Public date: 2004-01-01 - Manu Cornet: Composer (Main)

From the Jeff Wyatt album: REFLECTIONS AT EVERY CORNER.

Una versión rockera e instrumental del canto popular de los mineros a su patrona.

©2016 Michael B. Reilly and Jeff Norbert Wyatt [SOCAN] Lyrics: Michael Reilly, Music: Jeff Wyatt <><><><><><><><><><> Canadian west coast comedy scriptwriter and lyricist Michael B. Reilly of "Canamera Entertainment Group Ltd." (radiocomedyshows.com) has produced and released another gem to add to his growing repertoire of radio ready audio drama productions. This time it’s a parody entitled "Bar Trek 2"; a space tale complete with a host of colourful characters loosely based on the popular, classic 1960’s TV series "Star Trek". This Reilly/Wyatt co-write is part of the 11 track "Bar Trek 2" musical soundtrack "Between Heaven and Earth".

From the Jeff Wyatt album: Wanted (Soundtrack to Mike Reilly's "Tumbleweed") (writers and rights holders: Jeff Wyatt and Mike Reilly) Mike wrote the lyrics, Jeff the music. Here’s the sad story of a broken hearted cowboy who, after spending what he thought was a meaningful, romantic night in a room upstairs at the Tumbleweed Hotel, awakes to find himself all alone. His mind is filled with a thousand questions as to why this beauty left him in the dark of the night. It’s the Tumbleweed script that actually provides the answer to this question. We won’t spoil it for you here, but it may involve the Mexican bandito from track 11. Canadian west coast comedy scriptwriter MIKE REILLY of Canamera Entertainment (Radio Comedy Shows) has created another gem to add to his growing repertoire of radio ready audio drama productions. This time it’s built on a cowboy western theme, entitled TUMBLEWEED; a fictional Wild West frontier town complete with colorful period characters. Every movie or audio drama deserves a corresponding musical soundtrack. With this in mind, Mike hired Jeff to create suitable music for this fun Wild West production and "Wanted (Soundtrack to Mike Reilly’s “Tumbleweed”)" was thus conceived.

Massimo Bognetti: acoustic guitar

From the Jeff Wyatt album: THE BULLFROG SESSION. This recording consists of an acoustic guitar with accompanying vocal.

'MAX AND THE SQUIRREL' is the story of a beloved dog who especially loved chasing squirrels. The story is "told" as a guitar instrumental with percussion and upright bass accompaniment. To add to the fun of the upbeat music, Max's bark is interspersed within the tune. Max has the final say at the conclusion of the track. The overall musical style is a mix of finger-style jazz guitar, classical guitar with World Fusion rhythms.

From the Jeff Wyatt album: PEOPLE DO BLUES

Para todos los intrumentos. Estudios sobre diversas escalas basados en secuencias

Para todos los intrumentos. Estudios sobre diversas escalas basados en secuencias

Desde una perspectiva del lenguaje jazzístico, se presenta una serie de ejercicios para dominar en la guitarra las principales escalas y arpegios tríadas y cuatríadas usando todo el diapasón en movimiento longitudinal en tres octavas.

Es el primer cuaderno de la serie "Los Apuntes de Contreras", donde se plasma el material de clase de "Guitarra de Jazz" tal como el autor la imparte en el Conservatorio Superior de Sevilla. En este volumen se presentan multitud de ejercicios para dominar las tríadas y cuatríadas en todas las áreas de la guitarra.

Una Guía completa de ejercicios para dominar los acordes Drop 3 y Drop 2 en guitarra. Esencial para todo guitarrista de jazz profesional.

Unir en una sola imagen pentagrama y diapasón de la guitarra. Esto es lo que se consigue mediante la "guitagrafía", un original código gráfico desarrollado por el autor de este artículo.

This is the Volume 3 of a work about jazz chords on guitar (in Spanish). In this volume I explore the possibilities of the so called "Shell Voicings" chords, meaning the chords that contains the guide tones (3th & 7th) on the bottom and one or two tensions or alterations on top. It contains a lot of exercises and examples of many voicings based on this principle.