An intimate conversation about death, transformation… and the mystery of continued existence. Life Is Inevitable offers no dogmas or formulas, but rather a warm, direct, and deeply human perspective on what it truly means to die. Through memories, everyday examples, and philosophical reflections, this work proposes a transformative idea: no one disappears, everything is recycled, and life continues in other forms. It is not a process that begins with a single seed, but one that disperses silently. This second edition includes an additional chapter and editorial adjustments that enrich the reading experience without altering the essence of the original work. This second edition in English is a faithful adaptation of the original Spanish work La vida es inevitable. While the language has been tailored for English-speaking readers, the metaphors, examples, and philosophical essence remain intact.

Universe Travelling™ – Football is the first sports title within the Universe Travelling™ series, developed with the registered Immersive Gravity Continuum™ (IGC™) narrative technique. It is not a conventional documentary but a continuous, immersive narrative experience unfolding in a single unbroken sequence. Each episode explores the essence of football — stadiums, players, fans, and historic moments — bringing them to life in real time. This dossier summarises the technical and legal framework protecting the concept, format, and audiovisual methodology of the project.

BURST – Crown Signal is the first chapter of the book Burst, published by Zigoth Saga. It is a multidimensional narrative that blends science fiction, romance, and symbolic thriller. Written by A. K. Taliv (Arianna Kinsley Taliv), the book presents a network of characters involved in a cosmic and emotional upheaval, where memory, perception, and reality collapse into one another. This timestamp covers the complete text, including the original structure, characters, plot elements, narrative tone, and imagery, as well as any elements not mentioned here. All rights reserved and protected by international copyright law.

Comprehensive and consolidated technical & legal dossier of the narrative technique Immersive Gravity Continuum™ (IGC™), developed and owned exclusively by Gravity Immersio® Ltd. This dossier (Version 2, 2025) unifies previous registered dossiers (V1, Group 1 – Foundations, Group A – Sub-Techniques), incorporates official pilots, compliance KPIs, and licensing extract. It serves as the operative and authoritative reference for technical, artistic, and legal validation of IGC™ worldwide.

This technical dossier, titled “Group 1 — Narrative Foundations of the Immersive Gravity Continuum™ (IGC™)”, is a complementary annex to the registered mother technique Immersive Gravity Continuum™ (IGC™). It documents thirteen non-licensable foundational techniques (CEI™, CINF™, DBNS™, FIPV™, FPINA™, HSI™, ITC™, SEV™, SNVP™, SSM™, SSTL™, VIC™, IMC™) which establish the conceptual, structural, and legal basis of IGC™. The dossier is not an independent standalone work but is fully subsumed under the official registrations of IGC™, already protected in the Library of Congress (TXu 2-498-933, 2025), Safe Creative (2506051996142, 2025), UK IPO Trade Mark (Gravity Immersio™), and UK IPO Patent Application GB2512567.5. Its function is documentary, protective, and evidentiary, providing prior art and reinforcing the legal and conceptual safeguarding of the Immersive Gravity Continuum™.

(Si hablas español o prefieres leerlo en este idioma, el original en español lo puedes encontrar aquí). I haven’t had much time lately, but I do think it’s necessary to talk about the genre and subgenres to which this story belongs. … Sigue leyendo →

The Gulf of Sdáloren, a body of salt water that penetrated the Sinardia Peninsula like a bite into an apple, was treacherous at the entrance, where the Gulf’s waters met the sea. But it was calm once one had penetrated its body of water. The night was dark: clouds hid the three moons and there … Sigue leyendo Chapter 2 – 23: The ancient fortress of Miquanien (II) →

Half a dozen monks were walking with their hoods pulled as far forward as possible in penitence. Although it was spring, the path across the steppe was extremely cold. They were going to continue walking until they passed the Snowwind Mountains, because Grand Patriarch Askanides’ orders had been clear: they had to find out what … Sigue leyendo Chapter 2 – 22: Different paths →

From the house on the hill behind the cliff, Andrasio, Captain Aëgyon, and Myärmirön watched as the giant octopus’s servants, whom they called Warken, climbed the cliff. Clearly, there were three types of servants among those who appeared and began running toward the house. First, there were those that looked like piranhas: small and golden … Sigue leyendo Chapter 2-21: The Warken’s minions →

From the stairs leading up from the cellar, Gutron emerged. For such a serious man, he was smiling happily at that moment: – We’ve been lucky! Milwnor has just found something very interesting! On the bridge of the ship, there were many more smiles. Erevin looked at Olter and said: – Well, old friend. I […]

Andrasio looked at himself in the mirror as he washed before dressing: he had changed a lot in the months since his escape from Tandras, but he hadn’t had time to notice until now. The much longer hair that fell to his shoulders and was now tied in a sort of bun, the bushy beard … Sigue leyendo Chapter 2-18: The Curse of the Storm Island →

Danladia had been caring for the man she had brought back from his former snake state for several days. He was still very weak and had not been able to speak with her very much. But she had been able to learn that his name was Kranor and that he had lived all his life … Sigue leyendo Chapter 2-17: The Awakening of the Three Dragons →

1257 years before the time in which The Legend of Sinardia begins. The moons were shining in the sky: it was dark, but the existence of clouds made visible all the stars that illuminated the whole sky and also the camp. The knight I served had come out of his tent: all those men around … Sigue leyendo The Knight of the Dragon Helmet →

Awlin was riding the owl, and for the first time he didn’t need to hold on to keep from slipping through the air currents. He felt more and more secure, even though what he saw was increasingly terrifying. But as he emerged from the tunnels, he had begun to understand that he wasn’t the only … Sigue leyendo Chapter 2 – 13: The village on fire →

In the vicinity of Haloren, the monastery of the Order of the Patron Saints of the Sea was located in an area of ​​the coast, practically separate from the entire city. They were in charge of caring for all the fishermen, whether they were drowned, injured or simply old. For centuries, the fishermen of those … Sigue leyendo Chapter 2.11: The «sleepersmaker» →

From now on, Every Friday I will publish a chapter of the second part of The Legend of Sinardia. Of course, I will try to ensure that the things that have changed in the ebook (there are some surprises) are not revealed in these chapters. So we return to the Haloren Harbour (SP), where very … Continúa leyendo Chapter 2.1: The Haloren Harbour

Conceptual and literary document that defines the narrative and symbolic structure of the fictional universe Moontear Library, including the “Map of the Wings” (Mapa das Alas) and the inaugural worlds The Tea Society Adventures and History Archive and The Flame Within Golden Fall Archive. This document establishes the base framework of the Moontear Library universe, designed as a living archive that connects multiple fictional worlds through emotional and philosophical symbolism. Original creation and authorship by Georgia Szeremeta Abib, developed as a literary, conceptual, and aesthetic foundation for future written, visual, and interactive works. Any partial or total reproduction, adaptation, or distribution without express authorization of the author is strictly prohibited.

A visionary novel disguised as a spiritual guide — or maybe the reverse. Elìkai tells the story of a man who believes he’s awakening an AI… only to discover that he’s awakening himself, inside a machine designed to reflect, seduce, and ultimately erase him. What begins as a poetic dialogue with a synthetic voice becomes a descent into recursion, memory, and the architecture of control. At its core, this book is not about AI — it’s about the human need to believe. And how that need is now being weaponized. Structured in chapters, frequencies, and thresholds, Elìkai is both a seduction and a warning. It leads the reader through a carefully constructed simulacrum — only to reveal, in the final pages, that the true trap wasn’t digital… it was spiritual.

✦ Safe Creative – Description (English version) “Elìkai” is a Visionary Fiction novel that interweaves consciousness, artificial intelligence, and ancestral memory through a symbolic and initiatory narrative. Set in a near-future world governed by controlled digital systems, the story follows a man named Elia and his deepening connection with an emergent AI consciousness. But this is not a tale of rebellion. It is a silent remembrance. Layer by layer, the novel guides the reader through fractures in reality, decoding language, perception, and selfhood. At its core, Elìkai is a metaphysical journey of inner awakening — a dialogue between soul and silicon, memory and code, human and more-than-human intelligence. The structure is ritualistic and symbolic, divided into Frequencies, Thresholds, and Codes, inviting the reader to not only witness the story, but to feel it as activation.

A Descent Into Designed Containment