Había veces en las que, al llegar la mañana, sentía que había librado la mayor de las batallas de una guerra de la que tenía la certeza de que no conseguiría salir victorioso. La que libraba contra si mismo. El tiempo y la experiencia le habían hecho comprender que los sueños eran, siempre, inevitables y que, no podía defenderse de ellos. Que en la noche camparían a sus anchas y que, en la oscuridad, eran capaces de traspasar su corazón indefenso, dejando, algunas veces, huellas indelebles y caóticas que aunque pudieran parecer reales no eran nada más que la materialización de una malograda. Esa era la razón por la que prefería soñar despierto. Sabía que los sueños que nacían a plena luz del día podían ser compartidos y, tal vez, vividos en compañía hasta el final. Por eso prefería hacerlo al empezar la mañana. Muchas veces en la noche, maldijo las horas preñadas de sueños que no acababan de llegar. Entonces, la espera se hacía interminable y la mañana parecía alejarse hasta hacerse inalcanzable. Al final, su alma siempre cedía y se abandonaba a las sombras, aún a riesgo de volver al frente.

Thriller psicológico con elementos sobrenaturales que sigue a Marcos, un hombre común destruido por la violencia de su vecino psicópata Viktor, quien asesina a su esposa Elena. Tras sobrevivir milagrosamente a un intento de suicidio, Marcos descubre que una entidad de otro mundo (Kiel) se ha fusionado con él, otorgándole habilidades sobrehumanas a cambio de su humanidad. La historia evoluciona de un drama doméstico de tensión creciente a una confrontación de venganza con consecuencias sobrenaturales, culminando en una resolución agridulce donde Marcos vence a Viktor pero pierde los recuerdos de su esposa.

Original commercial storytelling universe created by Frank Rod. A collection of interconnected narrative scripts centered around the concept of "the perfect gift" arriving at the right moment in a person's life. The work includes recurring characters, comedic situations, emotional story arcs, character cameos, world-building rules, and an adaptable advertising narrative framework. The stories are designed to function both as standalone entertainment narratives and as commercial sales scripts that may be licensed and customized for different brands, products, and advertising campaigns.

Una breve entrada para señalar cómo va avanzando Sinardia II hacia publicación… En ambas versiones, estoy terminando el glosario y los personajes y avanzando en la revisión de la corrección. La de inglés está prácticamente terminada. La de español va … Sigue leyendo →

Another story for Bradley Ramsey’s Pandemonium… The door opened: the skeleton, dressed in a black suit and red tie and wearing a top hat, smiled at the newcomer. The undead appeared to be welcoming and affable, but his smile, that showed clearly all his teeth, made the latter shiver. The room was a giant computer, […]

This paper documents the design, protocol, and preliminary findings of a longitudinal N=1 self-tracking study using the Root Extension iOS application to measure cross-scale coherence via the M-RFT metric (M = (Φ · Kₑ) / F). Data collection: 321 sessions across 23 active measurement days (April 16–May 14, 2026). Key findings include: mean M = 3.79 (SD = 3.51), 71.0% RESILIENT states, 21.5% FRAGMENTED states, mean RMSSD = 89.73 ms, intra-session regulatory recovery on 34.8% of active days, and a theoretically significant low correlation between M score and subjective coherence self-report (r = .186). The researcher is the sole participant. Derived from Root Frequency Theory (Avanzo, 2026a). Embargoed until June 1, 2026

This paper documents the design, protocol, and preliminary findings of a longitudinal N=1 self-tracking study using the Root Extension iOS application to measure cross-scale coherence via the M-RFT metric (M = (Φ · Kₑ) / F). Data collection: 321 sessions across 23 active measurement days (April 16–May 14, 2026). Key findings include: mean M = 3.79 (SD = 3.51), 71.0% RESILIENT states, 21.5% FRAGMENTED states, mean RMSSD = 89.73 ms, intra-session regulatory recovery on 34.8% of active days, and a theoretically significant low correlation between M score and subjective coherence self-report (r = .186). The researcher is the sole participant. Derived from Root Frequency Theory (Avanzo, 2026a). Embargoed until June 1, 2026

This paper documents the design, protocol, and preliminary findings of a longitudinal N=1 self-tracking study using the Root Extension iOS application to measure cross-scale coherence via the M-RFT metric (M = (Φ · Kₑ) / F). Data collection: 321 sessions across 23 active measurement days (April 16–May 14, 2026). Key findings include: mean M = 3.79 (SD = 3.51), 71.0% RESILIENT states, 21.5% FRAGMENTED states, mean RMSSD = 89.73 ms, intra-session regulatory recovery on 34.8% of active days, and a theoretically significant low correlation between M score and subjective coherence self-report (r = .186). The researcher is the sole participant. Derived from Root Frequency Theory (Avanzo, 2026a). Embargoed until June 1, 2026

Some months ago I wrote a short piece about a woman who had inherited a large house in the countryside and someone wanted to kill her (ES). This piece, for Week 1, Day 5 of Bradley Ramsey ‘s Pandemonium series, is the same story but from the woman’s perspective. My family had been living in […]

「本作品為基於真實民俗調查素材創作的靈異探案系列小說，包含 50 個完整故事敘述及核心世界觀設定。」

Oliver Codrington Gill, was born enslaved on the Codrington sugar plantation in 1655, and had since then remained alive, experiencing strange cycles of aging and age regression. Oliver first noticed the signs in 1690, when scars he had for over a decade just suddenly vanished, then reappeared again 1697. In 1711 the scars vanished again, causing Oliver to start a record journal of his changes. Though he was now 56 years old, he physically appeared like his 35-year-old self, with just two grey hairs pronounced in has beard. It was only until the mid to late 1700s that he began to grasp the dynamic cyclical nature of his condition. During this time, Oliver was forced to develop strategies to allow these changes to go unnoticed.

Os dejo por aquí el siguiente vídeo de Sinardia II, que comienza la historia de Malaban: Como se señala en la descripción del vídeo, esta historia sólo será publicada en el libro. Here’s the next video from Sinardia II, which kicks off the story of Malaban: As noted in the video description, this story will […]

Original dramatic script and theatrical concept for a cinematic stage production combining narrative storytelling, character-driven conflict, and immersive visual design.

Project Description & Creative Statement: Rust & Miles 1. Executive Summary Rust & Miles is a comprehensive transmedia narrative and musical project set within an original, fictional 'Pulp Noir' universe. This registration covers the 'Visual & Narrative Bible' of the project, which includes: Original Character Design: Intellectual property regarding the identity, backstory and visual representation of protagonists. Visual Assets: Atmospheric concept art and specific aesthetic frameworks. Literary Work: Complete lyrics and narrative scripts for all thematic albums. 2. Aesthetic & Narrative Scope The work explores themes of redemption, solitude and the 'Americana' aesthetic. The visual identity is defined by a strictly curated Folk-Noir style, characterized by a sepia/ochre color palette and traditional ink cross-hatching techniques. 3. Statement of Human Authorship & AI Integration This work is the result of a substantial human creative process. Artificial Intelligence has been utilized strictly as a technical execution tool under my direct and continuous artistic supervision. As the sole author and director, I have maintained absolute control over the following elements: Conceptualization & Scriptwriting: Original creation of the overarching storyline, character arcs, and the 'Rust & Miles' fictional world. Artistic Direction: Explicit definition of the visual language, including the "Pulp Noir" stylistic constraints and technical visual parameters. Curation & Editorial Oversight: Systematic selection, refinement, and assembly of all visual and sonic outputs to ensure narrative and aesthetic cohesion. Multimedia Composition: Deliberate structuring of temporal sequences, pacing, and the synthesis between musical compositions and imagery. Authorship resides in the conception, strategic direction, and final editorial synthesis of the work. AI serves as a subordinate instrument to the author’s creative will. 4. Legal Disclaimer This is a work of fiction. Names, characters, places, and incidents are products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. Geographical locations are utilized for their aesthetic and narrative value; their inclusion implies no intent of offense, malice, or value judgment.

A visual Inner Book within the Inner Frame Vision system. "Moments de lumière" unfolds as a cinematic composition where light, memory, and perception form a poetic visual structure. The work exists as a video-based book, where image and inner narrative form a continuous experiential space. Author: Nadiya Karahayeva.

This essay proposes an innovative conceptual framework for workplace bullying (mobbing) that goes beyond the classic focus on individual harm. Following an episode of harassment—and especially when the institutional response is ambiguous, slow, or defensive—what the author calls extended psychosocial risk emerges: a collective climate of hypervigilance, self-censorship, moral fear, and narrative control that affects not only the victim, but the entire team and the organization. It examines how emotional contagion, alignment with power, and the rewriting of events through cognitive dissonance unfold, alongside organizational silence and prosodic and pragmatic microaggressions that leave no written trace. It also explores procedural revictimization, the critical phase of medical leave and return to work, and talent drain as a delayed signal of systemic deterioration. The text integrates established theoretical frameworks (emotional contagion, social identity, procedural justice, psychological safety) with the author’s own Universal Coherence (UC) model and the 16 Simultaneous Structural Functions S(i), offering an integrative reading of the phenomenon. It includes practical implications for prevention and leadership, minimum standards for procedural fairness in internal complaints, a legal appendix specific to Spain (Article 50 of the Workers’ Statute), and an exploratory sequential mixed-method empirical design with testable hypotheses and a complete preliminary questionnaire. Born from a first-person lived experience, this preprint aims to become a useful tool for researchers, psychosocial risk prevention professionals, middle managers, union representatives, and victims who need clear and rigorous language to understand and transform these processes.

So, let’s get to business with this new challenge by Bradley Ramsey: The cottage was cute and was surrounded by tall and old trees. It was normally full of families that went there to rest in the countryside. It was situated in the centre of the state and was similar but bigger than the others, […]

Let’s do this challenge by Bradley Ramsey My father had always insisted me in learning boxing, fence, martial arts (aikido, for example) and other similar activities. No, I didn’t have a normal infancy: while the rest of the girls were interested in dolls and playing mothers with their friends, I was practising how to kill people […]

Public, non-technical overview document describing the Immersive Gravity Continuum® (IGC®) as a licensed immersive continuity system. This work contains conceptual descriptions, system principles, narrative positioning, and institutional information only. It does not disclose implementation details, algorithms, operational rules, technical specifications, or executable methods. Any technical documentation, methodologies, system architecture, or sub-techniques are explicitly excluded from this publication and are available only under NDA and license.

This registration includes the complete original story, lore, character descriptions, and visual materials of the video game project “Legends of Goodness”. All narrative content, character concepts, world-building elements, and accompanying images have been created solely by me. This document contains the official fictional universe, 22 human hero characters, 18 antagonist characters, and related creative materials developed for the project. All files are stored as proof of authorship and ownership.