videojuego logo game concept art diseño de personaje character design juegos merchandising

Concept art / Diseño de personaje, Diseño gráfico y logotipo para el libro, la serie de animación y el videojuego BABYPEZ, LADYPEZ y todo el merchandising derivado. Creado por AMAYA USCOLA/AMAYETTA El personaje tiene dos partes, un cuerpo y una cabeza. La cabeza SIEMPRE es una pecera. Dentro de la cabeza puede haber todo tipo o especies de peces. Los peces o lo que contiene la pecera cambia en función de las situaciones, emociones, o ideas. El cuerpo puede ser: Un cuerpo humano con cola de pecera, en su versión infantil o adulta. Cuando es un cuerpo infantil, en el cuerpito se ve una cara, con ojos y sonrisa. Un cuerpo animal con cabeza de pecera. Cuerpos inventados con cabeza de pecera. Cuerpos de objetos con cabezas de pecera. Cuerpos de plantas con cabezas de pecera. Cuerpos de cualquier representación fiugurativa con cabeza de pecera. Todos los diseños se irán aplicando a libros, obras artísticas, merchandising, diseño gráfico etc.

AI-generated digital cover artwork for the song “Don’t Mess with Me” by RoboBlues. The image was created from a human-directed concept by Aksel Ilmaz Faik. Human contribution includes the original visual concept, creative direction, prompt instructions, selection, curation, and final approval of the artwork for use with the RoboBlues music project. This registration is intended to timestamp and document this specific final image file and its connection to the “Don’t Mess with Me” release. The AI-generated visual elements are acknowledged as AI-generated.

Original dramatic script and theatrical concept for a cinematic stage production combining narrative storytelling, character-driven conflict, and immersive visual design.

Una crítica irónica y elegante sobre la construcción de identidad a través del consumo, el lujo y la marca personal. “Branding” explora cómo el deseo de pertenencia y validación transforma al individuo en producto, mezclando moda, poder, exclusividad y vacío existencial dentro de una estética sonora sofisticada y urbana propia de SYOKA.

Project Description & Creative Statement: Rust & Miles 1. Executive Summary Rust & Miles is a comprehensive transmedia narrative and musical project set within an original, fictional 'Pulp Noir' universe. This registration covers the 'Visual & Narrative Bible' of the project, which includes: Original Character Design: Intellectual property regarding the identity, backstory and visual representation of protagonists. Visual Assets: Atmospheric concept art and specific aesthetic frameworks. Literary Work: Complete lyrics and narrative scripts for all thematic albums. 2. Aesthetic & Narrative Scope The work explores themes of redemption, solitude and the 'Americana' aesthetic. The visual identity is defined by a strictly curated Folk-Noir style, characterized by a sepia/ochre color palette and traditional ink cross-hatching techniques. 3. Statement of Human Authorship & AI Integration This work is the result of a substantial human creative process. Artificial Intelligence has been utilized strictly as a technical execution tool under my direct and continuous artistic supervision. As the sole author and director, I have maintained absolute control over the following elements: Conceptualization & Scriptwriting: Original creation of the overarching storyline, character arcs, and the 'Rust & Miles' fictional world. Artistic Direction: Explicit definition of the visual language, including the "Pulp Noir" stylistic constraints and technical visual parameters. Curation & Editorial Oversight: Systematic selection, refinement, and assembly of all visual and sonic outputs to ensure narrative and aesthetic cohesion. Multimedia Composition: Deliberate structuring of temporal sequences, pacing, and the synthesis between musical compositions and imagery. Authorship resides in the conception, strategic direction, and final editorial synthesis of the work. AI serves as a subordinate instrument to the author’s creative will. 4. Legal Disclaimer This is a work of fiction. Names, characters, places, and incidents are products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. Geographical locations are utilized for their aesthetic and narrative value; their inclusion implies no intent of offense, malice, or value judgment.

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks

Sensorial Atelier Artworks