, quema cadenas y deja que lo nuevo tome el control. 3️⃣ CLASIFICACIÓN Y GÉNERO GÉNERO MUSICAL (ORIENTATIVO): Electro‑pop / electronic club track (inglés). SUBGÉNERO: Cyber‑pop, tema de rebelión digital / hacker. ESTILO: Oscuro‑energético, urbano, con imágenes tecnológicas y de subversión del sistema. ETIQUETAS / KEYWORDS (separadas por comas): ghost in the grid, hacker, glitch, break the code, electro pop, club, cyber, English lyrics [Intro / Hook] Ghost in the grid, ghost in the grid, ghost in the grid, ghost in the grid, burn that whole chain, let the new run it. [Verso 1] Turn up my corners, let the tour code, your whole clean system got a crack in the mode. I bend that lock, like wire in my teeth, one touch, one spark, now the whole thing breathe. They built a cage, I built a key, I move like a glitch, you can't pin me. Cold on the screen, hot in the veins, I don't ask nice, I reroute pain. Hear that hum, it's the street in the cloud, hear that hum, we coming loud. Red in the dash, black in the wire, count one more step, then we take it higher. [Hook / Estribillo] Ghost in the grid, ghost in the grid, we break the code and we do it again, ghost in the grid, ghost in the grid, burn that whole chain, let the new run it. [Verso 2] Fire wall flash, I read through the smoke, fake little kings got no grip on the throne. I don't move slow, I move in waves, leave my name in the dance on the side of the cage. Flip that switch, watch the frame go wild, clean little world got a savage child. Eyes on the prize, hands on the breach, if they shut one door, I come through the ceiling. [Pre‑Coro / Build] Hear that hum, it's the street in the cloud, hear that hum, we coming loud. Red in the dash, black in the wire, count one more step, then we take it higher. [Hook] Ghost in the grid, ghost in the grid, we break the code and we do it again, ghost in the grid, ghost in the grid, burn that whole chain, let the new run it. [Bridge] No crown, no cage, just pulse and will, one spark, in the dark, and the whole thing real. [Hook final] Ghost in the grid, ghost in the grid, we break the code and we do it again, ghost in the grid, ghost in the grid, burn that whole chain, let the new run it. Obra producida mediante herramientas de producción digital y posible asistencia de IA para instrumentación y mezcla, bajo dirección creativa original de la autora. La letra, melodía vocal y concepto pertenecen a Tamara Martínez Sánchez.

"The Wings of Time" is an original song by Enrique Costes. It is a song from the album “The Fallen One”. It is Singer-Songwriter / Folk.

"The Fallen One" is an original song by Enrique Costes. It is a song from the album “The Fallen One”. It is Singer-Songwriter / Folk.

"Atlas (The Gravity I Choose)" is an original song by Enrique Costes. It is a song from the album “The Fallen One”. It is Singer-Songwriter / Folk.

"Blues of the Eternal Return" is an original song by Enrique Costes. It is a song from the album “The Fallen One”. It is Singer-Songwriter / Folk.

"The Man with a Thousand Faces" is an original song by Enrique Costes. It is a song from the album “The Fallen One”. It is Singer-Songwriter / Folk.

"We Are the Generation" is an original song by Enrique Costes. It is a song from the album "The Fallen One". It is Singer-Songwriter / Folk.

Titel des Werks: Bauernhof – Kinderlieder & Abenteuer vom Biohof Urheber: Mathias Lohn (Künstlername: Hamburger84 / Hamburger84Kids) Art des Werks: Illustratives Grafikdesign / Cover-Artwork Detaillierte Werkbeschreibung: Offizielles Cover-Artwork für die Musikproduktion „Bauernhof“, eine Sammlung von Kinderliedern des Projekts Hamburger84Kids. Visuelle Merkmale: Eine detailreiche, farbenfrohe Illustration im ländlichen Stil. Das Bild zeigt eine Gruppe von Kindern, die an einem Holztisch im Freien gemeinsam eine Mahlzeit einnehmen. Umgeben sind sie von einer idyllischen Bauernhof-Szenerie mit Kühen, Schafen, Hühnern, einem Hund und einer Ziege. Im Hintergrund ist ein traditionelles Bauernhaus („Biohof“) sowie eine weite Hügellandschaft zu sehen. Der Schriftzug „BAUERNHOF“ ist zentral in warmen Naturtönen platziert. Rechtliche Erklärung: Ich, Mathias Lohn, bestätige hiermit, dass ich der alleinige Inhaber der Urheber- und Nutzungsrechte an dieser Illustration bin. Das Werk dient als visuelle Identität für die Kindersparte von Hamburger84. Jede unbefugte Nutzung durch Dritte ist untersagt.

Titel des Werks: Sommer, Sonne, Badespaß! – Kinderlieder & Mitmach-Hits Urheber: Mathias Lohn (Künstlername: Hamburger84) Art des Werks: Illustratives Grafikdesign / Cover-Artwork Detaillierte Werkbeschreibung: Offizielles Cover-Artwork für die Musikproduktion „Sommer, Sonne, Badespaß!“, eine Sammlung von Kinderliedern und Mitmach-Hits des Projekts Hamburger84Kids. Visuelle Merkmale: Eine farbenfrohe, comicartige Unterwasser- und Strandszene. Im Zentrum schwimmt ein lachendes Mädchen mit Schnorchelmaske in kristallklarem Wasser. Um sie herum sind bunte Fische und Korallen zu sehen. Im Hintergrund erkennt man einen Badestrand mit Palmen, einer Wasserrutsche und spielenden Kindern unter einer strahlenden Sonne. Die Typografie ist in verspielten, bunten Lettern gehalten und unterstützt den fröhlichen Charakter der Kindermusik. Rechtliche Erklärung: Ich, Mathias Lohn, bestätige hiermit, dass ich der alleinige Inhaber der Urheber- und Nutzungsrechte an dieser Illustration bin. Das Werk dient als visuelle Identität für die Kindersparte von Hamburger84. Jede unbefugte Nutzung durch Dritte ist untersagt.

The Ori-Pad (or OriPad) is a portable and foldable landing strip/pad specifically made for RC Quadcopter (i.e. recreational and professional drones or UAV’s “unmanned aerial vehicles.”) It is inspired by the art of Origami which allows it fold and unfold intricately into a landing pad. The pad’s design can be squared or in other symmetrical shapes and designs that make it compatible with different sized RC Quadcopters, RC Drones and RC Helicopters when it’s unfolded of folded depending on the foldable design of the origami shape and function, making it easy to travel with and super convenient when it comes to deploying it. It can be geared towards the average consumer, or towards the professional sector alike. The Ori-Pad can be customized to the users liking in terms of color design, logo and graphics.

Acompáñanos en el Encuentro Literario de Halloween: Terror, Memoria y Palabras, una conversación fascinante sobre literatura de terror, misterio, leyendas, objetos encantados, memoria cultural y el poder de las historias que habitan en la oscuridad.

Finalizando octubre y con Halloween  a la vuelta de la esquina, esta semana participaré en cuatro eventos con mis libros de terror, El Rostro en el Laúd     (Lacuhe Ediciones) y El décimo paciente y otras historias de terror     (Ediciones Pangea). ¿Qué misterios ocultan un antiguo laúd maldito o un sombrero del siglo XIX habitado por un oscuro espíritu?

An Axiomatically Independent, Zeta-Free Construction of the Canonical Determinant D ≡ Ξ This document presents a final conditional version of a complete, fully self-contained proof of the Riemann Hypothesis (RH), derived from an axiomatic adelic framework independent of both the Riemann zeta function 𝜁 ( 𝑠 ) ζ(s) and its Euler product. The approach constructs an entire function 𝐷 ( 𝑠 ) D(s) of order ≤ 1 via S-finite adelic smoothing, trace-class Fredholm operators, and Paley–Wiener determining classes. The primitive orbit lengths ℓ 𝑣 = log ⁡ 𝑞 𝑣 ℓ v ​ =logq v ​ emerge as the only consistent solution under global scale-flow and spectral axioms, without local arithmetic assumptions. The canonical determinant 𝐷 ( 𝑠 ) D(s) satisfies the functional equation 𝐷 ( 1 − 𝑠 ) = 𝐷 ( 𝑠 ) D(1−s)=D(s), has Hadamard factorization with zero divisor matching that of Ξ ( 𝑠 ) Ξ(s), and admits a normalized holomorphic ratio determinant such that lim ⁡ ℜ 𝑠 → ∞ log ⁡ 𝐷 ( 𝑠 ) = 0 lim ℜs→∞ ​ logD(s)=0. The identification 𝐷 ≡ Ξ D≡Ξ is established analytically, and numerically validated to error ≤ 1e−6 across multiple test functions. This work introduces a novel, falsifiable, and geometrically grounded adelic model of zeta-function behavior using only trace-class analysis and operator-theoretic methods. It opens a new pathway toward RH resolution and deepens the spectral understanding of primes in the global field context. Status: This is a final conditional version offered with full transparency and mathematical rigor, submitted for expert review and open verification by the mathematical community. Keywords: Riemann Hypothesis · Adelic Analysis · Trace Formula · Scale Flow · Fredholm Determinants · Spectral Theory · Entire Functions · Zeta-Free Proof · Paley–Wiener Class · Canonical Determinant · Number Theory · Operator Theory Author: José Manuel Mota Burruezo (JMMB Ψ) Institution: Instituto Conciencia Cuántica (ICQ) License: CC-BY 4.0 or Safe Creative + DOI Link to code/notebook: https://github.com/motanova84/-jmmotaburr-riemann-adelic Commit hash (for reproducibility): abc123 Subject Classifications: MSC: 11M26 (Riemann zeta and L-functions), 46L52 (Noncommutative geometry), 47B10 (Operators belonging to operator ideals), 58J52 (Determinants and zeta functions)

Música Rock compuesta por Juan A. Jiménez López para el grupo musical virtual "The Greys Family".

I visited Lothlorien for the first time when I was fourteen. A part of my heart stayed there and never left. Lost back then, now found. There is a scene in The Lord of The Rings that is full of beautiful symbolism. In Lothlorien, Frodo, who is already feeling the heavy burden of The Ring, offers it to Galadriel. A part of her has always desired It. ‘And now at last it comes. You will give me the Ring freely! In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beauti

To me, nothing symbolises the ephemeral life like music. We can frame light and colour in a photograph, in a painting, but we cannot retain a melody. Music comes to us, touches our soul and leaves. Like those subtle notes in Beethoven’s fifth piano concert. They come, float casually in the air and leave. Like the Forest Spirit in Mononoke Hime. Flowers grow with each of its steps, and, as soon as it lifts its hoof, they wither and die. Life comes and goes in an endless cycle as it walks through