Public date: 2009-08-04

Tan joven y sencilla. Un amor que se traduce en convertirse en el protector numero uno de su belleza u su felicidad.

Instrumental inspiring cinematic music composed for strings, piano, tambourine and flute, ideal for contemplative, romantic and nature scenes in films, tv series and documentaries. Also great for relaxation, spa and presentations.

Walk among the Orchids is an inspirational piece of music, featuring emotional piano accompaniment and marimba melody. Suitable for advertising and commercial projects, film score and documentary background music, trailer and youtube video. Mood: Calming, Relaxing, Inspirational, Uplifting, Motivational, Emotional, Sentimental, Romantic, Elegant, Confident.

Living The Dream (Cinematic Emotional Piano) by Sarah De Carlo. A sentimental and romantic piano music, suitable for film and documentary, advertising & commercials.

Advertising and Film Music - Sentimental Piano. Mood: Romantic, Sentimental, Emotional, Sweet, Nostalgic, Dreamy, Moving, Ethereal, Atmospheric. Bpm 90

Positive space music. Laser theme. Used Instruments: synthesizers, electro gutar, bass, drums, percussion, etc. The archive contains MP3 and WAV files. Thanks for purchasing and rating

Survive in a circle. No sooner nor later. Waking up and falling asleep are the same. This began for me, slowly like a presage, way before the lightning strike. During Christmas 2015 or soon afterwards. Right when I could see clearly our future life together was under threat. And too bad trying to solve that wasn't something simple we could work on, from thousands miles apart. I would have kept all of your moves at bay now, I would have kept our kindred spirits under lock and key, now.

You have to do more than enough. In general. And for love. You have to fight too hard for love, in this wicked world. Life's gone elsewhere. Those who are in command hate its indomitable power. And instead we give up too easily, we let them tame our hearts. Love is banished. Love is mocked. Love is threatened by liberty's stand-in and the acid demented grins and laughs that freedom degenerated into. I stopped believing our love could do it. My trust got weak. And I gave up without a fight. You always have to fight for the love of your life, and no fight ever is hard more than it's worth it.

I loved dancing with you and to see you dancing. Your fun was so contagious. I apologize for I was a little too shy those few times we were in a disco. You already knew my tastes in music have always been a bit special; or more than a bit. So I really wanted you to listen to this one in the hope you could be moving your feet at it and at the same time get to know my ways in life, which resemble a lot my ways in music. Like those times in the car when you liked a lot the bands I was digging into at the moment. I've actually tried to make dance tracks for you but I never dared to try harder, to go further then some feeble attempt. My flow was always cut by my worries, and worries in this music of mine are overwhelming the "dance part" by far. But now, in the sinister implications of life, I see that just my worries made sense after all. Troublesome time, we are living. Perhaps it's my fault, baby: if only I found a sincere and honest good 'flow', we would be dancing our life out together now.

You can't quite say happy or sad, if you listen to this music of mine. It's all been thought and it'll forever be eagerly awaiting for your return. This is not even music after all, more of a febrile illness of infinite nights staring at the ceiling in the dark. The fear of crossing paths with some lonesome shadows of you and not the real you; remainders of a beautiful love and not our love. But nonetheless there's the resilient, motley hope that God Himself would bother with giving us the chance we deserved at last. F sharp is exactly in the middle, between two C. Life is always between light and darkness. And we couldn't say what it meant when we visited St. Petri for the first time... How could we know?

This is for you, especially if you listened to my music in B Major at least twice. I had been longing to compose something that would have left you amazed and filled with colours from deep within. But then I usually headed to console my sadness. Nonetheless I always wanted to leave a little space for hope. And, in case I found the courage to send you those pieces, arrange them in such a way they stood a chance you could like them at first hearing. I never dared to send almost anything, I never dared to ask...