Dossier sobre la estructura del guion y la sinopsis de la serie La cima y el abismo, basada en la biografía ¨La materia de mis edades¨ de Ramón García del Pomar.

David ha pasado una mala noche. Un ladrón entró a su casa con fatales consecuencias. Mientras aguarda la decisión de la justicia, Rocío, una compañera de trabajo se interesa en él. Al mismo tiempo, familiares del ladrón lo buscan.

Broken #shotonsonyalpha #colors #smoke #blackandwhite #noir #glass #bloken safecreative #red #boy #weekend

Es una noche oscura y lluviosa; un reflejo de mi alma. No sé cuántas botellas de vino he terminado. Las colillas rebosan el cenicero y mi cuarto está envuelto en una neblina de humo y olor a tabaco. El sonido de la lluvia ensordece todos los demás. Las calles están llenas de charcos que reflejan los brillos y las luces de neón de los clubs. Luces que hacen las sombras más negras y resaltan los colores grises mortecinos de la calle. ¿Sabes ese momento de la ebriedad en que de repente reaparec

Project Description & Creative Statement: Rust & Miles 1. Executive Summary Rust & Miles is a comprehensive transmedia narrative and musical project set within an original, fictional 'Pulp Noir' universe. This registration covers the 'Visual & Narrative Bible' of the project, which includes: Original Character Design: Intellectual property regarding the identity, backstory and visual representation of protagonists. Visual Assets: Atmospheric concept art and specific aesthetic frameworks. Literary Work: Complete lyrics and narrative scripts for all thematic albums. 2. Aesthetic & Narrative Scope The work explores themes of redemption, solitude and the 'Americana' aesthetic. The visual identity is defined by a strictly curated Folk-Noir style, characterized by a sepia/ochre color palette and traditional ink cross-hatching techniques. 3. Statement of Human Authorship & AI Integration This work is the result of a substantial human creative process. Artificial Intelligence has been utilized strictly as a technical execution tool under my direct and continuous artistic supervision. As the sole author and director, I have maintained absolute control over the following elements: Conceptualization & Scriptwriting: Original creation of the overarching storyline, character arcs, and the 'Rust & Miles' fictional world. Artistic Direction: Explicit definition of the visual language, including the "Pulp Noir" stylistic constraints and technical visual parameters. Curation & Editorial Oversight: Systematic selection, refinement, and assembly of all visual and sonic outputs to ensure narrative and aesthetic cohesion. Multimedia Composition: Deliberate structuring of temporal sequences, pacing, and the synthesis between musical compositions and imagery. Authorship resides in the conception, strategic direction, and final editorial synthesis of the work. AI serves as a subordinate instrument to the author’s creative will. 4. Legal Disclaimer This is a work of fiction. Names, characters, places, and incidents are products of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. Geographical locations are utilized for their aesthetic and narrative value; their inclusion implies no intent of offense, malice, or value judgment.

Slow, stomping rhythm anchors this gothic blues track, driven by sparse, gritty guitar riffs and deep, resonant percussion, Tension builds with cinematic atmospherics—drones, distant bells, and echoing slide guitar, Female Russian vocals soar raw and sensual, weaving haunting spiritual tones

A dark gothic blues song unfolds with a slow, stomping drum and foot stomp, anchored by gritty, overdriven slide guitar punctuating empty spaces, Sparse bass and subtle organ pads add brooding tension, Female vocals are intimate, haunting, and raw, floating in a cinematic, desert-noir expanse

PI rescues kidnapped kid, neo mystical noir, psychic, TJ gangs, and Uncle Dave. CHAPTER 1 It was just past midnight when I finally wrapped up the Blondie case. The client was a wealthy man from Chicago whose seventeen-year-old daughter had been sent to a ritzy La Jolla rehab center — the kind with ocean views and five-star meals — after he caught her smoking weed. The state court system, in its infinite wisdom, had also routed several recently convicted criminals to the same facility. Little Blondie kind of liked the bad-boy Crips her age, and she ran off with them. The father's problem was compounded when they quickly turned her into a crack-addicted pass-around, which had never been part of his plan. Twenty-five thousand wired, twenty-five more as a finder's fee bonus, contract signed by fax. Two days of lurking in the local Crip bar. A crack dealer pointed me to the corner where she was working, with the Crips watching nearby. After a few beatings and one very expensive shrapnel incident involving a metal plate loaded with two pounds of white crack and a .45 Officer's Special, I found her late at night, scooped her up in a hail of bullets, and drove straight to my office at three in the morning. Next flight at five, her on the plane to Chicago, her father's credit card covering everything. On the way home to sleep in at my Ocean Beach house, I was thinking only about how fast I could get the bullet hole fixed on my pristine 280Z. The Z was a 1971 Datsun two-seater with fat racing tires and gull-window pop-off tops, worth forty-five thousand in 1980s money. It was Metallic dark grey, a real street race car, and every scratch it took felt personal. I had Aerosmith blasting — "Back in the Saddle" — as I pulled on my five-hundred-dollar dark grey suit jacket and a black silk Italian polo before heading downtown. The garage guys at the Chamber of Commerce Building all called out as I pulled in. "What's up, Slick." I gave them the usual.

Letra original escrita por Gabriela Banica-Salos-Klingenberg (seudónimo artístico: Gabi Noir). Canción en español sobre el descubrimiento del engaño, la pérdida de una ilusión y la recuperación de la autoestima y la libertad personal.

THE DESECRATION is an eight-episode neo-noir thriller set in a fractured, dystopian nation. When the President of Sumerica orders the exhumation of The General—a revered national figure—a series of violent deaths begins to target individuals at the center of political and economic power. As fear spreads, the killings are widely perceived as the result of a curse unleashed upon the country. JC, a private investigator, is hired to uncover the truth. But as his investigation deepens, what first appears as a sequence of isolated events begins to reveal a pattern—one that extends beyond conspiracy into something more systemic. Caught between competing forces and hunted from all sides, JC is drawn into a reality where the boundaries between truth and belief begin to collapse. As unrest escalates and the nation moves toward instability, he is forced to confront the possibility that the violence is not random—but part of a structure already in motion. As the system begins to reveal itself, control shifts from the visible to the unseen—suggesting that power does not operate through force alone, but through the shaping of perception itself. What JC is uncovering is not simply a series of events, but a mechanism—one that may not be intended to be stopped, but sustained.

Novela de ficción contemporánea ambientada en Quito, Ecuador. Una mujer que cuida a su madre con demencia descubre que la protección de su familia ocultaba un sistema de control y de mentiras. Un thriller psicológico sobre la caída moral como forma de libertad.

Tema original: Se acabó. Género: Cumbia Oscura. Incluye composición, letra y audio. Obra de Marcos Pardo Rodríguez. Todos los derechos reservados.

En el primer episodio seguimos un traslado de presos por los túneles de Ciudad Central. En uno de los furgones va Fedor, torturado y lleno de implantes; detrás, Elk, Mendax y Ramírez le pisan los talones en un coche camuflado. Con un disparo limpian la cerradura, abren la puerta en marcha y lo sacan de allí, escapando por el túnel mientras los squads les caen encima y Fedor quema su propio invento de inversión gravitatoria para quitárselos de encima. De vuelta en la guarida, Mendax borra rastros y envía un dron hasta el apartamento de Mogwai, un infiltrado que trabaja en el Centro de Control. Mogwai les enseña el mapa de la ciudad, enciende un contador de treinta días y marca un punto: Casa Hartman, periferia alta, una habitación con un solo corazón. El episodio cierra con el grupo mirando ese punto de calor en la cama de un niño marcado como X, el nombre KAI parpadeando en pantalla y la sensación clara de que su siguiente trabajo va muy por encima de un simple rescate.

En ocasiones basta con una casa, una familia y una voz que nos guíe por un terreno cada vez más resbaladizo. La canguro es exactamente eso: un  domestic noir que se construye desde dentro, desde la mente de una mujer atrapada entre sus acciones en el pasado, el miedo y una maternidad vivida al límite. Paula nos habla en primera persona. Vive prácticamente encerrada con sus hijos desde el nacimiento de su segunda hija, saliendo solo en contadas ocasiones y siempre con una vigilancia extrema. Al

Relato breve oscuro donde un mensaje de una galleta de la suerte marca la selección de una víctima por parte de un asesino. Escena cotidiana convertida en una situación de caza.

The government of Sumerica exhumes the remains of The General, a legendary warrior of the nation. Soon after, a wave of strange and violent deaths claims several high-ranking political leaders. JC, a private detective, is hired by powerful forces to investigate. Everything points to one thing—the General’s curse has been unleashed.

Memory of Ash – Volume II (The Assault on the Tower) is a dystopian techno-noir novel set in a fractured city governed by corporate power, algorithmic surveillance, and controlled scarcity. Following the events of Volume I, the story explores the consequences of resistance, the collapse of artificial control systems, and the moral cost of survival in a world where information, water, and memory are commodities. This work is part of the Elías Sombra universe, a serialized narrative focused on identity, control, and technological decay.