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Escrita por: 1. Beatriz Iso Soto (50%) Versión 1 - 05 de julio 2024 2. Carlos Bleycher (50%) Versión 2 -19 de agosto 2024 - La versión 9 del guion está escrita por: 1. Eva Pérez Misa (53171944S) 2. Beatriz Iso (44619087F) 3. Carlos Bleycher (60443767C) 4. Diego López Álvarez (53543208J)

Escrita por: 1. Beatriz Iso Soto (50%) Versión 1 - 05 de julio 2024 2. Carlos Bleycher (50%) Versión 2 -19 de agosto 2024

Cannon Films, cuya principal actividad fue la producción de películas entre 1967 y 1994, fue considerada una productora independiente especializada en el cine de serie B. Solía mezclar varias escenas de metraje antiguo, que compraba a bibliotecas, junto a metraje propio. A lo largo de su actividad Cannon Films produjo 181 películas y su etapa más […]

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Project Title: PATO SILVER (360 Franchise) Producer & Script Fabrizzio Bartolini Art Fabian Geos 1. Nature of the Work A comprehensive audiovisual project comprising a global franchise of 11 feature films and 4 television series, designed under a high-impact transmedia expansion strategy. This dossier includes the narrative architecture, production design, proprietary technical methodology, and financial planning for global distribution. 2. Synopsis and Narrative Structure The saga is set in a gritty, hyper-realistic version of Chile, transformed into the nerve center for a global narcotics empire led by the oligarch Baruck Zwxhushwousky. The Conflict: The story follows Pato Silver and a group of social outcasts who, after witnessing the human devastation caused by the elite's greed, launch an unequal war to dismantle the system from within. The Starting Point: The franchise debuts with an action-thriller/black comedy where a long-lost Vincent van Gogh painting—stolen from an antique dealer at the legendary Bio Bio Persian flea market—becomes the trigger for a bloody and absurd manhunt that escalates into global geopolitics. 3. Characters and Motivations Pato Silver: A renegade leader whose moral compass is activated by extreme injustice. He represents the resistance of the "common man" against absolute power. Baruck Zwxhushwousky: The central antagonist; an oligarch who leverages State structures and trafficking to consolidate near-divine power. Inspiration: The work draws from contemporary social reality, the mysticism of the Chilean antique markets, and the dichotomy between high culture (Van Gogh’s art) and the decay of the criminal underworld. 4. Visual Aspects and Technical Innovation The dossier details the use of the proprietary technique "Fabrizzio Bartolini Line and Montage," an innovation that allows for: The seamless integration of traditional 2D art onto complex 3D structures. The use of highly technical sequence shots that maintain the warmth of hand-drawn lines. Art Design: Includes character modeling, environment creation based on real Chilean locations, and noir-contemporary atmospheric concept art. 5. Budget and Commercial Viability The document provides a detailed breakdown of estimated investment for the development, production, and post-production phases of the franchise's early stages, aimed at the quality standards of platforms such as Netflix, Amazon, and Paramount. It includes international pre-sale projections and co-production models for European and Asian markets. 6. Audiovisual Sales Material The dossier contains direct access to key audiovisual pieces for style and tone validation: Mood Teaser / Pitch Trailer: https://vimeo.com/1188148332/74177c001d?fl=pl&fe=sh Animation Tests (Technical Demo): Visual documentation of the proprietary montage technique. Fabrizzio Bartolini CEO & Director | Fabrizzio Bartolini Films

Project Title: PATO SILVER (360 Franchise) Producer & Script Fabrizzio Bartolini Art Fabian Geos 1. Nature of the Work A comprehensive audiovisual project comprising a global franchise of 11 feature films and 4 television series, designed under a high-impact transmedia expansion strategy. This dossier includes the narrative architecture, production design, proprietary technical methodology, and financial planning for global distribution. 2. Synopsis and Narrative Structure The saga is set in a gritty, hyper-realistic version of Chile, transformed into the nerve center for a global narcotics empire led by the oligarch Baruck Zwxhushwousky. The Conflict: The story follows Pato Silver and a group of social outcasts who, after witnessing the human devastation caused by the elite's greed, launch an unequal war to dismantle the system from within. The Starting Point: The franchise debuts with an action-thriller/black comedy where a long-lost Vincent van Gogh painting—stolen from an antique dealer at the legendary Bio Bio Persian flea market—becomes the trigger for a bloody and absurd manhunt that escalates into global geopolitics. 3. Characters and Motivations Pato Silver: A renegade leader whose moral compass is activated by extreme injustice. He represents the resistance of the "common man" against absolute power. Baruck Zwxhushwousky: The central antagonist; an oligarch who leverages State structures and trafficking to consolidate near-divine power. Inspiration: The work draws from contemporary social reality, the mysticism of the Chilean antique markets, and the dichotomy between high culture (Van Gogh’s art) and the decay of the criminal underworld. 4. Visual Aspects and Technical Innovation The dossier details the use of the proprietary technique "Fabrizzio Bartolini Line and Montage," an innovation that allows for: The seamless integration of traditional 2D art onto complex 3D structures. The use of highly technical sequence shots that maintain the warmth of hand-drawn lines. Art Design: Includes character modeling, environment creation based on real Chilean locations, and noir-contemporary atmospheric concept art. 5. Budget and Commercial Viability The document provides a detailed breakdown of estimated investment for the development, production, and post-production phases of the franchise's early stages, aimed at the quality standards of platforms such as Netflix, Amazon, and Paramount. It includes international pre-sale projections and co-production models for European and Asian markets. 6. Audiovisual Sales Material The dossier contains direct access to key audiovisual pieces for style and tone validation: Mood Teaser / Pitch Trailer: https://vimeo.com/1188148332/74177c001d?fl=pl&fe=sh Animation Tests (Technical Demo): Visual documentation of the proprietary montage technique. Fabrizzio Bartolini CEO & Director | Fabrizzio Bartolini Films

Project Title: PATO SILVER (360 Franchise) Producer & Script Fabrizzio Bartolini Art Fabian Geos 1. Nature of the Work A comprehensive audiovisual project comprising a global franchise of 11 feature films and 4 television series, designed under a high-impact transmedia expansion strategy. This dossier includes the narrative architecture, production design, proprietary technical methodology, and financial planning for global distribution. 2. Synopsis and Narrative Structure The saga is set in a gritty, hyper-realistic version of Chile, transformed into the nerve center for a global narcotics empire led by the oligarch Baruck Zwxhushwousky. The Conflict: The story follows Pato Silver and a group of social outcasts who, after witnessing the human devastation caused by the elite's greed, launch an unequal war to dismantle the system from within. The Starting Point: The franchise debuts with an action-thriller/black comedy where a long-lost Vincent van Gogh painting—stolen from an antique dealer at the legendary Bio Bio Persian flea market—becomes the trigger for a bloody and absurd manhunt that escalates into global geopolitics. 3. Characters and Motivations Pato Silver: A renegade leader whose moral compass is activated by extreme injustice. He represents the resistance of the "common man" against absolute power. Baruck Zwxhushwousky: The central antagonist; an oligarch who leverages State structures and trafficking to consolidate near-divine power. Inspiration: The work draws from contemporary social reality, the mysticism of the Chilean antique markets, and the dichotomy between high culture (Van Gogh’s art) and the decay of the criminal underworld. 4. Visual Aspects and Technical Innovation The dossier details the use of the proprietary technique "Fabrizzio Bartolini Line and Montage," an innovation that allows for: The seamless integration of traditional 2D art onto complex 3D structures. The use of highly technical sequence shots that maintain the warmth of hand-drawn lines. Art Design: Includes character modeling, environment creation based on real Chilean locations, and noir-contemporary atmospheric concept art. 5. Budget and Commercial Viability The document provides a detailed breakdown of estimated investment for the development, production, and post-production phases of the franchise's early stages, aimed at the quality standards of platforms such as Netflix, Amazon, and Paramount. It includes international pre-sale projections and co-production models for European and Asian markets. 6. Audiovisual Sales Material The dossier contains direct access to key audiovisual pieces for style and tone validation: Mood Teaser / Pitch Trailer: https://vimeo.com/1188148332/74177c001d?fl=pl&fe=sh Animation Tests (Technical Demo): Visual documentation of the proprietary montage technique. Fabrizzio Bartolini CEO & Director | Fabrizzio Bartolini Films

Cuando el tiempo le da la razón al cine. Hay películas que fracasan en su estreno, son incomprendidas por crítica y público, y sin embargo, años después, se convierten en obras de culto. No es casualidad: muchas de ellas no eran malas, simplemente estaban adelantadas a su época. Este fenómeno revela algo fascinante: el cine […]

A concept of Pichanga, TV Series of Fabrizzio bartolini Films Created by Fabrizzio Bartolini Concept by Fabian Geos

A concept of a Valparaiso, TV series of Fabrizzio Bartolini Films. Created by Fabrizzio Bartolini Concept by Fabian Geos

A concept about the imagination of Cassio, tv series of Fabrizzio Bartolini Films, where the son of Pato Silver, Cassio, survive the hard world of a poor family. Create for Fabrizzio Bartolini Concept by fabian Geos

Full Name: Carola Eugenia Truco Salinos Nickname: Flaca Name of family members: Unknown Age: 19 Occupation: Student Place of Birth: Pedro Aguirre Cerda, Chile Objective (Role in the story): Isra's girlfriend, his loyal companion and advisor, helps her boyfriend on the journey undertaken by Pato Silver Motivation: Fun Weakness: Drugs Need: Fun Strength: Maturity Past History: Helped her family when her brother fell into drug addiction Dominant Trait: Good companion Flaws: Can't sing Skills: Cheerful Attitudes: Empathetic Romantic Life: She had just ended a relationship with an obsessive man when she met Isra, who fell in love with her and she with him, and they have never been apart. Fears/Phobias: Not getting home Values ​​and Beliefs: Loyalty Ambition: To have a good partner Breakdown: When something bad happens to her partner Self-image: Female rapper Reputation: Drug addict Hobby: Listening to good Hip Hop music.