INSTRUMENTAL SOUNDTRACKS FOR FILM, VIDEOGAME OR PUB

INSTRUMENTAL SOUNDTRACKS FOR FILM, VIDEOGAME OR PUB

INSTRUMENTAL SOUNDTRACKS FOR FILM, VIDEOGAME OR PUB

INSTRUMENTAL SOUNDTRACKS FOR FILM, VIDEOGAME OR PUB

INSTRUMENTAL SOUNDTRACKS FOR FILM, VIDEOGAME OR PUB

INSTRUMENTAL SOUNDTRACKS FOR FILM, VIDEOGAME OR PUB

INSTRUMENTAL SOUNDTRACKS FOR FILM, VIDEOGAME OR PUB

INSTRUMENTAL SOUNDTRACKS FOR FILM, VIDEOGAME OR PUB

INSTRUMENTAL SOUNDTRACKS FOR FILM, VIDEOGAME OR PUB

INSTRUMENTAL SOUNDTRACKS FOR FILM, VIDEOGAME OR PUB

Versión 7.0 de guión registrado anteriormente

Banda sonora original para el corto El Oso Blanco, del director y guionista Alex Marqués.

A young man is captured and imprisoned in a room where there is a red button. He is requested to push it if he wants to come back home, but what if he decides not to do it? A young MAN, with a bruised face, is packing some clothes fast whereas his father is shouting at him and asking for the young man ́s mother behind the door and trying to burst into the room. The young man picks up his rucksack, camera and tripod and escapes through the window. He arrives to a pedestrian crossing, pushes the button of the traffic light and waits until it turns into green. Shortly after that, he is taking a picture of himself into an empty trash bin that is knocked over on the ground. Suddenly, someone punches his head, and the young man faints. A female VOICE awakes the young man. He is lying on a bed with his hands and legs cuffed. He struggles to free himself and get out of there, but there is no way out. The room is minimalist, only stands out a red button. The voice and a middle-aged WOMAN, who comes into the room every now and again, try to convince him to push the button in order to get back home. But the young man wants to know why he should do it. The middle-aged woman is surprised by his reaction, because the people that are kept in that place, always push the button without any question. Neither the middle-aged woman, nor the sensual female voice answer any of his questions. Some time later, the middle-aged woman walks again into the room and tries to make him understand that he is not trapped there, he only has to make the decision of pushing the button. Due to his refusal, she puts him between a rock and a hard place. She turns a TV on where his mother appears sitting on a chair with covered up eyes. The young man protests and try to catch the woman, but without success. The woman launches an ultimatum: he will have to choose between to push the button and get his freedom, but his mother will die or to not press it and her mother will be released, but he will have to be there locked up forever. The young man looks at the button and after that, his reflection in the window. The button on a traffic light turns red and then green over and over. Style and audience This psychological drama tends to provoke in the audience a sense of frustration and inconvenience in order to reflect on our society. It attempts to engage young adults and adults with questions and curiosity. The tone transmits a sense of isolation and emptiness, similar to 2001: A Space Odyssey.

Nur ́s world completely changes when she finds out about her sister ́s disease. Her job, values and personality will be at stake in order to solve her internal dilemmas. NUR (30) wakes up from a nightmare. SILVIA(35), her sister, comes into the room, she is worried about Nur. They have an argument about Nur ́s way of life and Nur is fed up with her sister being always all over her. The quarrel is interrupted by a phone call. Silvia reminds Nur not to forget about her doctor ́s appointment and leaves the room upset whilst Nur starts the conversation. Then, Nur walks into her BOSS(61) office. He offers her the possibility of going to Italy to cover an important trial the next week. Nur is very excited about the idea and sets to work on the case quickly. But, everything changes when she calls her sister and receives the news of Silvia ́s illness. Nur is not able to enter her home and leaves. She goes to the movies where meets DANTE. Then, both are in a coffee shop talking about their lives, Dante tries to cheer her up, but the conversation ended in a bad way. Nur arrives home and embraces her sister. The next morning, Nur is having a quick breakfast to go to work. This fact is the cause of another argument with her sister, who wants to have Nur with her all the time. She excuses telling her that she will be with her for her first season of the treatment. Nur leaves whilst her sister is crying in the kitchen. Nur is at work talking to her workmate DARYL(27). She tells him about the trip, but now she is not sure about making it. He cannot believe and ask her if Silvia has anything to do with that change of mine. She ignores his comments and leaves. Silvia and Nur come into a bedroom. They have just arrived from the hospital and Silvia does not feel well. Silvia starts to talk about their dead parents, but Nur changes discourse. She tries to tell Silvia about the trip but she does not dare. Silvia apologizes about what happened last day, but Nur is everything to her. During the night, Nur is crying in her bedroom. The next day Nur informs her boss about her decision of not going to cover the trial and her necessity of a section change in the newspaper. The boss accepts it with the condition that it will be a temporal change. Nur arrives home, the lights are turned on, but at the end she does not enter. She is buying a ticket when Dante shows up and ask her if he can join her. She accepts and both go into the entrance to watch a popcorn movie. Style and Audience The target audience are adult women who love dramas and want to explore more about the mind and feelings of women. The tone is similar to the film Stepmom.

Banda Sonora para el trailer del Cortometraje "El Oso Blanco" de Alex Marqués