Cover Artwork Description (KALTSTROM) Square digital artwork (3000×3000 px) depicting a crystalline eye at the center. The iris is deep electric-blue with a vertical slit pupil; around it, a starburst of jagged crystal shards radiates outward. Background shows a dark, concrete-like texture with subtle fog and film grain. A faint cyan strobe/beam cuts diagonally from the upper-left toward the center, with a tiny ember-orange flare near the lower-right edge of the starburst. Palette: cold blues/teal/cyan over charcoal black, minimal warm accents. Symmetrical, high-contrast composition; no people. This registration covers the base artwork without typography and the published variant that may include the album title “KALTSTROM” and the CosPrax wordmark.

KALTSTROM is an eight-track electronic album by CosPrax, built as a cold current of early-90s Berlin warehouse energy. The record moves between hard, hypnotic techno and restrained Berlin-trance, with dub-techno atmospheres and concrete-room acoustics. Sound design centers on TR-909/707-style drums, mono FM/saw bass lines, muted dub-chords, gated pads, long but filtered reverbs, and subtle tape-like saturation. Short German crowd-chants appear as rhythmic texture; there is no explicit lyrical content. BPM range: 128–138. Tracklist: Betonpulse, Nebelhalle, Gleisdreieck, Halogenengel, Tiefer Druck, Kabelwerk, Nachtfahrt, Ausfahrt Ost. KALTSTROM captures the feeling of strobe, fog and steel—movement, anonymity and freedom on the dance floor—while keeping the mix deliberately dark and minimal to honor the Tresor/E-Werk era aesthetic.

KALTSTROM is an eight-track electronic album by CosPrax, built as a cold current of early-90s Berlin warehouse energy. The record moves between hard, hypnotic techno and restrained Berlin-trance, with dub-techno atmospheres and concrete-room acoustics. Sound design centers on TR-909/707-style drums, mono FM/saw bass lines, muted dub-chords, gated pads, long but filtered reverbs, and subtle tape-like saturation. Short German crowd-chants appear as rhythmic texture; there is no explicit lyrical content. BPM range: 128–138. Tracklist: Betonpulse, Nebelhalle, Gleisdreieck, Halogenengel, Tiefer Druck, Kabelwerk, Nachtfahrt, Ausfahrt Ost. KALTSTROM captures the feeling of strobe, fog and steel—movement, anonymity and freedom on the dance floor—while keeping the mix deliberately dark and minimal to honor the Tresor/E-Werk era aesthetic.

KALTSTROM is an eight-track electronic album by CosPrax, built as a cold current of early-90s Berlin warehouse energy. The record moves between hard, hypnotic techno and restrained Berlin-trance, with dub-techno atmospheres and concrete-room acoustics. Sound design centers on TR-909/707-style drums, mono FM/saw bass lines, muted dub-chords, gated pads, long but filtered reverbs, and subtle tape-like saturation. Short German crowd-chants appear as rhythmic texture; there is no explicit lyrical content. BPM range: 128–138. Tracklist: Betonpulse, Nebelhalle, Gleisdreieck, Halogenengel, Tiefer Druck, Kabelwerk, Nachtfahrt, Ausfahrt Ost. KALTSTROM captures the feeling of strobe, fog and steel—movement, anonymity and freedom on the dance floor—while keeping the mix deliberately dark and minimal to honor the Tresor/E-Werk era aesthetic.

KALTSTROM is an eight-track electronic album by CosPrax, built as a cold current of early-90s Berlin warehouse energy. The record moves between hard, hypnotic techno and restrained Berlin-trance, with dub-techno atmospheres and concrete-room acoustics. Sound design centers on TR-909/707-style drums, mono FM/saw bass lines, muted dub-chords, gated pads, long but filtered reverbs, and subtle tape-like saturation. Short German crowd-chants appear as rhythmic texture; there is no explicit lyrical content. BPM range: 128–138. Tracklist: Betonpulse, Nebelhalle, Gleisdreieck, Halogenengel, Tiefer Druck, Kabelwerk, Nachtfahrt, Ausfahrt Ost. KALTSTROM captures the feeling of strobe, fog and steel—movement, anonymity and freedom on the dance floor—while keeping the mix deliberately dark and minimal to honor the Tresor/E-Werk era aesthetic.

KALTSTROM is an eight-track electronic album by CosPrax, built as a cold current of early-90s Berlin warehouse energy. The record moves between hard, hypnotic techno and restrained Berlin-trance, with dub-techno atmospheres and concrete-room acoustics. Sound design centers on TR-909/707-style drums, mono FM/saw bass lines, muted dub-chords, gated pads, long but filtered reverbs, and subtle tape-like saturation. Short German crowd-chants appear as rhythmic texture; there is no explicit lyrical content. BPM range: 128–138. Tracklist: Betonpulse, Nebelhalle, Gleisdreieck, Halogenengel, Tiefer Druck, Kabelwerk, Nachtfahrt, Ausfahrt Ost. KALTSTROM captures the feeling of strobe, fog and steel—movement, anonymity and freedom on the dance floor—while keeping the mix deliberately dark and minimal to honor the Tresor/E-Werk era aesthetic.

KALTSTROM is an eight-track electronic album by CosPrax, built as a cold current of early-90s Berlin warehouse energy. The record moves between hard, hypnotic techno and restrained Berlin-trance, with dub-techno atmospheres and concrete-room acoustics. Sound design centers on TR-909/707-style drums, mono FM/saw bass lines, muted dub-chords, gated pads, long but filtered reverbs, and subtle tape-like saturation. Short German crowd-chants appear as rhythmic texture; there is no explicit lyrical content. BPM range: 128–138. Tracklist: Betonpulse, Nebelhalle, Gleisdreieck, Halogenengel, Tiefer Druck, Kabelwerk, Nachtfahrt, Ausfahrt Ost. KALTSTROM captures the feeling of strobe, fog and steel—movement, anonymity and freedom on the dance floor—while keeping the mix deliberately dark and minimal to honor the Tresor/E-Werk era aesthetic.

KALTSTROM is an eight-track electronic album by CosPrax, built as a cold current of early-90s Berlin warehouse energy. The record moves between hard, hypnotic techno and restrained Berlin-trance, with dub-techno atmospheres and concrete-room acoustics. Sound design centers on TR-909/707-style drums, mono FM/saw bass lines, muted dub-chords, gated pads, long but filtered reverbs, and subtle tape-like saturation. Short German crowd-chants appear as rhythmic texture; there is no explicit lyrical content. BPM range: 128–138. Tracklist: Betonpulse, Nebelhalle, Gleisdreieck, Halogenengel, Tiefer Druck, Kabelwerk, Nachtfahrt, Ausfahrt Ost. KALTSTROM captures the feeling of strobe, fog and steel—movement, anonymity and freedom on the dance floor—while keeping the mix deliberately dark and minimal to honor the Tresor/E-Werk era aesthetic.

KALTSTROM is an eight-track electronic album by CosPrax, built as a cold current of early-90s Berlin warehouse energy. The record moves between hard, hypnotic techno and restrained Berlin-trance, with dub-techno atmospheres and concrete-room acoustics. Sound design centers on TR-909/707-style drums, mono FM/saw bass lines, muted dub-chords, gated pads, long but filtered reverbs, and subtle tape-like saturation. Short German crowd-chants appear as rhythmic texture; there is no explicit lyrical content. BPM range: 128–138. Tracklist: Betonpulse, Nebelhalle, Gleisdreieck, Halogenengel, Tiefer Druck, Kabelwerk, Nachtfahrt, Ausfahrt Ost. KALTSTROM captures the feeling of strobe, fog and steel—movement, anonymity and freedom on the dance floor—while keeping the mix deliberately dark and minimal to honor the Tresor/E-Werk era aesthetic.

“I Flirt Like I Breathe” is an original English-language lyrical composition written by Emre Gökhan Vuran. The work blends jazz–pop storytelling with a playful, self-aware and romantic narrative voice. The lyrics are fully original, independently created, not derived from any third-party text, dataset or pre-existing composition. All creative decisions including thematic structure, imagery, character voice and line phrasing belong solely to the author. The text was written manually by the author as a standalone literary work intended for musical adaptation. The creative process includes the author's unique expressions, metaphors, rhythm decisions and narrative development that cannot be generated by chance or automated systems.

Public date: 2009-08-11 - renaud elyne: Producer

Public date: 2009-04-08 - Alexander Forselius: Producer

Public date: 2009-04-08 - Alexander Forselius: Producer